I said in Friday’s Perfume Chat Room that I would write today about Van Cleef & Arpels’ Automne, and then I realized I already had, a few years back!
What special fragrances return again and again to your seasonal rotations?
Welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.
Today is Friday, September 25, and the weather has suddenly become more like fall, at least where I live. That seems to be the case in other parts of this hemisphere too, because I’ve been seeing a lot of blog posts and comments elsewhere about people putting away their more summery fragrances and taking out fragrances they enjoy in autumn.
One of mine is the aptly named Automne, by Van Cleef & Arpels. Fragrantica calls it a “floral-woody-musk.” One thing I like about it is that the dominant notes are lily and sandalwood. I’ll write more about it for “Scent Sample Sunday” this weekend!
Are you having autumnal weather where you are? Or some other change of season with the equinox? What fragrances do you prefer in autumn?
Featured image by Jessica Potila.
I find that the fragrances I choose to wear are highly influenced by the season and the weather. This year, in my part of the US, September and even the start of October felt more like late August. Temperatures were still in the 90s almost daily, and the humidity was high in spite of near-drought conditions and lack of rain. Finally, in the past week, fall arrived. Leaves are changing color and night temperatures are in the 40s. We even turned on the heat this week, though we don’t need it during the day, when the sun still warms the air into the balmy 70s. We haven’t had the weather we usually enjoy here in October, which resembles the “Indian summer” one sees in September in the Northeast, but it is pleasant. And we finally got lots of rain, which the trees desperately needed.
What fragrances work with this oddball weather and transitional season? One could do worse than Sarah Jessica Parker’s Covet, an oddball fragrance that combines apparently disparate notes like lemon, lavender, and chocolate. Wearable by both women and men, it combines a summery freshness with aromatic lavender, over a hum of dark cocoa.
On first application, Covet displays its lemon opening notes very clearly. Some commenters dislike the opening, comparing it to lemon floor cleaner and other functional sprays. I do see what they mean, though it doesn’t hit my nose as sharply as it seems to hit theirs. Luckily, the cocoa quickly starts making itself felt, and lavender arrives shortly after that. The lemon is persistent, but it does fade into the background after about 45 minutes or so on my skin. In the middle phase, to my nose the most prominent note is lavender. I can’t say that I sense any of the listed floral notes (honeysuckle, magnolia, and lily of the valley), which would have matched it more closely to my perceptions of spring. The cocoa is still faintly present and warms up the lavender. In the dry down, moving into base notes, Covet becomes more herbal and its warmth is woody rather than chocolatey, with an undertone of musk. Longevity is good but not extraordinary.
Covet was launched in 2007, after the huge success of Lovely, the first SJP fragrance. It has been discontinued as far as I can tell, though it is still widely available at bargain prices online. In line with its odd composition, the ad campaign for it is truly weird, portraying Sarah Jessica Parker in a ball gown, kicking in a plate glass window at night to get to a bottle of the fragrance and being taken away in handcuffs by Parisian gendarmes. “I had to have it”, she declares to the camera, with a somewhat demented expression on her face.
I find Covet to be a unisex fragrance, leaning neither traditionally feminine or masculine. Do I “have to have it”? No, but I’m glad to have a small bottle, because the fragrance is interesting. It’s a transition between the mainstream prettiness of Lovely (which is indeed lovely, though not groundbreaking) and the much more daring SJP Stash. Covet is much more quirky than Lovely, but Stash is in a category of its own among celebrity scents. As many commenters have noted, if Stash came with a niche label and price tag, it would hold its own among today’s niche fragrances.
Covet turns out to be a good fit with the transitional season and weather we’re having now. Soon enough, I will want more traditional fall fragrance notes, like amber, vanilla, spices. What are your favorite fall fragrances and notes? Have you tried Covet?
Several of the perfume blogs I follow are featuring lists and questions about favorite autumn fragrances, and I’ve found myself mentioning, more than once, Aramis’ Calligraphy Rose, which I like to wear in the fall and winter as a “floriental” — still floral, which is probably my most favored category of fragrance, with added oriental fragrance aspects like spices, myrrh, frankincense, etc. Per Fragrantica, its top notes are oregano, saffron and honeysuckle; middle notes are turkish rose, myrrh, styrax and lavender; base notes are labdanum, musk, ambergris and olibanum (frankincense).
Calligraphy Rose was one of a trio of Aramis eaux de parfum launched from 2012-2014: Calligraphy (2012), Calligraphy Rose (2013) and Calligraphy Saffron (2014). It was created by perfumer Trudi Loren, who is listed with Maurice Roucel as co-creator of 2006’s Missoni, awarded five stars by Luca Turin in his original “Perfumes: The A-Z Guide.” It has been discontinued but is still widely available online for reasonable prices.
To my nose, Calligraphy Rose starts out green and sweet, which makes sense given the top notes listed. The oregano I smell is the green, growing plant, not the dried herb. The sweetness must come from the honeysuckle note, which Gail Gross wrote about in a wonderful review of Calligraphy Rose last January at CaFleureBon. For her, the honeysuckle was very dominant. It is less so for me, though its underlying sweetness never leaves. On my skin, the rose note emerges quickly and strongly, and it persists for a long time, which I love. I have layered Calligraphy Rose with other rose scents such as Taif Roses by Abdul Samad Al Qurashi, a powerful rose attar, on occasions like Christmas Eve, with happy results; any lasting rose fragrance will have the same effect of amplifying the already-strong rose note. I bet it would layer beautifully with Viktor&Rolf’s Flowerbomb Rose Twist, a perfume layering oil, or with Tauerville’s Rose Flash, with its 20% concentration. One could emphasize other notes in a similar fashion, such as adding a lavender or frankincense layer, pushing it in any direction one prefers. Calligraphy Rose is a bit of a chameleon.
As it dries down, Calligraphy Rose on its own becomes less floral and more balsamic, like a lovely balsamic glaze. This “glaze” was made with honey, and includes herbs. Having started out quite green, it becomes warmer, thanks to those warm base notes. In fact, its progression is not unlike the progression of autumn itself, from the lingering green of still-living plants, to the late flushes of rose blooms, to the warmth and spice of winter dishes. P.S. It lasts for hours and hours! One spray on my wrist is still wafting faintly off my skin almost 24 hours later as a warm, sweet skin scent. Use with a light hand, but you’ll smell marvelous for a long time.
Calligraphy Rose is a truly unisex fragrance. Launched under Estee Lauder’s men’s brand of Aramis, it suits both men and women. It is less gourmand than Montale’s Intense Cafe, more herbal. I love it!
Ah, fall. I love autumn. It kicks off with my birthday and showcases my favorite trees, the gorgeous Japanese maples in all their color and variety. I’ve always loved school, and fall is the season of new beginnings in school. The anticipation of a new school year, with new classmates and possibilities … Come to think of it, fall really is the season of anticipation for me. It leads us into Advent, another season I love, and the series of holidays I cherish in America: Halloween, Thanksgiving, Christmas, New Year’s. Anticipation also rises as I plant bulbs in the fall; they produce many of my favorite flowers, often fragrant, and each bulb is like a small gift wrapped in brown paper.
This fall, I am enjoying Van Cleef & Arpels’ Automne, from their series Les Saisons. The perfumer behind it is none other than Francis Kurkdjian, of MFK fame. According to Fragrantica:
Every perfume from the series is dedicated to a certain season of the year: the symbol of the series is a tree that changes, but stays the same. Automne is the scent of the fall; the scent of yellow leaves and moist branches; the scent of a golden autumn forest. Woody fragrance with mild spicy and floral notes warms you like a wool scarf. The composition opens with fresh notes of Italian lemon, black currant and red berries, developing into the heart of white sandalwood, lily and almond. The base is filled with heliotrope, cedar wood and musk.
One of the aspects I am enjoying most about Automne is that it differs from many “fall” fragrances in that it retains a predominantly floral aura while still offering the spicy and woody notes many of us want in an autumnal perfume. Other fragrances I enjoy in the fall are more boozy, more spicy, but I love this one because it reminds me that flowers are still blooming in autumn. My own garden still has a few late roses; my azaleas are throwing off some unseasonal blooms; the sasanqua camellias are blossoming in shades of pink and white. The lily notes in Automne remind me of the fragrance I anticipate from the bulbs I plant in this season, while the delicate warmth and wood notes evoke both the Japanese maples I love and the papery covering of spring bulbs.
The classic Easter lily, lilium longiflorum, is also native to Japan, as is Lilium auratum, the legendary “golden-rayed lily”.
I do not grow the golden-rayed lily, but I have a number of Easter lilies in my garden, usually planted out after I have bought them in bud for Easter adornment.
Automne opens with a refreshing citrus accord, dominated by Italian lemon but including also black currant and red berries. It feels fresh and lively, not sweet. The scent quickly moves into a combination of floral and woody notes, specifically lily and sandalwood. The creamy almond note is present but it seems to function mostly as a way to soften the edges of the sandalwood and bridge that woody note to the softer floral note of the lily. This stage lasts a while, though nothing about this scent lasts very long.
As it dries down, Automne gently fades into softer and softer floral notes (heliotrope) underlaid by cedar and some mild spices. In fact, the spice note smells like allspice to me: gentle but very much present. I don’t really notice the musk base note, which is fine. After about an hour, Automne is really a skin scent with little sillage, but I enjoy that. It is an excellent fragrance to wear to office, church, library, etc., as it won’t affront anyone’s nose and stays close to its wearer. I also like it because you can’t really overspray it. Its longevity improves if applied over moisturized skin; I’m looking forward to trying it over a light body oil, for example, SheaMoisture’s baby oil that contains traces of frankincense and myrrh. That seems like a very nice way to anticipate the arrival of Advent in this autumnal season of anticipation.
What do you like or dislike about this season? What are some favorite fall fragrances?
I love Chemist in the Bottle’s list of rose fragrances for autumn, as rose is one of my favorite fragrance notes. I have put away some of my more summery rose scents in favor of those that have a more autumnal spice to them, such as Jo Malone’s Tudor Rose and Amber and Miller Harris’ Rose En Noir. Any other suggestions for autumn fragrances, with or without rose notes?
October has brought golden Autumn filled with colorful leaves in shades of brown, orange, yellow and red that gradually fall from trees turning into vivid and rustling carpets on top of the park pavements. Autumn like that is pretty and can be enjoyable even at times when a chilly wind is blowing behind our backs. On the other hand there are days when the sky is completely grey and it looks as if it was about to start to fall on your heads. Days filled with gloom and rain are definitely less enjoyable but at least they give you a good reason to stay at home as you wrap yourself with a fluffy blanket with a big cup of your favorite tea or coffee in hands, watching some movies.
I bet many of you have already done that or are in the process of deciding if its the high time to…
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Today was one of the nicest days we’ve had in October. It was in the 40s when we got up this morning. By afternoon, it was sunny and 65 degrees, with that wonderful crispness in the air that I associate with autumn. The smell of leaves, not fresh and green but not yet faded; the scent of rich, damp earth; the low humidity; they all combine to form the essence of fall. Then there is the smell of the light sweaters I am starting to wear: not the heavy woolen ones, not yet; the pale blue cashmere, the aqua blue cotton, the navy linen, the light mohair reminiscent of autumn leaves. They smell faintly of cedar, thanks to the wooden balls I put in their drawers; and the cedar fragrance combines with the other scents of fall to form a lovely, autumnal blend. Soon, the leaves will turn color dramatically and drop, and it will be time for the heavier sweaters and maybe some heavier scents. Not yet. Soon, but not yet.