Roaring back from yesterday’s disappointing sampling of scents I thought would be rosy, and weren’t, today’s entry is Jo Loves’ Rose Petal 25, the fragrance perfumer Jo Malone (the person) launched last year to celebrate 25 years of her career in perfumery. This is really, really rosy, friends. Thank goodness! Continue reading
One of my goals in writing daily about rose-centric fragrances during this “Roses de Mai Marathon” is to cover a wide range of scents: niche, mass market, designer, etc. Naturally, this also means covering a wide range of prices, from “bargain beauties” to stratospheric. I should note that I myself am unwilling to pay stratospheric prices for almost any fragrances. Continue reading
Welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.
Today is April 24, and it’s a beautiful day in the neighborhood, to quote Mr. Rogers. Continue reading
Those of you who read fragrance blogs and articles know that the brand Jo Loves was started by Jo Malone, who sold her first, eponymous brand to Estee Lauder, worked for them for some time, then launched a new brand of her own, Jo Loves, several years later. She also has a store at 42 Elizabeth Street in London. No. 42 The Flower Shop is named after the coincidence that when she was a teenager, Jo worked as a florist on the same street where her store now stands. I’ve had the pleasure of visiting it, and I highly recommend that if you are in London! It’s a lovely store, and it is close to Les Senteurs, a long-established niche perfumery with a wide selection of fragrances by independent brands.
No. 42 The Flower Shop smells exactly like its name. It is the smell that greets you when you walk into a florist’s shop, a mix of cut flower and leaf fragrances, very green and fresh. While the brand’s website describes it only as “fresh blooms and crushed green leaves”, Fragrantica describes it in more detail: “top notes are green leaves, mandarin orange and peony; middle notes are lily-of-the-valley, freesia, jasmine and narcissus; base notes are iris, white musk, moss and patchouli.” Lily of the valley is listed with green notes as one of the top two notes perceived by commenters.
The opening is indeed very green, which I like very much. There is a slight sweetness and juiciness that reflects the mandarin orange note, but the citrus fades away quickly and what remains at first are green, green leaves. Then the floral notes enter, including the lily of the valley. I think that lily of the valley and freesia are evenly matched in No. 42 The Flower Shop. Both are evident, but they are blended together very nicely; at some moments in this middle stage, the freesia is more dominant to my nose, but at other times, the lily of the valley takes precedence. No. 42 The Flower Shop evokes a very specific memory for me: the florist buckets and potted plants outside my favorite store in the world: Liberty London. I love everything about Liberty: first and foremost, its signature fabrics and fabric designs; but also its fabulous building in Great Marlborough Street, its tearoom, its amazing fragrance department — everything.
The green notes persist during the middle stage of No. 42 The Flower Shop; that and the other floral notes make the fragrance a bouquet, and by no means a soliflore, as befits a florist shop. The narcissus note is evident, though not as strong as the lily of the valley and freesia, but it adds a nicely astringent tone to the sweeter flowers (it is not one of those heady, “narcotic” narcissus notes, it too is very green). The fragrance retains its greenness throughout, including in its base notes of moss and patchouli. The moss note is especially clever, as it is so common for lilies of the valley and spring bulbs like narcissus to be forced in pots and potted with green moss.
Sadly, No. 42 The Flower Shop does show its kinship with some of the original Jo Malone fragrances in that it doesn’t last as long as I would like. It is so pretty, though, that I’m glad I own a bottle; and I’m looking forward to visiting Jo Loves’ boutique later this month to try her new fragrance, Rose Petal 25.
Have you tried any of the Jo Loves fragrances? I’m also very partial to White Rose and Lemon Leaves. If you’re interested and you haven’t tried any but you’re pretty sure you may want one, Jo Loves has a discovery “experience” where you pay the price of a full bottle (50 ml or 100 ml) and get a discovery set with a certificate for the full bottle of your size and choice; I believe that includes shipping.
Happy International Women’s Day! In honor of the day, Fragrantica published a very nice article highlighting several celebrated perfumers who are women, and some of their creations: Perfumery: Women Creators. In the comments section, readers have started adding their own suggestions. In no particular order, suggested additions include:
Olivia Giacobetti, Liz Moores, Anne Flipo, Sidonie Lancesseur, Nathalie Feisthauer, Daphne Bugey, Vero Kern, Josephine Catapano, Shelley Waddington, Shyamala Maisondieu, Nathalie Gracia-Cetto, Sonia Constant, Christine Nagel, Mathilde Laurent, Sarah McCartney, Dawn Spencer Hurwitz, Mandy Aftel, Ayala Moriel, Laurie Erickson, Charna Ethier, Diane St. Clair, Claire Baxter, Marie Salamagne, Lyn Harris, Nathalie Lorson.
Do you have any favorite perfumers who are women? Any favorites among their creations?
Here are some of mine:
Liz Moores: Dryad; Christine Nagel: Twilly; Mathilde Laurent: Cartier Carat; Sarah McCartney: White Queen; Diane St. Clair: Gardener’s Glove; Marie Salamagne: Alaia; Lyn Harris: Terre d’Iris; Nathalie Lorson: Shiseido Zen 2000; Jo Malone (the person): White Rose & Lemon Leaves; Marie-Helene Rogeon, Clair Matin.
Featured image: Dawn Spencer Hurwitz, from www.denverartmuseum.org.
Some of my favorite bloggers are posting about favorite holiday fragrances, and several have created their own fragrance Advent calendars, so clearly ’tis the season! I love Advent, but I was too slow off the mark to organize my own Advent calendar in time, and this is a very busy time of year for me at work, so I’ll just enjoy reading about theirs — although I might get my act together for a few “scents of Advent” or even a fragrance Twelve Days of Christmas, so stay tuned!
As some of you know, I’m an enthusiastic amateur gardener. One of the plants I love most is the hellebore, sometimes called the “Christmas Rose” or “Lenten Rose” because it blooms in the winter. I love it so much that the special china we bring out for the holidays from now through February has hellebores on it.
So for my “scents of Advent” post today, I’m going to write about a few of the rose scents that I especially enjoy in the fall and winter, although real hellebores have little fragrance. Actual roses can emphasize so many different facets of their natural fragrance, and then perfumers focus on a few of those, and choose companion notes to heighten that emphasis; this is undoubtedly why there are hundreds, if not thousands, of rose-centric fragrances. I know some perfume-lovers dislike rose, but I’m inclined to think that may be because they haven’t found the right rose for them, or because they have unhappy associations with bad rose scents like poorly made soap.
I love fresh, citrusy, green roses in the spring and summer, but I’m just not drawn to them when the weather turns colder. Luckily, many perfume houses have created scents that emphasize the spicier, darker, warmer aspects of rose, and those are the ones I enjoy at this time of year. I’ve written before about some of them: Aramis’ Calligraphy Rose, Montale’s Intense Cafe, Gres’ Cabaret. Here are a few more:
Tauerville’s Rose Flash: this is one of the best fragrance buys on the market, imho. It is the first of Andy Tauer’s “Tauerville” line, fragrances that are deliberately more experimental (and more affordable) than his main line but still artfully crafted and multi-faceted. Rose Flash comes in a 20% concentration; in other words, parfum extrait strength. At $63 for a 30 ml bottle, and given its high quality, it’s at the top of my list. Here is the description from the website: “A shamelessly diffusive, tenacious, extrait-strength creation, overflowing with the greens, spices, citruses, woods and creamy intimacies which enter your very soul when you stick your nose into a bona fide, scented, living rose.” Be still, my heart! Yes, it really is that good.
Penhaligon’s Elisabethan Rose 2018: an update of a former Penhaligon’s classic, Elisabethan Rose, its notes are: Hazelnut Leaf, Almond Oil, Cinnamon, Red Lily, Rose Centifolia Oil, Rose Absolute, Vetyver, Musk, Wood. The unusual opening is just spicy enough to make it clear that this is a deep red rose, nothing pale. The cinnamon note makes it right for this season, but it isn’t strong. The rose notes, which appear right away, are fruity and deep, with wonderful undertones of spices and light wood. This is rapidly becoming one of my favorite rose fragrances — and what’s not to love about a bottle with a white ruff around its neck?
Jo Malone’s Tudor Rose & Amber: one of the limited edition “Rock the Ages” set of 2015, Tudor Rose & Amber is meant to embody one of the most notable periods of English history. From Fragrantica: “Tudor Rose & Amber evokes the bloody and turbulent Tudor era. The fragrance contains Damask and Tudor rose as well as ginger in the heart, spicy beginning of pink pepper and clove and the base of golden amber, patchouli and white musk.” The ginger and clove make this a warm, dark rose for winter. Many commenters talk about a boozy or winelike impression; if so, it’s a mulled wine. Even Luca Turin likes this; in “Perfumes: The Guide 2018”, he gave it four stars and wrote:
The distinguished Grasse house of Mane must have been gutted to see Christine Nagel move to Hermes, because she was a priceless treasure. It’s not as if the rose-amber accord hadn’t occurred to anyone before, but Nagel inserts her trademark slug of biblical spices and woods smack in the center, as she did in Theorema (Fendi, 1998) and rescues it from heaviness and banality. Very fine work.
Do you have any favorite cold-weather rose fragrances? Any fragrances that particularly say “holidays” to you? Please share!
Featured image from www.neillstrain.com.
If you are like me, you MAY have vaguely heard the name Adam Levine. You may even know that he is the lead singer for a pop rock band. You would probably recognize many of his songs with that band, Maroon 5. Maybe you’ve seen him as a coach on The Voice (I haven’t). What I’m trying to say is that I’m not his “target audience” , even though I’ve enjoyed his songs on the radio. I wouldn’t normally seek out his particular celebrity scent, or any particular celebrity scent. And yet I find myself recommending this one more than I would ever have expected, especially in colder weather, so I might as well explain why!
I have found that there are some perfume “noses” whose work often meshes with my own nose; some are mainstream perfumers working with big fragrance houses and companies, and some are truly indie perfumers, creating for their own niche brands. One of the more mainstream perfumers whose work I enjoy more often than not is Yann Vasnier. He has created several for Arquiste, including my initial discovery of his work, the two Arquiste fragrances for J. Crew, No. 31 and No. 57. I loved the “Bloomsbury Collection” he did in 2017 for Jo Malone, especially Blue Hyacinth. The Arquiste for J. Crew fragrances were discontinued some time ago, so I was browsing around for a similar scent, and looking up other fragrances by M. Vasnier, and I came across Adam Levine For Her, which was launched in 2013. It is truly a bargain — 3.4 fl. oz. of eau de parfum for under $15, sometimes even under $12.
Fragrantica lists its notes as follows: “top notes are saffron, citruses, marigold and spices; middle notes are Indian jasmine, Australian sandalwood and rose petals; base notes are benzoin and vanilla.” The opening is pleasantly bright and spicy, and I definitely smell the marigold, too, which is a less common note in fragrance but one I like very much (I love the smell of real marigolds, but some people don’t like it at all). The middle phase of Adam Levine For Her is what I would call a “warm floral” — the jasmine and rose are softened and blurred by the sandalwood, while the spice notes of the opening persist for a while after the opening citruses have faded. This is the most floral stage of the fragrance, so I think it would work very well on many men, even those who don’t fully embrace floral notes.
The drydown becomes sweeter and warmer as the benzoin and vanilla take the stage, but not excessively so. A really clever aspect of this fragrance is that it evokes Adam Levine’s own voice, which ranges from a bright, pop-inflected tenor to a warmer, deeper range. M. Vasnier again shows an alert mind at work even behind this discount fragrance. On my skin, Adam Levine For Her lasts a long time; I like to wear it to bed because of its calm warmth and I can still smell it when I wake up. It also lasts forever on textile, and I’m seriously considering spraying it on one of my wool scarves this winter just to enjoy it wafting up to me when I’m outside. I don’t think I’ll want to wear it in the spring or summer, but it’s great for autumn.
Interestingly, when you read about it on Fragrantica, thirty (30) readers have noted that Adam Levine For Her reminds them of — wait for it — the much more expensive Santal Blush by Tom Ford in his Private Blend line, also created by Yann Vasnier. I haven’t tried Santal Blush, so I can’t speak to any resemblance, but I can say that the Whisky & Cedarwood he created for Jo Malone does remind me a lot of Arquiste for J. Crew No. 57, so it appears that he thinks about and reworks certain themes in the fragrances he creates, which makes sense. Santal Blush has more notes and probably more expensive ingredients, but if you like it, you might see if you like this more affordable sibling. Australian Perfume Junkies has an excellent review of it, from 2015; and I Scent You A Day also reviewed and liked it in 2016.
It may have been discontinued, as I often see it at various discount outlets, both brick and online, but it is still widely available for bargain prices. Earlier this year, Yves St. Laurent announced that Adam Levine would become the new face and ambassador for its 2017-launched men’s fragrance, Y. I think I’ll order a backup bottle of this fragrance for women!
Have you tried this, or any similar fragrances by M. Vasnier? Have you tried Santal Blush? Thoughts?
I took a short break from my May Muguet Marathon to travel to London — no, not to see the Queen or the recent royal wedding. But like many Americans, I followed the wedding hoopla with some interest and found myself surprisingly moved by the ceremony and service. While I am here this week, I am visiting some perfume meccas and will write about them soon. But today, we are continuing the theme of weddings and bridal bouquets that include lilies of the valley. They were one of several white flowers featured in Meghan Markle’s lovely bouquet, apparently as a way to honor Princess Diana, who had them in her own bridal bouquet.
Town & Country magazine wrote a nice description of the bouquet, noting that, in addition to Princess Diana and Kate, now the Duchess of Cambridge, “other British royal brides who have incorporated the bloom in their bouquets are Princess Margaret in 1960, Princess Anne in 1973, and Camilla, Duchess of Cornwall, when she wed Prince Charles in 2005.” All of the flowers for the recent royal wedding were stunning, and it makes them even sweeter to know that they were made into gift bouquets after the ceremony and sent to hospice patients and residents of women’s shelters in the area.
What scent might a bride wear while carrying a bouquet of lilies of the valley? I wrote a while ago about a Brides magazine article that paired fragrances with various bridal bouquets: May Muguet Marathon: Perfume/Bouquet Pairings. No one seems to know for sure what Meghan wore on her wedding day, but it is known that she favors Jo Malone scents such as Wild Bluebell and Wood Sage and Sea Salt as her everyday fragrances. Apparently, the British perfume house Floris, which has a royal warrant, has created a bespoke fragrance for her, according to Marie Claire magazine. It is meant to be unisex, with notes of bergamot and orange flower. It sounds delightful, and as sunny as the gorgeous weather the happy couple (and happy onlookers) enjoyed in Windsor last weekend.
I have a soft spot for wedding bouquets with lilies of the valley, as I carried them in my own bridal bouquet (and grew those particular blooms in my own garden). I think I also wore Diorissimo that day, as that was one of my two regular fragrances at that time (the other being Chanel No. 22) but can’t say for sure. No matter! My wedding day was fragranced with muguet, and that is a very happy memory for me. May the lilies of the valley in her bouquet also bring great happiness to Meghan and her Prince!
Another UK fragrance house I like very much is Miller Harris. British perfumer Lyn Harris founded Miller Harris in 2000. Before that she spent 5 years training in France at one of the highly prestigious schools of the perfume in Paris and then Robertet in Grasse. After selling her eponymous company, which still produces fragrances under the brand name Miller Harris, she started a new line, Perfumer H. The Perfume Society has a lovely summary of the founding of the Miller Harris line and its ongoing work: Miller Harris. I was able to visit the boutique in Covent Garden some time ago, which was a rainbow of color from various packages.
I am the happy owner of two Miller Harris “travel sets”: Fragrance Friday: La Collection Voyage. I especially liked Terre d’Iris and La Pluie, but honestly, I haven’t yet tried a Miller Harris scent I disliked. I liked Tangerine Vert very much, but found it did not last well on my dry skin. Applying a “filter” like Maison Martin Margiela’s Replica Filter Glow was helpful, as was the application of a rich, fragrance-free cream. All in all, I’m delighted to have made the acquaintance of Miller Harris. If you enjoy fragrance lines like Penhaligon’s or Jo Malone, you’ll probably like Miller Harris.