November’s “Counterpoint” fragrance is Estée Lauder’s Beyond Paradise, in its original bottle and formulation. In many ways, it is a unique fragrance: almost a hologram of an imaginary tropical flower.

1. How did you first encounter Estee Lauder Beyond Paradise, and what was your first impression? 

Old Herbaceous: Like a few other scents I’ve described, I first encountered Beyond Paradise because Luca Turin and Tania Sanchez rated it with five stars in their book “Perfumes: The A-Z Guide.” That book was a big part of my going down the rabbit-hole with fragrance, and I sought out several of the five-star fragrances as part of educating myself and my sense of smell. Although Beyond Paradise is still available (though apparently discontinued now), what one usually finds is a reformulation dating from 2015, in a standardized rectangular clear glass bottle. The original, in the ovoid rainbow-tinted bottle, was launched in 2003, created by Calice Becker. That’s the one I sought, with eventual success.

My first impression was “Wow – white floral alert!”, though I wouldn’t describe it as the proverbial “Big White Floral” that strikes terror into so many perfumistas’ hearts (or noses). I have mixed feelings about white florals. I love many white floral notes and accords, like jasmine and gardenia, and their corresponding flowers in real life, especially outside. Many white flower fragrances smell more like hothouse plants, grown in humid greenhouses and conservatories, warm and somewhat stifling. I wonder if this is because many perfumers encounter the blooms of plants like jasmine and gardenia in those settings?

Interestingly, Beyond Paradise is supposed to have been inspired by the largest conservatory in Europe and the UK, possibly in the world: the Eden Project in Cornwall, which I’ve actually visited with my family some years ago.

This origin is reflected in the 2003 list of its notes:

Top Notes: Eden’s Mist, Blue Hyacinth, Orange Flower Templar, Jabuticaba Fruit
Middle Notes: Laelia Orchid, Crepe Jasmin, Mahonia Japonica, Pink Honeysuckle
Base Notes: Natal Plum Blossoms, Ambrette Seed, Zebrano Wood, Golden Melaleuca Bark

The accord “Eden’s Mist” is supposed to be based on the scent of the air inside one of the Eden Project’s domes. More prosaically, Fragrantica gives the following notes list: Top notes: Hyacinth, Orange Blossom, Grapefruit, Bergamot and Lemon; middle notes are Jasmine, Gardenia, Honeysuckle and Orchid; base notes are Hibiscus, Plum Wood, Ambrette (Musk Mallow) and Amber.

Portia: Many years ago on my first visit to India after Varun had moved back to help run the families’ hotels, I was shopping in the Sydney Airport Duty Free for gifts to give him and the family. Because I’d spent some serious money the SA was unbelievably generous with the samples. One of those was a spray mini of Beyond Paradise. When I first sprayed it on me I couldn’t believe anything could smell so good and fell madly in love on the spot. Nothing in my history of loving perfumes prepared me for what Beyond Paradise is.

Funnily, when I arrived in India Varun loathed it. He couldn’t understand why I would want to smell exactly like the jasmine, tuberose and marigold that Indian women wore woven into their hair and that Indians gave to their deities’ statues. 

Obviously I ignored him and wore the whole mini over the next two weeks. I think I bought my first bottle on the way home.

2. How would you describe the development of Estee Lauder Beyond Paradise?

Portia: JASMINE! with some other florals and a citrus burst running underneath. It’s so over the top I can’t help but laugh and then once that dies down I continue to huff my wrist and smile the smile of a happy perfumista. There is even a squeal-y urinous hit from the grapefruit and a breathy poopiness. To me this is the most French of the Lauder summer oeuvre. Definitely not the super clean of many American perfumes. There is the dewy cool fresh water aspect though, like the cold rivulets on a bottle of white wine.

How are marigolds not a note, I can smell their sharp funkiness clear as day.

While Beyond Paradise does have a trajectory it’s not a large one and the noted amber in the base seems to pass me by completely. There are some green broken branches or twigs, white flowers and shitloads of vegetal musks with still pretty hints of pithy citrus right to the end.

Old Herbaceous: Given that my first impression is of exotic flowers growing in a conservatory, I think my nose is actually picking up on “Eden’s Mist”. I don’t smell any hyacinth, and I couldn’t tell you what jaboticaba fruit smells like. The closest I can describe to what I smell at first is a combination of jasmine and tropical orchids. Although Mahonia japonica is listed as a middle note, I don’t smell that. I grow mahonias in my garden, and to me they smell most like lily of the valley. That’s not what I smell in Beyond Paradise. In fact, the whole development of Beyond Paradise most resembles its origin story: a walk through a fantasy conservatory with abstract, imaginary flowers. I agree with Portia, though, that of all the floral components, the strongest is a jasmine accord.

Lauder initially described the fragrance and its flankers as “prismatic florals”. The word “prismatic” usually refers to the image created when a prism refracts a beam of light, separating into its color constituents. I experience Beyond Paradise as a sort of prism in reverse, with its many notes coalescing into a smoothly abstract whole. The image that comes to my mind is the modern sculpture “Cloud Gate”, by Anish Kapoor, in Chicago’s Millennium Park. It is made up of almost two hundred stainless steel plates, welded together so seamlessly that it appears as an unbroken polished surface (shaped like a giant bean, which is its nickname). To my nose, Beyond Paradise is almost linear, though it warms slightly after about an hour or two. That’s also when I smell some underlying fruitiness and green, and a bit of the funk that Portia describes.

3. Do you or will you wear Estee Lauder Beyond Paradise regularly? For what occasions or seasons?

Old Herbaceous: I don’t wear it often, but it’s a lovely fragrance for warm weather or a beach vacation. It also works well in an office, since it doesn’t shout BWF. I think it would be great for a romantic dinner outside on a terrace on a warm summer evening. It is quite elegant, in its streamlined abstraction.

Portia: The last couple of summer seasons Beyond Paradise did not come out of the Lauder box even once. I always think of Lauder as winter perfumes like Youth Dew, Azuree, and Cinnabar and forget this, Modern Muse and Beyond Paradise in the warmer months. This year as the weather heats up I’m leaving it in the grab tray so it does get a bunch of wears. It’s way too gorgeous and holds too many happy memories to leave it languishing, all forlorn in the cupboard.

Spring and summer seem like the perfect and obvious seasons to wear Beyond Paradise but I think it might be nice on any sunshiny day. It could also be a breath of nature and cool water in an office environment. So bright and refreshing without feeling like a regular freshie.

4. Who should/could wear Estee Lauder Beyond Paradise?

Portia: This is perhaps one of the girliest non-confectionary perfumes that’s available. I will say though that when I wear it the incongruity of a dude walking around smelling like this works in my favour. It’s one of the perfumes that people ask about. Mainly because it jumps out as not something you often smell on gents. 

The change of bottle from gorgeous to boring AF will also mean that men will probably have less trouble having it on their dresser or in the collection.

Old Herbaceous: The opening of Beyond Paradise puts it squarely in the “feminine floral” camp, but as it dries down, it becomes more unisex to my nose and reminds me of some classic aquatic fragrances. I think it would especially suit anyone on a warm summer evening, when its fantasy florals would blend with the night air, especially in a humid climate. If you come across it at a reasonable price, sometimes still found online, it’s a nice addition to a fragrance collection unless you just loathe florals.

How do you respond to white florals, big or otherwise? Any favorites? Have you tried Beyond Paradise?