Scent Sample Sunday: Dioressence

Scent Sample Sunday: Dioressence

I recently obtained a mini of vintage Dioressence eau de toilette, in a blue-marbled box with a small, squarish splash bottle that resembles the vintage houndstooth bottles of other Dior fragrances from the 1980s. It is so well-suited to the current fickle weather we’re having in mid-February! I love all my spring floral fragrances but I don’t yet feel ready to pull them out again, other than an occasional spritz of Ostara to remind me that the daffodils are on their way. We’ve had weeks of cold and rain, though I’m thankful to have missed the deep freeze and unexpected snowstorms that hit other parts of the country this month. But Dioressence feels right today, as the sun shines brightly over a still-chilly landscape and my garden, where I have new raised beds that are full of soil but not yet planted.

The version I have dates from the 1980s, and it is a 1979 rework of the original, done by Max Gavarry, who worked with Guy Robert to create the original in the 1960s. I love the story of its origins, as told by Luca Turin to Chandler Burr and described in Burr’s book “The Emperor of Scent.” Apparently Guy Robert had been tasked with creating a new scent for Christian Dior that would launch with a new collection of Christian Dior ready-to-wear furs, and the brief was to create something very animalic but related to earlier Dior fragrances like Miss Dior while also contrasting with them. He was wrestling with this problem when he went to a broker’s office in London to assess some real ambergris for potential purchase. Turin’s recounting, via Burr:

“In the middle of this, someone in the industry calls him, and they say, ‘There’s a guy with a huge lump of ambergris for sale in London-get up here and check it out for us.’ Ambergris is the whale equivalent of a fur ball, all the undigested crap they have in their stomachs. The whale eats indigestible stuff, and every once in a while it belches a pack of it back up. It’s mostly oily stuff, so it floats, and ambergris isn’t considered any good unless it’s floated around on the ocean for ten years or so. It starts out white and the sun creates the odorant properties by photochemistry, which means that it’s become rancid, the molecules are breaking up, and you get an incredibly complex olfactory result. So Guy gets on a plane and flies up to see the dealer, and they bring out the chunk of ambergris. It looks like black butter. This chunk was about two feet square, thirty kilos or something. Huge. A brick like that can power Chanel’s ambergris needs for twenty years. This chunk is worth a half million pounds.
“The way you test ambergris is to rub it with both hands and then rub your hands together and smell them. It’s a very peculiar smell, marine, sealike, slightly sweet, and ultrasmooth. So there he is, he rubs his hands in this black oily mess and smells them, and it’s terrific ambergris. He says, Great, sold. He goes to the bathroom to wash his hands ’cause he’s got to get on an airplane. He picks up some little sliver of dirty soap that’s lying around there and washes his hands. He leaves. He gets on the plane, and he’s sitting there, and that’s when he happens to smell his hands. The combination of the soap and ambergris has somehow created exactly the animalic Dior he’s been desperately looking for. But what the hell does that soap smell like? He’s got to have that goddamn piece of soap. The second he lands in France, he sprints to a phone, his heart pounding, and calls the dealer in England and says, ‘Do exactly as I say: go to your bathroom, take the piece of soap that’s in there, put it in an envelope, and mail it to me.’ And the guy says, ‘No problem.’ And then he adds, ‘By the way, that soap? You know, it was perfumed with some Miss Dior knockoff.'”So Guy put them together, and got the commission, and made, literally, an animalic Dior. Dioressence was created from a cheap Miss Dior soap knockoff base, chypric, fruity aldehydic, plus a giant cube of rancid whale vomit. And it is one of the greatest perfumes ever made.”

And that is how a knock-off of Miss Dior, combined with ambergris, gave M. Robert the start of the fragrance that would become Dioressence, “le parfum barbare.”

Dioressence ad by Rene Gruau

The version I have is described as follows by Fragrantica: “Top notes are Patchouli, Green Notes, Aldehydes, Bergamot, Fruity Notes and Orange; middle notes are Geranium, Cinnamon, Carnation, Orris Root, Rose, Ylang-Ylang, Violet, Jasmine and Tuberose; base notes are Oakmoss, Patchouli, Benzoin, Styrax, Vetiver, Vanilla and Musk.” The wonderful blog “Bois de Jasmin” has a great review that compares all three major versions of Dioressence. When I first apply my version, I smell the aldehydes right away, as is normal for that note. To my nose, aldehydes are like the opening trumpet of a vintage perfume, the announcement that real perfume is in the house. As the aldehydes fade, I smell the fruitiness that includes bergamot and orange, plus the “green notes”; I think those come from galbanum, which I love. I do smell patchouli but not strongly; that is what lends an earthiness to this opening stage.

The middle phase of Dioressence is spicy/floral, with notes of carnation, geranium, and cinnamon. The orris root continues the earthiness I smelled at the start, and the other floral notes blend together in a soft layer of flowery sweetness, but not too sweet. This stage is remarkably well-blended and balanced — it’s very beautiful. I love carnation in fragrances, and the presence of carnation and geranium contribute to the unisex nature of Dioressence, which many commenters have noted. The green notes have stepped into the background, but I sense them lurking, maybe via the violet note. To my nose, the dominant notes in the middle stage are carnation, geranium, and orris root, followed closely by ylang-ylang and jasmine. I’m glad that cinnamon and tuberose are mostly undetectable, at least to me, as I don’t favor those notes, but I’m sure they are adding to the overall beauty of the heart of Dioressence.

The base is, as it should be, the backbone of Dioressence, with real oakmoss leading the way (yay!), patchouli again adding an earthy note together with vetiver, and the whole warmed by the resins, vanilla and musk. The oakmoss dominates the final stage, which makes me very happy because I love oakmoss. This is the phase when to me, Dioressence smells the most “masculine”, but not harshly at all. It is warm but elegant in an underdressed, “I woke up like this” kind of way. Think Robert Redford in his prime.

I think Dioressence appeals to me right now because it evokes this particular season, when in my climate we get sporadic days of warm sunshine heating up the bare earth, where a few hardy green shoots are peeking out but the air still smells of the wet pinestraw and pinebark mulch on my garden beds, dampened by recent rains, with occasional whiffs of sweet floral fragrance on the air from winter-blooming trees and shrubs like mahonias, wintersweet, and hamamelis. Those plants are very fragrant, but their scents carry on the breeze, coming and going with vernal fickleness.

Do you wear Dioressence? Which version(s) have you tried?

Scent Sample Sunday: SJP Stash

Scent Sample Sunday: SJP Stash

I wrote almost two years ago about Stash Unspoken, the first flanker to 2016’s Stash SJP, by Sarah Jessica Parker, but I realized I hadn’t yet devoted a post to the original, so here it is! And I have a good reason for writing about it now, because Portia solved a problem I had been having — what to do with that bottle of “elixir oil” that came in the gift set? Undina had the same issue when she wrote about Stash back in 2017. In response to a comment somewhere, Portia suggested using a few drops of the oil in one’s bath. Eureka! I exclaimed, like Archimedes, that’s the answer!

I use bath oil more regularly now, because my skin has become so dry, especially in the winter when the house is heated. Most of the time, I use an unscented oil like Neutrogena’s sesame body oil; I just squirt some in the bath water. After Portia’s comment, I’ve added less than a dropperful of the Stash elixir oil, and it is wonderful — it scents the whole bathroom. Sillage is not a problem with this fragrance — it carries quite a way.

As I’ve written before, I developed a strange liking for the original Stash SJP when it came out — strange, because it really is not my usual vibe. I didn’t like it much when I first tried it in store, but I sprayed some on a paper slip on a later visit to Ulta, and took that home. Lo and behold, every time I found myself sniffing the air, thinking “what is that alluring scent?”, it was the slip with Stash on it. And this went on for a week! At the end of that week, I caved and went and bought one of the gift sets Ulta had on sale.

Sarah Jessica Parker’s website describes Stash as having “notes of fresh grapefruit, black pepper and aromatic sage. Its heart notes include Atlas cedar, patchouli, ginger lily and pistachios, laid on the warm woody base of olibanum, massoia wood, vetiver and musk.” I’m usually drawn to floral fragrances, but Stash has only one floral in the whole pyramid: ginger lily. That is a beautiful and fragrant flower, and I do pick up on it a bit, but it is not a dominant note at all. I think it lends Stash an indolic, slightly narcotic air — just a soupcon, but enough to make Stash more than a woody/spicy scent.

Ginger lily

In descriptions of massoia, it is said to be a milky wood note, and I agree. In Stash, the massoia adds a creamy smoothness to the earthier notes of patchouli and vetiver. I’m not a big fan of patchouli, and that note is probably why I initially resisted Stash, although I didn’t know what the notes were at the time. I don’t dislike it, though, and it works really well in Stash, even to my nose. Stash is a very woody, aromatic scent, with the massoia wood and cedar playing leading roles. I find that the pepper, patchouli, vetiver, olibanum, and musk are also strong presences. “Warm” and “woody” are apt descriptors, because one does get a real sense of warmth — which makes it ideal to add to a hot bath while soaking.

Collage mosaic of fragrance notes in Sarah Jessica Parker's Stash SJP
Stash SJP fragrance notes

Stash is truly a unisex fragrance; it smells great on women and I think it would smell just as great on a man. I recommend applying it with a light hand, as it carries for quite a distance and has excellent staying power. Many commenters have noted before me that Stash can hold its own with many a niche fragrance that costs many times more. I hardly have any celebrity scents, and I never watched Sarah Jessica Parker’s TV hit series “Sex and the City”. I did, however, read Chandler Burr’s book The Perfect Scent, which followed in parallel the development of Un Jardin Sur Le Nil by Jean-Claude Ellena for Hermes, and Ms. Parker’s work with Coty to develop her first scent, Lovely. So I was aware of how seriously she takes her fragrances, and of the thought processes she shared with Mr. Burr.

I’m used to thinking of Stash as a “bargain beauty”, and it certainly was when I bought it at Ulta (and later found another gift set for even less at a discount store). However, it isn’t nearly as much of a bargain as it used to be. If you can’t find it at a reasonable discount, I do recommend buying it from the brand’s own website, though, where you can still find 100 ml of the EDP for $85 instead of the ridiculous prices I’ve seen elsewhere online.

Have you tried Stash SJP or any of its flankers? Do you recommend any other celebrity fragrances? Some of you know I’m very partial to Adam Levine For Her, which is still a bargain beauty.

Scent Sample Sunday: Zara Emotions by Jo Malone

Scent Sample Sunday: Zara Emotions by Jo Malone

I have been eagerly awaiting the US launch of Zara’s collection of fragrances, Emotions, in collaboration with perfumer Jo Malone. I love some of her fragrances under her own brand, Jo Loves, so I was curious to see what she came up with for Zara, well-known as a destination for budget-conscious shoppers. Zara has released many, many fragrances under its own name, some created by famous perfumers, such as Vibrant Leather, created by Jerome Epinette. The Emotions collection launched in Europe in late 2019, but it took another year to become available in the USA. Luckily, it arrived in time for the holidays, and I treated myself and one of my daughters each to the sample/discovery set. It costs $25.90.

The discovery set is a nice size: eight long, narrow vials of eau de parfum, each holding 4 ml of a different fragrance. The collection consists of: Amalfi Sunray, Bohemian Bluebells, Ebony Wood, Fleur de Patchouli, Fleur d’Oranger, Tubereuse Noir, Vetiver Pamplemousse, Waterlily Tea Dress. The vials are “dabbers”, not sprays. Each fragrance lists only three notes, and I think they would be ideal for layering, with each other or with other fragrances. In fact, the Zara website sells “layering sets” with various combinations of the collection’s fragrances, with one scent in a 15 ml “paintbrush” format and two more in 10 ml sprays. The sets offer some ideas for layering which I plan to try with my discovery set.

I would call these fragrances eminently likable. None are groundbreaking, but all are very pleasant. Predictably, given my affection for green fragrances, I like Waterlily Tea Dress a lot, with its notes of mint, bergamot, and musk. It is a soft green, softer than the galbanum-based heavy hitters I love. Less predictably, I also like Ebony Wood very much. It is a warm, woody/spicy unisex fragrance, very appealing in the current cool weather where I live. Fleur de Patchouli is fine, but it smells more generic to my nose; it might come alive more when layered with something else. In fact, I’ve read elsewhere that it layers very nicely with the Ebony Wood I like, and that is one of the combinations sold on the Zara website, so I’ll have to try them together.

I’m not a big fan of tuberose — I don’t hate it, but I have to be in the mood for it, and it can feel cloying to me after a while. So Tubereuse Noir won’t be at the top of my personal list, but if you do like tuberose, it’s a respectable one. Its other notes are listed as ylang-ylang and sandalwood, but I don’t pick up either of those. At the start, the tuberose smells quite synthetic to me and even a bit “chemical”, but that dies down pretty quickly. If you’re really searching for “noir”, this isn’t it. Similarly, Fleur d’Oranger is another white floral, and it starts out smelling a bit “chemical”, but that goes away quickly.

I quite like Bohemian Bluebells, but the name is misleading. This isn’t a bluebell fragrance or a spring floral at all; it is a lavender fragrance, its other notes listed as sandalwood and musk. The lavender is a bright, sprightly lavender, nothing musty or dry. It actually reminds me a bit of the very opening of Jicky eau de toilette, which I love. I could see spritzing Bohemian Bluebells at bedtime, which I sometimes do with my Jicky EDT because I find the lavender very peaceful. The lavender in Bohemian Bluebells warms up over time, which I think is the effect of some sandalwood and musk peeking through, though the lavender is still dominant.

Another surprise to me was how much I like Vetiver Pamplemousse, but then I remembered that I unexpectedly liked Jo Loves’ Pink Vetiver more than anticipated. The two are not similar other than the vetiver note both contain, but it’s a very pleasant vetiver and I like the combination with grapefruit. Amalfi Sunray is a fresh burst of citrus with a bit of orange flower; I prefer it to its sibling Fleur d’Oranger.

The Emotions collection of fragrances is well worth trying, at $25.90 for the discovery set. All the fragrances are available in other product formats, such as candles, lotion, shampoo, etc., and the EDP comes in various sizes, with separate sizes starting at 10 ml for $9.90. It would be interesting to try using some of the different products together, perhaps one of the lotions with one of the EDPs, especially given the reasonable price of the lotions ($12.90 for 200 ml). These certainly qualify as “bargain beauties”! I’m happy to see that the collaboration continues with the addition of new scents.

Have you tried any of the Emotions collection? What do you think?

Featured image from

Scent Sample Sunday: St. Clair Scents’ Frost

Scent Sample Sunday: St. Clair Scents’ Frost

I have long been a fan of Diane St. Clair’s fragrance creations, especially Gardener’s Glove but also First Cut. Frost is the third of that trio, her first releases which arrived in 2018. (For three very comprehensive reviews, you must read Kafkaesque’s detailed dissection of each). When I first read the name of that scent, I thought it would relate to frost, as in fall and winter temperatures, but instead, it refers to the poet Robert Frost, who wrote many of his most famous poems a short distance from Diane’s dairy farm in Vermont. Per her website:

“This scent follows the story of Frost’s poem, “To Earthward” which describes the transformation of youthful love, from “sweet like the petals of the rose” and “sprays of honeysuckle” to painful love, which stings like “bitter bark”, “burning clove” and “rough earth.”

“[The] scent weaves together accords of clove and smoke; bitter woods and earth; sweet rose and rose geranium; sprays of honeysuckle and sparkling citrus.” 

  • Top Notes: Bergamot, Mandarin Yellow and Green, Coriander, Petitgrain sur fleur, Meyer Lemon
  • Middle Notes: Honeysuckle Accord, Rose Geranium, Elderflower Absolute, Petitgrain Absolute
  • Base Notes: Cistus, Labdanum Absolute, Vanilla Absolute, Vetiver, Cedar, Smoke, Clove Absolute

The sunny opening is bright and cheerful; it vanishes quite quickly from my skin, and the next notes I smell most are the rose geranium and the clove sneaking in. As Sam Scriven wrote in I Scent You A Day, this combination with the honeysuckle actually generates a scent that smells like carnation and reminds one of Serge Lutens’ Vitriol d’Oeillet. I love carnation, so this appeals to me.

Frost quickly turns smoky on my skin, and the “burning cloves” take over. This stage of Frost is dry, dry, dry, between the smoke, the vetiver, the cistus, the cedar, and the labdanum. I don’t really detect vanilla.

Bottom line? I like Frost and it is clearly a high-quality artisan product by a very gifted perfumer. It is parfum strength and it lasts for hours. However, I do prefer Gardener’s Glove and First Cut, which are more botanical and floral than smoky. Frost does seem like a perfect scent for this week’s winter solstice, though, with its brief sunlight opening, and its rapid progress into a long night lit by bonfires burning spices and resin.

Have you tried any of St. Clair Scents’ fragrances? Diane has released more since 2018 — any favorites among the original three or the newer ones? Or, do you have any favorite poems by Robert Frost?

To Earthward

Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air

That crossed me from sweet things
The flow of–was it musk
From hidden grapevine springs
Down hill at dusk?

I had the swirl and ache
From sprays of honeysuckle
That when they’re gathered shake
Dew on the knuckle.

I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.

Now no joy but lacks salt
That is not dashed with pain
And weariness and fault;
I crave the stain

Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.

When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,

The hurt is not enough.
I long for weight and strength
To feel the earth as rough
To all my length.

Photo by Stephen + Alicia on

Gifts of the Three Magi: Frankly Frankincense —

Each of the gifts of the three Magi carried a special symbolic meaning – gold representing kingship, myrrh foreshadowing the death of Jesus (myrrh being commonly used as an embalming and purifying ointment in the final sendoff of a soul), and finally, frankincense for divinity. 171 more words

Gifts of the Three Magi: Frankly Frankincense —

Reposting this from a blog I like very much: Take One Thing Off. So many incense-based fragrances! I’ve tried some but not all — which ones have you tried? Any favorites?

Scent Sample Sunday: Clinique Wrappings

Scent Sample Sunday: Clinique Wrappings

Since we truly enter the holiday season this week, with Thanksgiving to be followed swiftly by Advent, Hanukkah, Christmas, New Year’s, today seems like as good a time as any to comment on Clinique’s Wrappings, which for many years was available only during the winter holidays at certain high-end stores. Nowadays you can buy it directly from the Clinique website (maybe they hide it after January?), although the copy describes it as “our once-a-year fragrance, here just for the holidays.” Regardless, Wrappings seems to have developed something of a cult status, although it is very reasonably priced, $47.00 for the gift set of a parfum spray and body lotion, and often marked down after Christmas (so don’t pay inflated prices on eBay).

Launched in 1990, Wrappings fits in well with a house whose most famous fragrance for many years was Aromatics Elixir. It is a gentler sibling, described on Fragrantica as a “floral aldehydic” fragrance. (I disagree with that characterization). Top notes are Green Notes, Aldehydes, Artemisia, Nutmeg Flower and Lavender; middle notes are Hyacinth, Orris Root, Cyclamen, Carnation, Rose and Jasmine; base notes are Oakmoss, Cedar, Sea Notes, Patchouli, Musk and Leather. Wrappings has a clean vibe to it that is well-suited to the decade of the 1990s, which embraced clean and aquatic fragrances. It is sold in parfum format, in a 25 ml bottle, often in a gift set with body lotion.

When I first spray it on my wrists, I smell a note that isn’t on the list above, something citrusy. It might be bergamot, because it isn’t sweet or fruity, and it blends in well with the green and herbal notes that also open this fragrance. I was relieved to read earlier reviews by Persolaise and MimiFrouFrou/The Scented Salamander, in which both commented on the citrusy note, confirming what my own nose was telling me! The reason I don’t agree with Fragrantica’s category is that when I read “floral aldehydic”, I think of scents like White Linen, or Chanel No. 22. And Wrappings is nothing like those. I can sense the aldehydes boosting the opening, giving it lift and sparkle, and a certain brisk chill, but they’re not as dominant as they are in, say, No. 22. The herbal notes are what linger throughout the opening stage, to my nose, especially the artemisia and lavender. Another commenter has called Wrappings a “feminine fougere”, and that sounds exactly right to me.

I barely smell any of the listed floral notes. If the flowers are there, they are not greenhouse-grown, luxuriously tended until they are gathered into bouquets for indoors. No, these are flowers of the Mediterranean growing wild in their natural habitats, wafting over grasses and herbs. And given how faint they are, and how well Wrappings suits late autumn, I would say that they are the last, brave blooms that show up sporadically throughout a sunny fall season, thriving in those cool nights and warm days until the first frost stops them in their tracks and sends them into dormancy.

Many commenters smell pine in Wrappings, but I don’t. I do smell a green woodiness in the middle stage; I don’t think it is the cedar, listed as a base note, it is probably the oakmoss, which continues through the drydown stage. There is an alluring mineral note in the drydown that I think comes from the “sea notes”. The musk that lingers longest at the end, with a hint of the oakmoss, is quite soft, and I don’t smell any patchouli or leather.

Wrappings lasts several hours on my skin, but it is quite faint after 7 hours or so. This seems to be a parfum concentration, per the label on the bottom of the bottle, so I don’t think it carries very far. The Scented Salamander’s review mentions that early advertising for Wrappings compared it to a chemise, slipped on over clean, bare skin, and I think that’s right. The current website says it “hugs skin in layers of warmth and brightness.”

Although I think “feminine fougere” is apt, this could certainly be worn by men. Have you tried Wrappings?

Easy spring outfit. Sarah Butler of @sarahchristine wearing Paige Sela Silk Slip Dress in Dream Blue in Seattle, Washington.

Featured images from SarahStylesSeattle.

Scent Sample Sunday: Byredo Candles At IKEA

Scent Sample Sunday: Byredo Candles At IKEA

A short while ago, multiple media outlets reported that Swedish furnishings giant IKEA would launch a limited edition of scented candles in partnership with Swedish fragrance brand Byredo. Well, perfumistas, here in the USA, the eagles have landed! I went to my local IKEA today, and there they were, although the announcements said they would be available in November.

The series of candles is named, in classically inscrutable IKEA fashion, “Osynlig.” You can find them online by typing that precise name into the search box on the IKEA USA website, which also seems to be selling them now (i.e., before November). Apparently, the scents are designed by Byredo’s Ben Gorham so that all can be burnt alone or layered together, creating your own personal home fragrance. He is also quoted as saying “I really enjoyed the idea of being able to make interesting products accessible to as many people as possible,” in an interview with WWD. Ikea was “one of the few [with which] I could actually develop and manufacture a product of this quality, yet make it available at that type of price point.”

I only started using scented candles regularly a few years ago. These ones are really special; they come in beautiful ceramic pots with different colors that reflect some aspect of the scent. A few of the fragrances are available in small, medium, and large sizes. I haven’t yet tried lighting any of the ones I bought but they smell wonderful! Most immediately striking to me was “Tobacco and Honey”, which does indeed have a strong note of golden honey.

Scented candles at IKEA, limited edition by Ben Gorham of Byredo
IKEA’s Osynlig candles with Byredo scents.

I am so pleased to have “scored” several of these! The ones that are currently available are: Tea Leaves & Verbena, Pomegranate & Amber, Basil & Mint, Fig & Cypress, Peach Blossom & Bamboo, Lilac & Amber, Rose & Raspberries, Cotton Flower & Apple Blossom, Sandalwood & Vanilla, and Tobacco & Honey.

There is one fragrance mentioned in the press, “Swedish Birch and Juniper”, that I did not see on the IKEA USA website or in the store, and it sounds like one I would like. Apparently the other three scents in the collection — Cassis & Freesia, Swedish Birch & Juniper, and Firewood & Spice — will be available in February 2021.

Have you seen or tried any of the “Osynlig” collection yet?

Scent Sample Sunday: JD Mimosa Mixte

Scent Sample Sunday: JD Mimosa Mixte

I’m a fan of Jeffrey Dame and his fragrances; they are well-crafted, high-quality, and reasonably priced. I love Duality and Black Flower Mexican Vanilla. I really like Vanille Farfelue. The JD fragrances are created with perfumer Hugh Spencer, a longtime collaborator of Jeffrey Dame’s. The JD website lists Mimosa Mixte’s notes as mandarin, basil, bergamot, mimosa, violet, ylang ylang, heliotrope, sandalwood, vanilla and musk. Fragrantica classes it as a “floral woody musk”; a number of commenters refer to it as a “yellow floral”, and I agree with that, given the prominence of mimosa and ylang ylang.

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Scent Sample Sunday: Miss Dior

Scent Sample Sunday: Miss Dior

I always love a good chypre, and I love seriously green fragrances, and those two traits often travel together. So I admit, it’s a little odd that I hadn’t yet tried vintage Miss Dior, given that its vintage formula includes many of my favorite notes and it is most certain a green floral chypre. Well, I was able to get my hands on one of the houndstooth bottles of Miss Dior eau de toilette, and this is love.

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Scent Sample Sunday: Automne

Scent Sample Sunday: Automne

I said in Friday’s Perfume Chat Room that I would write today about Van Cleef & Arpels’ Automne, and then I realized I already had, a few years back!

Fragrance Friday: Les Saisons Automne.

What special fragrances return again and again to your seasonal rotations?