Fragrance Friday: Nirmal

Fragrance Friday: Nirmal

I love a fragrance that is both lovely to smell and intriguing to consider. I also love floral fragrances, although I am branching out as I learn more about perfume. Laboratorio Olfattivo Nirmal is all three. I have previously declared my love for that house’s Decou-Vert Nirmal is a new love, though I don’t see myself wearing it more than Decou-Vert, generally speaking — maybe in the fall, when I don’t crave the green notes of my beloved muguets.

The firm’s website describes it in terms of soft white fabric brushing against skin, sweetness, serenity, tranquility, a cloud of white notes. The top note is carrot, followed by heart notes of iris root and violet, drying down to a base of sweet suede, cedar and amber. The name is a Hindi or Sanskrit first name for boys, which means pure, innocent, tranquil. And yes, this is a fragrance that could easily be worn by a man. The iris note is really orris root, the violet is very hushed and the sweet notes in the base are well-balanced with the cedar.

The carrot top note is very clear and leaves no doubt that it is carrot. It is a fresh carrot, though, the kind one might buy at a farmer’s market, with its ferny green foliage intact as well as its fresh-from-the-earth sweetness, that vanishes before carrots reach the supermarket. The carrot slowly gives way to iris root, the two merging imperceptibly until you notice at some point that the carrot is gone and the iris has taken over, with a blush of violet. Then the iris slowly yields to the violet, and the undertones of cedar, “daim” and amber begin to appear softly.

Olfactoria’s Travels had a lovely review of Nirmal two years ago; the author did not perceive the carrot as strongly as I did, and she sensed the sweet “daim” notes more strongly, although they do get stronger and more candied as Nirmal dries down. She made a lovely comparison between Nirmal and the lone white iris in one of Van Gogh’s most famous paintings, noting that like the white iris, this scent is pale and delicate.

Oil painting of iris flowers with lone white iris, by Vincent van Gogh

Irises, by Vincent van Gogh

I agree — there are no grape notes, as one finds in some iris flowers; the only purplish fragrance note is the faint flush of violet, and maybe that’s a white violet, too.

white-violet

Sweet white violet

Nirmal has good longevity on my skin; five hours or more. I would say that its sillage is moderate. As it dries down, the sweet “daim” notes do become stronger, but they are never cloying or too sugary. There is a warmth to the sweetness that probably comes from the amber note, and a nice balance from the light but woody cedar. After eight hours, most of what I still smell is the amber, which has come shyly out of the background to outlast the other notes.

I will be interested to try this next summer, when the weather is hot, to see how it fares. Right now, my favorite fragrances for the kind of hot, humid weather we get in the South are Ellena’s Un Jardin Sur le Nil and Un Jardin Apres La Mousson Right now, the weather is cool and overcast but not chilly, and Nirmal feels just right.

 

Fragrance Friday: Daily Post -“Aromatic”

Fragrance Friday: Daily Post -“Aromatic”

I don’t normally do the WordPress “Daily Post”, but one of this week’s word prompts caught my eye: “aromatic.” Well, I certainly have a response to that, as some of my favorite fragrances have aromatic qualities, even if they aren’t primarily classified as “aromatics”. But let’s start with a classic: the aptly named “Aromatics Elixir” by Clinique.

In many ways, Aromatics Elixir is a quintessential 1970s fragrance. It was launched at the start of that decade, created by the great perfumer Bernard Chant, for a new brand (Clinique) of the Estee Lauder company. It is green, dry, herbal and strong. Its creators positioned it as a “non-conformist chypre”, a perfume ahead of its time, that went “beyond perfume.” To me, it is in many ways the scent of 1970s feminism: independent, strong, challenging traditional strictures without becoming androgynous. Very in-your-face and unapologetic, but with its own beauty. If I were to assign a face to it, I would choose 1970s supermodel Lauren Hutton, a non-conformist beauty with her gap teeth and American style. Hutton had a chameleon-like quality, able to pull off effortless elegance in couture evening wear but showing off that same great bone structure in a plain white shirt, outdoors in the fresh air. Whenever I picture her in my mind, she is outside.

Supermodel Lauren Hutton in 1975

Lauren Hutton, 1975

Luca Turin describes the impact of Aromatics Elixir thus: “Smelling Aromatics Elixir on a strip and especially in the air following a string of ‘modern’ fragrances is like watching Lauren Bacall in The Big Sleep after twelve episodes of Cheers.” That pretty much sums it up; as he notes, Aromatics Elixir “achieves at once salubrious radiance and luxurious dusk.”

But Bernard Chant created another great aromatic fragrance for Estee Lauder, shortly before Aromatics Elixir: 1969’s Azuree. I was lucky enough to find an affordable, unopened tester of Azuree parfum online – wow. This is a really complex fragrance with a lot of different notes balanced against each other. Luca Turin calls it a “citrus leather” with a leather-chypre heart and gives it five stars, contrasting its ongoing fidelity to the original vision of its creator with the sad dismantling of his other leathery masterpiece, Cabochard. Fragrantica lists its notes as follows: top notes – aldehydes, artemisia, gardenia, basil, sage, bergamot; middle notes – cyclamen, orris root, jasmine, ylang-ylang, geranium, vetiver, rose; base notes – leather, amber, patchouli, musk and oakmoss. My bottle is labeled as “parfum”, not “eau de parfum”, and both its strength and longevity bear that out, as does the slightly oily slick on my skin when I first spray it on. Other commenters have noted the excellent spray nozzle on this bottle, which allows you to spray a small amount in fine droplets. That is all you need! Azuree is strong stuff!

On my skin, Azuree opens with a jolt of aldehydes, bergamot and artemisia, with herbal tones from the basil and sage top notes, although I can’t distinguish those separately.  In the middle stage, I mostly smell orris root (really delightful and earthy, with an underlying carroty sweetness), vetiver and a hint of ylang-ylang. The story behind Azuree is that Estee Lauder, founder of the cosmetics empire, wanted to capture the outdoor scents of Cap d’Antibes on the azure sea of the French Riviera, where she had a villa in the years when Cap d’Antibes still looked more like the landscapes painted by Claude Monet and other Impressionists than the overbuilt hodge-podge it has become. Azuree does have a Mediterranean aura of dryness, citrus, herbs, and pine resin, as if one were looking down a dry Riviera coastline toward the stone pines of Juan-les-Pins from a sunlit Mediterranean garden. While roses, cyclamens and geraniums are listed among the heart notes, and they are all Mediterranean flowers that might grow in such a garden, along with the green herbs listed among the top notes, I really can’t pick them out.

View of the cliff garden, sea and boats, from garden of villa in French Riviera

View from villa in the French Riviera

As it dries down, Azuree becomes more leathery, dry and oak-mossy. At this stage, it LASTS.  If I put it on my wrists at night, I can still clearly smell its final drydown stage the next morning. Like Aromatics Elixir, this fragrance is so very different from the current trends of sweet, fruity or gourmand scents! It doesn’t smell old-fashioned at all, it smells almost radical. Yet at the same time, if one were to characterize it as a person, one might describe a free-spirited young woman, wearing no make up but with an “old soul” gazing from her eyes. Definitely one of the great beauties of the 1970s. If Aromatics Elixir is Lauren Hutton, Azuree is Margaux Hemingway, whose grandfather famously spent so much time on the unspoilt Riviera with the most glamorous, unconventional creatives of the day.

Supermodel Margaux Hemingway

Margaux Hemingway

Fragrance Friday: 6 roses for golden Autumn & rainy Autumn

Fragrance Friday: 6 roses for golden Autumn & rainy Autumn

I love Chemist in the Bottle’s list of rose fragrances for autumn, as rose is one of my favorite fragrance notes. I have put away some of my more summery rose scents in favor of those that have a more autumnal spice to them, such as Jo Malone’s Tudor Rose and Amber and Miller Harris’ Rose En Noir. Any other suggestions for autumn fragrances, with or without rose notes?

Chemist in the Bottle

October has brought golden Autumn filled with colorful leaves in shades of brown, orange, yellow and red that gradually fall from trees turning into vivid and rustling carpets on top of the park pavements. Autumn like that is pretty and can be enjoyable even at times when a chilly wind is blowing behind our backs. On the other hand there are days when the sky is completely grey and it looks as if it was about to start to fall on your heads. Days filled with gloom and rain are definitely less enjoyable but at least they give you a good reason to stay at home as you wrap yourself with a fluffy blanket with a big cup of your favorite tea or coffee in hands, watching some movies.

I bet many of you have already done that or are in the process of deciding if its the high time to…

View original post 746 more words

Fragrance Friday: Tangerine Vert, and Glow

Fragrance Friday: Tangerine Vert, and Glow

To round out my comments on my Miller Harris Collection Voyage, I’ve been sampling the third fragrance in the coffret: Tangerine Vert. It is really a unisex citrus cologne.Top notes are tangerine, grapefruit and lemon; middle notes are geranium, orange blossom and marjoram; base notes are oakmoss, musk and cedar. I have read that there is an actual fruit that is a green tangerine, very popular in China and Japan, where it is loved as a fruit that signals the end of summer and the start of autumn. It seems right to review its namesake fragrance in September, especially as we are enjoying beautiful Indian Summer weather. The Miller Harris website refers to “Sicilian green tangerine” but I love the imagery of the Asian fruits heralding early autumn.

The opening of Tangerine Vert is marvelous: a burst of citrus, sweet but not too sweet, with an undertone of slightly bitter rind and grapefruit that turns into an aromatic, green herb, nicely balancing the sweet tangerine. The citrus notes do not feel sharp to me; although lemon is listed as a note, I don’t pick that up. The tangerine dominates without being tangy. In the middle, the dominant notes to me are the marjoram and geranium. In the final stage, I cannot say that I smell anything but the lightest oakmoss faintly tinged with cedar. Lyn Harris has declared that “citrus is all about top notes” and Tangerine Vert embodies that principle.

Sadly, this fragrance comes and goes so quickly on me that I would have to spray it every hour to enjoy it the most. I have dry skin, and citrus notes are famously fleeting; the combination probably doomed the longevity. I may have a solution, though, or at least an experiment! I recently bought a bottle of one of Maison Martin Margiela’s new Replica Filters, Glow.  The “filters”, Glow and Blur, are lightly fragranced dry oil sprays that you use like a primer on your skin before spraying on a perfume. They are meant to brighten (Glow) or soften (Blur) your chosen fragrance as well as extend its longevity, and they are especially designed to be layered with other Replica fragrances.

Bottle of fragranced dry oil spray Maison Martin Margiela Replica Filter Glow

Maison Martin Margiela Replica Filter Glow

I tried both of them at Sephora and much preferred Glow, which I could happily wear on its own as a very simple scent, with its notes of neroli, grapefruit blossom, bergamot and rose. It feels lovely on the skin, not oily but like a veil. Blur was pleasant enough, but I felt it was somewhat nondescript on its own; and when layered with a Replica fragrance (Flower Market), it tamped it down too much. So I bought Glow (shoutout to the lovely SA at Sephora, who happily sampled fragrances with me and sent me home with two samples of Flower Market and several more Chanel samples).

I plan to try Tangerine Vert layered over Glow, in the hopes that the “filter” will improve longevity and that its bright solar notes will amplify what I like so much about Tangerine Vert, the citrus opening. I’ll post an update! Have you tried either of the Replica Filters or Tangerine Vert? What did you think?

Fragrance Friday: Future Perfume Tourism

Fragrance Friday: Future Perfume Tourism

I am so eager to visit Florence! Very few of my European trips have been to Italy, which is surprising as Italy has so much of what I love: gardens, gorgeous landscapes, art, museums, history, language, wonderful food …

And now yet another article to whet my appetite: Perfume, Power and God. Author Arabelle Sicardi describes her visits to perfume palaces such as the Officina Profumo Farmaceutica of Santa Maria Novella, where Catherine de Medici bought her famous perfumes, and the perfumery of Aquaflor, housed in an actual former palace. The photographs of the flower room at Aquaflor are stunning! Of the Officina Profumo, she writes:

If any single place stood at the intersection between politics, god, and perfume, it is this church-turned-monastery-turned-store. From the outside it looks unremarkable for Florence — no baroque detailing, just the crest of Santa Maria on the front. It is all it needs to mark its history. And then you walk inside, and the frescoes summon your eyes up-up-up, maybe sixty feet above you. A fresco of perfumed angels are framed in dark, stained wood. The building and art above you is more than 600 years old. In existence since the 13th century, it still sells many of the same products the Dominican friars once made by hand in the back room.

She traces the connection of the Medici family, through Catherine’s French marriage and patronage, to the very start of the perfume industry in France, specifically in Grasse. I visited Grasse many years ago with my husband, on our honeymoon, and the whole area is fascinating. We visited a couple of perfumeries (Molinard and Fragonard, I think) and were shown the older methods of perfume-making and the extraction of essential oils. However, Grasse is not also a UNESCO World Heritage Site, packed with priceless art. Florence is. And I can’t wait to go there.

 

Fragrance Friday: Terre d’Iris

Fragrance Friday: Terre d’Iris

Another bottle from my Collection Voyage of Miller Harris fragrances is Terre d’Iris.  I like it very much but I don’t feel I fully understand it yet. Fragrantica says it “represents a fragrant journey around the Mediterranean. Calabria bergamot and Sicilian bitter orange open the composition leading to the heart of delicious southern herbs such as rosemary from Dalmatia and clary sage, followed by orange blossom and roses from Tunis and Turkey. The base is composed of patchouli, moss, French fir balsam and Florentine iris.”

I definitely get the opening citrus notes, bergamot and bitter orange. The bitter orange in particular is pleasant and strangely compelling. I generally like green fragrances, with their herbal notes, and although I wouldn’t describe Terre d’Iris as a green fragrance, it is certainly aromatic, with a little bite to its opening. Here is its “scent mosaic”, from the Miller Harris website:

Scent mosaic by Miller Harris perfumes, for Terre d'Iris

Scent mosaic for Terre d’Iris, http://www.millerharris.com

It is important that one of the key notes is not just iris, but “Florentine iris.” Florentine iris is one of the few irises that is considered to be an herb, not just a beautiful flower. Rachel McLeod writes in NaturalLife:  “The most important herbal use for irises to day is the use of the rhizomes from certain species to make orris root for use in perfumery and pot-pourri. Orris root has been one of the most important ingredients in any scent industry from as far back as the 15th century. The scent is rather like sweet violets but its real value is in its ability to fix other scents…. Orris root comes from three closely related irises – Iris germanica, Iris florentina and Iris pallida.”

Iris florentina is now known to be an ancient hybrid of iris germanica, or bearded iris. It has white flowers flushed with mauve. The flower itself is scented although the main value of this iris to perfumery is as a source of orris root and iris butter, which is painstakingly extracted over a period of years from the plant’s rhizomes. Iris florentina is grown mainly in Italy and southern France, but also throughout the Mediterranean, which is truly the “land of iris”, going back to the Egyptians whose use of iris can be documented. Van Gogh often painted iris flowers in Provence, such as the lovely “Field with Irises near Arles”, above, whose vibrant colors were restored in 2015 by stripping off old, yellowed varnish. Isn’t it clever, how the Miller Harris scent mosaic echoes the colors of the Van Gogh painting? You can still see fields of iris, both in Provence and in the Giardino dell’Iris in Florence, the city for which the iris flower has long been a symbol.

Fields of light purple, mauve and white bearded iris flowers in Provence, southern France

Fields of iris in Provence; image from http://www.luxe-provence.com.

As Terre d’Iris dries down, what I smell is the sweetly carroty note that is supposed to be characteristic of orris root. It is not sugary at all; rather, it is the scent of a freshly dug and washed carrot after you bite into it, maybe even with a little dirt still clinging to it (I’m looking at you, oak moss!). I do not smell powder at all in Terre d’Iris, if you think of powdery as the cosmetic. Instead, there are more dry, earthy, woody, herbal tones that contrast with the citrus opening. If I had to describe the iris heart note using non-flowery words, I would say it is smooth and buttery.

Although my bottle came in a Collection Voyage “Pour Elle” set, Terre d’Iris is clearly a unisex scent, as it is described elsewhere. It may even lean a bit more toward masculine than feminine; it would smell marvelous on a man (really, I’m going to have to start experimenting with some of my fragrances on my husband!) while also smelling lovely on a woman.  This is not a girlish fragrance. Very few floral notes, and the ones it has are not strongly present other than the subtle iris. They lend a smoothness and gentleness to the overall experience but I wouldn’t be able to tell that there was any rose in Terre d’Iris if it weren’t listed among the notes. The only fruit notes are in the astringent opening of bergamot and bitter orange.

Will Terre d’Iris become a go-to fragrance for me? Probably not, as I do love my flowers and floral notes. But this is a well-crafted and lovely fragrance that doesn’t smell like anything else out there. It becomes a skin scent pretty soon but I can still smell lingering traces of it on my wrist ten hours after application.  I’m so glad to have this small bottle of it!

iris_florentina_sydenham_edwards

Iris florentina; illustration by Sydenham Edwards.

Fragrance Friday: La Pluie

Fragrance Friday: La Pluie

Thank you, Perfume Magpie, for helping me with my indecision about which Miller Harris fragrance to try first from my new La Collection Voyage set! There are two sets for women: La Collection Voyage Pour Elle, and La Collection Voyage Fleurs. Both include three 14 ml spray bottles of different Miller Harris eaux de parfum. La Collection Voyage Pour Elle has: Terre d’Iris, Tangerine Vert and La Pluie. Side note: I love the 14 ml size! Plenty of fragrance to sample freely without a major commitment to a full bottle; and these travel sets are priced very reasonably: 60 GBP for 42 ml of three different fragrances, as compared to 65 GBP for the 50 ml bottle of one. And the 14 ml bottles are adorable. Continue reading