Scent Sample Sunday: Gin and Juniper Sling

Scent Sample Sunday: Gin and Juniper Sling

As some may recall, I went to Ireland in August with part of my family, on our first extended trip there (we had previously visited Northern Ireland and Dublin, briefly). We just loved it and can’t wait to go back! One of the things we discovered while there was Irish artisanal GIN. We aren’t much for cocktails in our house; we don’t go out very often, and our usual tipples are wine and an occasional beer. Part of this trip included a few days of a work retreat for my husband, and his colleague who organizes these had a different “tasting” dinner of one kind or another every night. One night, the tasting included small-batch gin, made into different summery cocktails. These included Shortcross gin, and Jawbox gin, both made in Northern Ireland. They were combined with different Fever-Tree tonics, and different garnishes, which brought out their different herbal notes. After we left Northern Ireland and during our stay at Powerscourt in County Wicklow, we sampled cocktails made with Glendalough Wild Botanical Gin, and the Scottish gin Hendrick’s, which we had previously discovered. (And which we used to invent our own gin cocktail two summers ago, combined with Fentiman’s Rose Lemonade). Ireland is producing dozens of terrific small-batch gins, which you can read about here and in other publications.

Why am I carrying on about gin in a perfume blog, you may ask? It’s all Sam’s fault. The author of the I Scent You A Day blog wrote a wonderful post this past week about the limited edition 4160 Tuesdays fragrance Scenthusiasm, which was created for a Hendrick’s event, and can now be bought from the 4160 Tuesdays website.

4160 Tuesdays fragrance Scenthusiasm

4160 Tuesdays Scenthusiam; image from http://www.iscentyouaday.com.

It sounds marvelous, with many of the floral and herbal notes I adore. Here is Sarah McCartney’s description:

It’s ever so slightly gorgeous. It isn’t the same as our first ever gin fragrance but this one is made with natural orris (iris) butter, rose absolute, lemon and orange essential oils, cucumber extract, juniper absolute (of course) and coriander essential oil.

To make it last, boost the scents of the naturals and too smooth them out, we blended it with our special musk, fresh air and white woods accord.

It’s inspired by gin, and has gin notes but mostly it’s a floral at heart: rose and iris, with the herbs dancing around it.

Want!! But the price is a bit steep, even before UK shipping costs, and I haven’t found it being sold in the US by the brand’s regular stockists, so I’ve had to cast about for other options. Enter Penhaligon’s Juniper Sling, which I have in a mini size from a gift set.

Penhaligon's gift coffret of five mini fragrances.

Penhaligon’s gift coffret; image from http://www.penhaligons.com.

Named after an old mixed drink called a “gin sling”, this fragrance’s strongest note is juniper berries, which give the beverage gin its distinctive odor and taste. Created in 2011, it is a woody aromatic fragrance, unisex, created by Olivier Cresp. Top notes are angelica, cinnamon, orange brandy, and juniper berries; middle notes are cardamom, orris root, leather and pepper; base notes are vetiver, cherry, sugar and amber. Penhaligon’s has even kindly shared its own recipe for an actual “Juniper Sling” cocktail, made with Hendrick’s gin! When the scent was launched, they also released an entertaining fictional short film about its supposed origins, linked to on Now Smell This.

The opening smells a lot like one of the gin cocktails we recently sampled, with a burst of juniper berries, the most characteristic odor of real gin. The opening is herbal and slightly spicy too — definitely aromatic, but not green. In the middle, I can clearly smell the cardamom, which I appreciate; cardamom is one of my favorite smells, but often I find that even fragrances that list it as a note don’t really smell like cardamom. It doesn’t last very long in the progression of Juniper Sling, but it is definitely there. The orris root and leather are less discernible but there is a smoothness and woodiness in the middle stage that I think they add. I can’t say that I detect the separate notes listed among the base notes, but I also haven’t applied a decent-sized spray to my skin, as the mini splash bottle is so small.

All in all, while I still yearn to try Scenthusiasm, I was happy to scratch that itch with a gin-evoking fragrance I already own. Have you tried Juniper Sling, or Scenthusiasm, or any other gin-related fragrances? What did you think? Do you have any favorites?

Bottle of Penhaligon's Juniper Sling eau de toilette

Penhaligon’s Juniper Sling Eau de Toilette; image from http://www.penhaligons.com.

Scent Sample Sunday: Joy by Dior

Scent Sample Sunday: Joy by Dior

Groan. The conglomerate LVMH seems to have acquired Jean Patou this summer, with the acquisition to be completed this month, although there has been a lot of mystery about the deal: LVMH’s stealth capture of Jean Patou. This is cause for concern, because LVMH is reputed to have “dumbed down” legendary fragrances it has previously acquired, perhaps most famously those of Christian Dior, like my formerly beloved Diorissimo. That LVMH has launched a new Parfums Dior fragrance named so similarly to “Joy“, Patou’s most iconic fragrance and one that vies for the top spot of all 20th century perfumes, does not bode well for the original Joy, which Luca Turin awarded five stars in his original “Perfumes: The A-Z Guide” and called “huge, luscious, and utterly wonderful.” This is especially disappointing because I had discovered and liked Thomas Fontaine’s re-creations of classic Patou fragrances such as L’Heure Attendue and hoped they would continue.

Joy by Dior is not huge, luscious, and utterly wonderful. I agree with Colognoisseur that it has been tested to its last faint breath so that it will become a bestseller among young women who may never have heard of Jean Patou.  It is pleasant, inoffensive, and somewhat anemic. And if that sounds like damning with faint praise, it is. I tried it yesterday, somewhat hoping to like it because I do like actress Jennifer Lawrence, who is the face of Dior and whose beautiful face graces all of the advertising for Joy by Dior.

Jennifer Lawrence and new fragrance Joy by Dior.

Jennifer Lawrence; Joy by Dior; image from http://www.dior.com.

Like many moviegoers, I first encountered Jennifer Lawrence as Katniss Everdeen, heroine of The Hunger Games trilogy, although she had already caught critics’ positive attention in earlier work like “Winter’s Bone”. I was immediately taken by her natural beauty and the fluidity of the emotions that seemed to rise organically from her face and physical bearing. The story itself was compelling, about the domination of an entire country by one small, luxury-obsessed group in the Capitol of Panem, who condemned most of the residents of the Districts to lives of actual and semi-starvation and malnutrition, among other woes, until the Districts rebel.

Joy by Dior is the smaller, paler, thinner, younger Primrose Everdeen to the real Joy, itself comparable to Katniss in her transforming wedding dress: The Hunger Games: Catching Fire: a huge, luxurious confection stuffed with the most expensive elements, over-the-top feminine, the epitome of extravagance, presented for a hungry world’s admiration, awe, and envy. The original Joy was claimed to be “the world’s most expensive perfume” when it was launched at the start of the Great Depression, when couturier Jean Patou recognized that many of his longtime customers could no longer afford Parisian couture but could manage the purchase of an iconic fragrance that would give them the same aura of luxury. Each bottle was said to contain the essences of thousands of jasmine flowers and hundreds of roses, as well as animalic ingredients like civet and musk.

Jennifer Lawrence as Katniss Everdeen in wedding dress, in The Hunger Games: Catching Fire.

Katniss in wedding dress; image from http://www.lionsgate.com.

As reviewer Angela wrote several years ago on Now Smell This, “Joy Parfum seamlessly morphs from a complex floral explosion to something darker, and unless you already knew Joy, you might not recognize the dry down and the heart as the same fragrance.” There is a darker, more insubordinate aspect to Joy, as if the parfum presents itself as demure and ladylike, but as it dries down and the evening progresses, it reveals itself to be more of a femme fatale who is in full control of her own destiny and that of the men who choose to enter her orbit.

As Samantha has written in her blog “I Scent You a Day”, the original Joy is a heavyweight, a Presence. The new Joy by Dior is a lightweight, almost anorexic. It’s not bad (it is by Francois Demachy, after all), it is even likable, but it is a small, pale thing compared to its big sister. Its classic citrus opening combines orange and bergamot, and the orange note is pleasantly astringent, not too sweet. It combines nicely with the greenish tartness of the bergamot. Next come roses and jasmine, but they enter shyly and hesitantly — a far cry from the confident assertiveness of those flowers in Joy. These are slender, girlish blossoms, not full-figured, unabashed roses.

Similarly, the drydown of Joy by Dior does not purr or growl: it whispers, in a breathy tone of white musk. I don’t smell any of the listed sandalwood, patchouli, or cedar notes. Again, the drydown is likeable, but it is also forgettable. Sadly, as soon as I tried Joy by Dior, it reminded me of dozens of fragrances whose names I could not recall. It just smelled very familiar.

The bottle is also disappointing. I love me some pink, so it’s not the color of the juice that lets me down — it is the generic-looking cylinder that is clearly meant to evoke the cylindrical bottles of Dior’s more exclusive fragrances in “La Collection Privee” and the “Maison Christian Dior” collection, but that has been tarted up with silver sparkle, like glitter. And the typeface on the bottle, loudly proclaiming “JOY” with a smaller “Dior” in the center, is barely different from the typeface on the iconic Patou bottle, which was designed by an noted architect and captured the essence of Art Deco, as noted on the Jean Patou website:

Every Jean Patou bottle is a jewel in its own right. The same techniques and craftsmanship are still used today. The bottles have retained the Art Deco forms dear to Patou’s friend Louis Süe, who came up with the original design. The cut glass flask decorated with gold leaf is filled drop by drop. The stopper is then sealed by hand with a gold thread and stamped.
A work of timeless beauty.

This new bottle will, no doubt, lend itself to cost-saving replicas in the flankers to come, but it could have been so much better. Chanel, for example, when it launched Gabrielle, came up with a truly beautiful bottle with clear reference to the classic Chanel No. 5 bottle, although I was ultimately left unmoved by the fragrance itself.

Sigh. Why, oh why, do we have this trend of releasing fragrances that remind me of little sisters? (Not my own little sister, btw, who resembles Katniss more than Prim!) I’m looking at you, GabrielleLet’s hope that Patou’s new masters will let us post-adolescents continue to enjoy Joy, the original, without mucking it up. Even Effie, after all, evolved from one of Katniss’ tormentors to her ally, saving her from tasteless makeover attempts.

Katniss and Effie

Katniss Everdeen with Effie, The Hunger Games; image from http://www.lionsgate.com.

Jennifer Lawrence makeover Hunger Games

Katniss Everdeen’s botched makeover, The Hunger Games; image from http://www.lionsgate.com.

Scent Sample Sunday: Le Feu d’Issey

Scent Sample Sunday: Le Feu d’Issey

I have a collector’s brain; I have always enjoyed building a collection of things that interest me and learning about them. Over the years, that has mostly manifested itself in my gardening (sometimes to the detriment of orderly design); I have to discipline myself to plant groupings of plants, not just plant one of everything. Sometimes it all comes together really well, as when my husband cleared two areas of underbrush so we could plant two small groves of almost two dozen Japanese maples I had been growing in pots.

Since I started studying, not just wearing, fragrance three years ago, I’ve built up quite a collection, but it doesn’t have a lot of coherence to it yet; I’m still in the “let me try everything” learning stage, lol. But one way I have tried to inject some structure into my collection is to try as many as possible of the fragrances given five stars in Turin and Sanchez’ “Perfumes: The A-Z Guide.” One of those is Issey Miyake’s Le Feu d’Issey, created by Jacques Cavallier in 1998, which was discontinued several years ago. Here is their summary:

The surprise effect of Le Feu d’Issey is total. Smelling it is like pressing the play button on a frantic video clip of unconnected objects that fly past one’s nose at warp speed: fresh baguette, lime peel, clean wet linen, shower soap, hot stone, salty skin, even a fleeting touch of vitamin B pills, and no doubt a few other UFOs that this reviewer failed to catch the first few times. Whoever did this has that rarest of qualities in perfumery, a sense of humor. Bravo to those who did not recoil in horror at something so original and agreed to bottle it and sell it, but shame, also, since they lost their nerve and discontinued it before it caught on. Whether you wear it or not, if you can find it, it should be in your collection as a reminder that perfume is, among other things, the most portable form of intelligence.

Le Feu d’Issey has been reviewed on several well-known fragrance blogs: The Sounds of ScentThe Candy Perfume BoyColognoisseurPerfume-Smellin’ Things, and others. Almost all agree that it is an oddity with a strangely compelling appeal. My experience parallels theirs, though I am happy to say that I won’t feel a desperate need to track down a full bottle. Happy, because they go for $200 or more on auction sites! I found a set of reasonably priced manufacturer’s samples online, so I was able to indulge my curiosity.

Manufacturer's carded samples of Issey Miyake's fragrance Le Feu d'Issey

Carded samples of Le Feu d’Issey

The opening is very sharp and weird. Obviously the carded manufacturer’s samples I have are over ten years old, and one of the top notes has gone off. I think it must be the bergamot, because I don’t smell that at all — the very first thing I do smell is a harsh note of alcohol. That’s age, not design. It goes away within seconds, and I do smell the other notes listed on Fragrantica: coconut, rosewood, anise. The visual pyramid also lists as top notes coriander leaf and rose. I don’t smell rose at the start, but I do get an herbal note in addition to the anise, which could be coriander. Within minutes, the rosewood emerges as the winner among the top notes, and I like it very much.

As the heart notes emerge, Le Feu becomes sweeter. I definitely smell the milkiness coming to join the rosewood. At this stage, it reminds me of Carner Barcelona‘s Palo Santo. whose middle notes are warm milk and guiac wood. Le Feu’s heart notes are listed as: jasmine, rose, milk and caramel but the pyramid also shows pepper and golden lily. As it gets sweeter, I do smell something like caramel, but I wonder if that is due to perfumer’s sleight of hand. Here is a comment written by London’s Bloom Perfumery about Palo Santo: “Some people smell caramel, but it’s a trick played by the combination of gaiac, tonka, davana and milk accord.” On my skin, the sweetness is mostly gone within the first hour of wearing.

As to the flowers, here is where I experienced the famously shape-shifting nature of Le Feu that has intrigued so many. The first time I wore it, I definitely smelled the emergence of a smooth, classical blend of rose, lily, and jasmine. Today, as I sit with Le Feu on my hand so I can write down my impressions — no flowers. And I sprayed from the same sample!

The base notes of Le Feu are: cedar, sandalwood, Guaiac wood, vanilla and musk. At this stage, it is a very appealing, warm, woody scent with a lingering trace of something sweet. Yesterday when I tried it for the first time, that stage lasted on my skin for several hours.

Bottom line: I like Le Feu very much, but I don’t feel desperately compelled to seek out a bottle of it. However, I’m glad to realize that, while not a dupe, Carner Barcelona’s Palo Santo shares some of Le Feu’s appeal. It’s not cheap, but it is still available!

Scent Sample Sunday: Crowd Pleasers

Scent Sample Sunday: Crowd Pleasers

I have a few fragrances that I think of as “crowd pleasers.” My “crowd” these days are usually my husband and teenaged son, who are patient testers of wrists extended with the request to sniff and tell me what they think. They prefer what my son calls “laid-back” scents: straightforward, more on the subtle side, nothing too strong (tuberose, I’m looking at you!) or challenging. And I have some very pleasing fragrances that fit the bill: some by Jo Malone, some by Lili Bermuda, some by Penhaligon’s, even one by Montale when applied lightly (Intense Cafe).

The crowd-pleaser I wore today is Berdoues Grand Crus Vanira Moorea. The only notes listed on Fragrantica are:  petitgrain, brazilian orange and madagascar vanilla. I’m sure there’s more going on with it, but those are the notes one smells the most. It opens with that citrusy sparkle and moves quickly into vanilla territory. I’ve noticed that many men seem to like the vanilla note in women’s fragrances if it is prominent enough for them to notice. Some commenters find Vanira Moorea sweet, but I don’t — at least not enough to think of it as vanilla gourmand. It always draws nods of approval from my “crowd” when I wear it. It’s a comfortable, comforting scent without being heavy or cloying.

CaFleureBon‘s Gail Gross wrote a lovely review of Vanira Moorea, around the theme of the South Pacific:

This new cologne, created by perfumer Alexandra Monet and introduced in July 2016, is at once vivid, saturated and crisp. With the initial spritz the slightly bitter, leafy petitgrain lifts the vanilla right off the ground. As the cologne drifts and swirls though the air, bright sparks of sweetness are carried on a green, misty essence of twigs and leaves.  This unisex, effervescent refreshment lasts for about an hour before the fragrance melts and settles onto the skin with a sensuality reminiscent of oranges and sunshine.

I think it is this sunny, cheerful warmth that makes this fragrance a true crowd-pleaser. Which fragrances of yours would you put in that category?

 

Scent Sample Sunday: Amouage Gold

Scent Sample Sunday: Amouage Gold

This weekend, my husband and I had a somewhat rare, formal “date night”. Our son was going to be out all evening at a fundraiser and I bought us tickets to see the ballet “Don Quixote”, which is one of the few classic, full-length story ballets I had never seen. So of course, this was an excuse to dress up more than usual — and to wear Amouage Gold for Woman.

What a gorgeous scent it is! Like the ballet, it is a full-blown classical creation and pulls off dazzling twists, turns, changes, and lifts with seemingly effortless grace. Luca Turin put it better than anyone in his five-star review in “Perfumes: The A-Z Guide”:

The whole thing is put together in a happy, slightly naive, manifestly handcrafted style, which reminds me of the few really valuable things Russia used to produce, like Red October chocolates, confirming my long-held opinion that Moscow is a big Damascus with snow… The fragrance? [Perfumer] Guy Robert describes it in the press pack as the crowning glory of his career, and I agree. Robert is perhaps the most symphonic of the old-school French perfumes still working today, and Gold is his Bruckner’s Ninth. This perfume is about texture rather than structure, a hundred flying carpets of scent overlapping each other. It’s as if Joy had eloped with Scheherezade for a thousand and one nights of illicit fun.

Fragrantica has this to say: “This is an intensive floral for evening wearing and special occasions.” The top notes are rose, lily of the valley, and frankincense. Middle notes are myrrh, orris, and jasmine; the base notes include ambergris, civet, musk, cedarwood, and sandalwood.

It was a great match for “Don Quixote”, which is also a huge, symphonic fairy tale with its roots in the 19th century. Unlike many other such major story ballets, however, “Don Quixote” is happy throughout and has a happy ending. And if you want naivete, you have it in the character of Don Quixote himself, the idealist who dreams of knights and fair maidens, and who has visions of the beautiful Dulcinea. In the ballet, his harmless delusions lead him to rescue a village girl, Kitri, from an arranged marriage with a wealthy fop, and make her father allow her to marry her true love, Basilio. The ballet is based on the original choreography by Marius Petipa, via the Kirov Ballet by way of Rudolf Nureyev and thus to American ballet companies. It has many set pieces and Spanish folk variations, with dozens of dancers flying across the stage in colorful costumes, doing spectacular lifts and showstoppers like Kitri’s 32 fouettes. (The audience last night gasped, cheered, and clapped its hands to the point of soreness. The ballerina received a well-deserved standing ovation and several curtain calls at the end of the ballet).

On my skin, Amouage Gold is a sophisticated blend of all those notes and probably more that aren’t listed. It is so well-blended that one doesn’t really pick out individual notes; as the perfume progresses, my experience is that I suddenly notice it has changed although it is still recognizably Gold. It is a tour-de-force of modern perfumery that harks back to classical French perfumery. Turin’s phrase “a hundred flying carpets of scent overlapping each other” is apt. Amouage is famously a perfume house that was meant to bridge the worlds of Middle Eastern and European perfume. Just so, Spain — the setting of Don Quixote — has been for centuries a bridge between the Middle East and Europe, with many Moorish influences on its art and culture. Gold and “Don Quixote” are both felicitous incarnations of that spirit of Spain at its best: gorgeous, charming, symphonic, airborne, magnificent.

Ballerina Natalia Osopova as Kitri in ballet Don Quixote

Natalia Osipova as Kitri; photo from http://www.nytimes.com

 

Scent Sample Sunday: Brainiac

Scent Sample Sunday: Brainiac

I always appreciate a quality fragrance that is also affordable, and I appreciate other writers alerting me to those, so here’s my contribution to the “bang for the buck” list of fragrances. The mid-price chain Target has launched a store exclusive line of fragrances called “Good Chemistry” in January; the line is a division of the company Illume. They must be selling well, as the shelves were almost empty when I wandered over to my local Target to check them out. According to the promotional copy:

… the niche fragrance brand includes four collections inspired by different personalities: Confident and Charming, Good and Grounded, Vibrant and Playful and Cool and Collected. Each collection then includes four unique scents that come in perfume, body sprays and rollerballs.

I tried a few from the testers in the store and came home with two rollerballs: Brainiac and Apricot Bloom. (Full disclosure: I may return the unopened rollerball of Apricot Bloom, because the drydown became unappealing after an initially pleasant skin test from the store tester). Brainiac has claimed a place on my shelf, and I’m glad I bought it. I’m also glad it and the other scents come in rollerballs, as I really won’t need more than the 7.5 ml those contain.

Hands holding rollerballs of Target Good Chemistry fragrance collection

Rollerballs from Good Chemistry collection; image from www.good-chemistry.com.

Brainiac is part of the “Vibrant and Playful” collection. It is further described as “clean and practical with a bit of wit.” It is definitely unisex. Its label lists its primary notes as citrus, peppercorn and vanilla. Interestingly, all the Good Chemistry scents are described as “vegan and cruelty-free with essential oils.” No parabens or propylene glycol. The interesting part is that in tiny print, the label says it contains essential oils of armoise, cardamom, and clary sage. Yes! That’s why I immediately liked Brainiac — I love the smell of cardamom. I like clary sage too, but what is “armoise”?

Turns out that “armoise” is based on the Old French word for artemisia, part of a large group of aromatic plants also known in English as mugworts. Eden Botanicals says:

Organic Armoise (Mugwort)

Artemisia herba-alba is a specific Artemisia species indigenous to Morocco which provides the essential oil known as Armoise (Mugwort). Ours has a very fresh, cool, soft green, sweet-camphoraceous aroma that is highly diffusive in much the same way as Peppermint, however while the aroma has a very penetrating initial effect, this subsides after a few minutes of exposure to air. In natural perfumery, Armoise can be used in trace amounts to provide “lift” to top note accords; to add a fresh, green, naturalness; and to accentuate other green notes such as GalbanumSageRosemary, etc.

Yep. That’s exactly what my nose smelled right away when I tested Brainiac: cardamom, and a green “lift” that accentuates the herbal aromatic impression continued by the clary sage. There is a slightly citrusy aspect to the opening, but not much and not for long. If I had to guess, I would say it is bergamot,, as it reminded me of Earl Grey tea and it wasn’t sweet like some other citrus notes. I tend to like green fragrances, both green florals and green aromatics like Aromatics Elixir and Azuree. I don’t smell peppercorn; I wonder if that was listed in the place of cardamom, as some shoppers may be less familiar with the latter. I can’t say I smell much vanilla, although the fragrance does get a little less green and a bit sweeter over time.

All in all, this is a very pleasing fragrance and a good buy at $12.99 for a rollerball, $24.99 for a 50 ml bottle.

Rollerball of Brainiac fragrance from Target's Good Chemistry collection by Illume

Brainiac rollerball from Target

 

Featured image from CalPhotos; ©2010 Zoya Akulova.

Scent Sample Sunday: Noel Au Balcon

Scent Sample Sunday: Noel Au Balcon

In an earlier post focused on Bond No. 9’s I Love New York for Holidays, I mentioned that I had also been getting a lot of holiday use from Etat Libre d’Orange’s Noel Au Balcon. As January is now almost over, together with the winter holidays, I’d better post about it!

Now Smell This says that the name refers to an old French saying: “The proverb ‘Noël au balcon, Pâques au tison’ means that a warm Christmas — warm enough to spend on the balcony — will be followed by an unseasonably cool Easter (requiring ‘firebrands’).” (I actually think the phrase “tisons” here is more likely to refer to the embers of a fire that require poking to stay warm, as in “tisonner le feu”).  That review also notes that “the expression ‘avoir du monde au balcon,’ or ‘the balcony is crowded,’ is a reference to a shapely bosom.” So basically this fragrance’s name, true to ELDO traditions, is a play on words meaning something like Christmas among the warm, if not smoldering, bosoms. I love it!

And I really like the fragrance a lot. It opens with notes of apricot, honey, and orange. To my nose, the apricot is very noticeable, sweetened by the honey but not too much. The middle notes are supposed to be chili pepper, cinnamon, and orange blossom, and it does get spicier than the opening, but to me the spice is not very strong and it complements the apricot and honey instead of superseding them. Base notes seem to be patchouli, musk, cistus, vanilla, and another aromatic spice which I’ve seen listed either as cinnamon or caraway.

Reviewer Tammy Schuster wrote a hilarious review on CaFleureBon, complete with references to her “redneck Christmases” in the mountains of North Georgia. As she notes, Noel au Balcon is a fun date that doesn’t take itself too seriously but is just here to make sure everyone, including her, has a good time. Speaking of time, this scent lasts a good long time, too, without being overwhelming.  On me, the apricot, honey, and vanilla are the strongest and most lasting notes, with warm musk, patchouli, and spices chiming in but not dominating. In short, for a winter holiday fragrance, Noel au Balcon has plenty of “sugar and spice, and everything nice”, and a warm, come-hither smile full of good cheer.

Featured image by Earl Moran.