Scent Sample Sunday: Meet Me On The Corner

Scent Sample Sunday: Meet Me On The Corner

There are times when I am reminded that there is SO MUCH about English experience that is completely unfamiliar to me, in spite of having had an English mother. Of course, she came to America in the early 1950s, married my father and stayed, so much of her actual English experience predates 1960, and after that it was secondhand, mostly via her younger sister who was a model and actress during the era of “London Swings” (in fact, the second wife of Bernard Lewis, of “Chelsea Girl” fame). I bring this up because I am a devotee of the fragrances created by Sarah McCartney under her brand “4160 Tuesdays“, and was recently intrigued by her latest crowdfunding project, Meet Me On The Corner.

According to Sarah, this fragrance was inspired by a song of the same name that reached number 1 in the UK pop charts in 1972, by a folk rock group named Lindisfarne. I had never heard of the group, or the song, but Sarah’s story of how they reunited annually for many years for a Christmas concert in Newcastle, starting in 1976, and the inspiration she drew from their best-known song, were so charming that I took part in this year’s crowdfunding of the scent. Sarah has been thinking about this fragrance for a long time, as noted in this 2014 interview with CaFleureBon. Her latest commentary about it is here:

And now I have my very own bottle of Meet Me On The Corner, and I love it! (I also got the seasonal scent she mentions in the video, Christmas Concert, and will review that later this week after I attend an actual Christmas concert).

Meet Me On The Corner is a citrus chypre meant to evoke the fragrances that were popular in the 1970s like Sarah’s favorite Diorella, before the Blitzkrieg of 1980s powerhouses like Giorgio Beverly Hills — comparable to folk rock giving way to glam rock and its 1980s offspring. The 1971 song itself, which I hadn’t heard before, is a sweet, self-consciously folksy derivative of Bob Dylan’s 1965 Mr. Tambourine Man; of the versions on YouTube, I prefer the 2003 edition:

This is the refrain that inspired Sarah:

Meet me on the corner,
When the lights are coming on,
And I’ll be there.
I promise I’ll be there.
Down the empty streets,
We’ll disappear into the dawn,
If you have dreams enough to share.

So what is the fragrance like? It opens with a really pretty citrus, very lemony but not only lemon. There is another, less sweet citrus note which seems to be bergamot, but I clearly smell lemon too — not so much the fruit, but more like lemon zest and lemon tree. Maybe citron or petitgrain? Sarah says that the fragrance includes a peach lactone (a key ingredient of Edmond Roudnitska’s 1972 Diorella as well as Guerlain’s legendary ur-chypre, Mitsouko), flowery hedione (central to another Roudnitska masterpiece, the 1966 Eau Sauvage), and magnolia leaf. Here is what one producer says about the latter: it “exudes an aroma that is greener, more crisp and woody than the sweet scent of Magnolia Flower. The aroma of this rare Magnolia grandiflora leaf essential oil is clean and refined. Magnolia leaf is quite intriguing with hints of fig, bergamot and myrtle.”

As an official “notes list” isn’t yet available, I will offer a layperson’s guess and say that top notes include bergamot, citron, petitgrain; heart notes include peach, jasmine, fig, magnolia leaf, green notes (myrtle?); base notes include musk, woody and resinous notes (labdanum?), vetiver or oakmoss. I hope someone will issue a correct list! Meet Me At The Corner is a unisex fragrance, as befits the sometimes androgynous 1970s. It neatly combines aspects of Diorella and Eau Sauvage; this might be their love-child. It is bright and sunny, youthful without being sweet. It is, as Sarah has written, a fragrance to be “worn by women in jeans and men with long hair who scandalised our Edwardian grandparents.”

As I learned more about the song, the era, and Lindisfarne’s Christmas concerts, begun to raise funds for Newcastle City Hall, a concert venue, I also learned about the deep poverty that still afflicted Newcastle upon Tyne and its Dickensian slums in the 1970s, so well documented by photographer Nick Hedges for the UK charity Shelter. I also found this marvelous photo of the Pilgrim Street fire station in Newcastle in 1972, and I am guessing this may be the one that Sarah describes frequenting with her friends as teenagers:

Fire station on Pilgrim Street, Newcastle, UK, 1972, with pedestrians

Newcastle Fire Station 1972; image from Newcastle Chronicle.

Sarah has said on the 4160 Tuesdays website that Meet Me On The Corner will likely return as a regular offering in 2020, so keep an eye out for it; you can keep up with news on the 4160 Tuesdays Facebook page. It will be worth the wait!

Teenaged girls wearing tie-dyed clothing, 1970s, Doreen Spooner

Tye-dye girls, Doreen Spooner/Getty Images

 

Scent Sample Sunday: A Pop-Up, Anat Fritz Tzor’a, and Berdoues’ Trefle & Vetiver

Scent Sample Sunday: A Pop-Up, Anat Fritz Tzor’a, and Berdoues’ Trefle & Vetiver

Last weekend, I visited a pop-up store presented by a new niche perfume retailer in my area: IndieHouse. I met its owner, Carrie Hadley, sniffed her small but thoughtfully chosen selection of fragrances for this event, and ended up buying an eau de toilette, Berdoues’ Trefle & Vetiver, from their 1902 line. With my purchase, I received a sample of Anat Fritz’ Tzor’a, another green scent, in eau de parfum.

Anat Fritz is a clothing and accessories designer who started in Berlin and is now based in New York. She has two fragrances, the second of which, Tzor’a, was created by perfumer Geza Schoen, who may be best known for his creations for Escentric Molecules and Ormonde Jayne. The website describes Tzor’a as “a bright, peppery unisex fragrance, featuring a zingy mix of warm citrus, pepper, earth, moss, and woods.” The composition is a pyramid structure: top notes of black currant, clary sage, bergamot, pepper; heart notes of magnolia, osmanthus, jasmine; base notes of cedarwood, vetiver, patchouli, musk, moss. If you are thinking this all sounds quite green, you are right! I love green fragrances, which is what attracted me to Tzor’a after sniffing the clever samples of fragrances that Carrie had created out of paper flowers sprayed with each fragrance and placed under glass funnels.

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The opening of Tzor’a is the “zingy” part. It is in fact very bright and peppery, thanks to the black current, sage, bergamot, and pepper. Users beware: a little of Tzor’a goes a long way! One spritz on the inside of my elbow lasted for hours and had great sillage — not so strong that it would repel anyone, but definitely radiating for a few feet. As it dries down, I must say that I don’t smell any of the flowers listed as heart notes; on my skin, Tzor’a goes straight into the woody base notes after the bright opening. The Non-Blonde blog’s review made a similar comment about the floral notes. Most prominent is the cedarwood, followed by vetiver. Some Fragrantica commenters have compared it to Terre d’Hermes.  Although it is unisex, it probably inclines more toward the masculine than the traditionally feminine. It is a very dry scent, which makes sense based on the brand’s description of what inspired it:

An ancient piece of land near Jerusalem, where the biblical story of Samson and Delilah begins. On a hill – with a breathtaking view over the whole landscape – lies Kibbutz TZOR Á between pomegranate, olive- and citrus trees. Luscious fruit trees wherever you look. A paradise place.

My imaginary home. The place I refer to when asked for the most beautiful place in the world. TZOR Á is an ode to this piece of nature, which emanates freedom, authenticity and self-confidence. Fresh and clear.

The place Tzor’a is home to a noted winery and series of vineyards in the Judean Hills. Interesting historical note: excavations near this kibbutz in 2011 uncovered a Jewish ritual bath structure dating back to the “Second Temple Period” (first century BC through first century CE). It was the first archaeological site to confirm that the area had Jewish inhabitants as long as 2000 years ago, likely until about the year 70 CE, when the Temple  (and most of ancient Jerusalem) was destroyed by the Romans to put down a rebellion, in one of the more brutal episodes of the Roman Empire.

Tzor’a comes in a unique bottle: the bottle itself is a simple shape, a rounded rectangle of glass, but it is encased in a handknit net of sage green yarn, invoking Anat Fritz’ interest in textiles and knits. It is a very appealing presentation.

Anat Fritz perfumes

Anat Fritz fragrances; Tzor’a and Classical; image from http://www.anatfritz.com

All in all, I like Tzor’a a lot, but I think I would prefer it on my husband to wearing it myself. Given how much I love floral notes as well as green notes, and since I don’t seem to be able to smell the few floral notes in this composition, I think it will suit me better on him! It is an expensive fragrance, but the quality and strength are so high, it may be more affordable than it seems from the retail price ($180 for 80 ml), since it lasts so long with 1-2 sprays. Cafleurebon editor Gail Gross is a fan; her review is here.

The other green fragrance I tried (and bought) was Berdoues’ Trefle & Vetiver.

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“Trefle” is French for clover, and the scent does indeed smell like summery clover blossoms. The top notes are apple and jasmine, the heart is clover, and the base note is vetiver. I find this to be more unisex than Tzor’a, because the fruity and floral notes are more apparent to me. It doesn’t last nearly as long as Tzor’a, not surprising since it is an eau de toilette, not eau de parfum. It is also more affordable, coming in at $40 for 100 ml. I was impressed by the wide range of prices that Indiehouse displayed, from the affordable to the luxe. Such a great way to introduce more people to niche fragrances! I look forward to writing more about Indiehouse when the brick-and-mortar store opens this fall.

Trefle & Vetiver feels right for the weather and time of year in my part of the US. It is almost October and the days are getting noticeably shorter, yet the weather is still very hot and dry. The combination of bright apple with summery jasmine, tempered by clover and grounded by vetiver, suits that. It still feels like summer around here, but it’s time to harvest apples! Various clovers appear in apple orchards as non-invasive cover crops that help fix nitrogen in the soil, don’t compete with the trees for water, and attract the honey bees and other pollinators that are essential to fruit production. My own garden is too small and shaded to envision growing fruit trees for fruit, but I love the image of apple orchards underplanted with blossoming clover!

Blossoming red clover underplanting apple trees

Red clover in apple orchard; image from http://www.nrcs.usda.gov.

Although Trefle & Vetiver doesn’t radiate as strongly or as long as Tzor’a, it continues to make itself known as a pleasant skin scent for several hours after application. This would be a very nice scent to wear to work; it is subtle and soft as it dries down, but it is a pleasant reminder of the great outdoors when one has to be inside.

Have you visited any pop-up stores lately? Tried either of Anat Fritz’ fragrances? Have any other suggestions for fragrances during a hot, dry fall?

Fragrance Friday: What to Wear to a Wedding?

Fragrance Friday: What to Wear to a Wedding?

Tomorrow, we are going to a wedding in the Lowcountry of South Carolina! This is one of my favorite places on earth. It has a unique, fascinating landscape and a rich, tragic history back to the earliest days of European settlement of North America and before. The local people have marvelous folk traditions and folklore, such as the Gullah culture along the coast and among the islands. The food is some of the best you will ever taste in the United States, whether traditional or more modern, with its emphasis on seafood straight from the water and farm-to-table delights.

The wedding will be a formal, early evening affair followed by dinner. I’ll probably wear a long summer dress, in a shade of my favorite blue. The setting is an elegant resort, filled with ancient “live oaks” draped in Spanish moss, meandering creeks, migrating birds, semi-tropical vegetation. The bride is a daughter of two of our oldest friends and we love her dearly — I first held her in my arms when she was a day old. The weekend will include a traditional “Lowcountry Boil” party by the water and a Sunday brunch. Some rain is predicted (luckily, it is supposed to be overnight), possibly including thunderstorms; the Lowcountry has a humid, sub-tropical climate and it is affected by Atlantic hurricanes in the fall (Hurricane Dorian recently passed by this particular area, fortunately with minimal damage).

What fragrances do you suggest I wear? As you know if you read this blog occasionally, I like floral scents, green scents, some citruses. I definitely plan to take the bottle of custom fragrance I made for my husband on our trip to Nice, which I dubbed “Lowcountry Spring.” It is a nice unisex eau de parfum, and I’m curious to find out whether it does in fact evoke the real Lowcountry, as I was attempting. I think I’ll also take Un Jardin Apres la Mousson, lol!

Suggestions? Thanks!

Scent Sample Sunday: Aquaflor Rosae

Scent Sample Sunday: Aquaflor Rosae

Some readers of the blog “Now Smell This” expressed surprise that my husband is a much-appreciated enabler of my perfume hobby. He really is, in the kindest way, including that he found the entrance to Aquaflor for me on a small Florentine side street when I had given up and thought it was closed!

Aquaflor Firenze is another magnificent apothecary/perfumery in Florence, Italy. It sells house-made fragrances, body and face creams, herbal bath products and other fragranced goodies, shaving products, soaps, and accessories; it is very close to the church of Santa Croce, located in the ground floor of the Palazzo Serristori Corsini Antinori.

Courtyard leading to Aquaflor Firenze

Courtyard of Palazzo Antinori, Florence

My husband is the hero of this tale, because I had found the courtyard of the palazzo, which had a French door into the store, but it was roped off and I couldn’t see any staff, so I disappointedly told him that the store seemed to be closed. He wandered further up the street, in the opposite direction of how we would normally return to our bed and breakfast, and called back to me that he had found the entrance and the store was indeed open! This is heroic, because he has bad knees and flat feet, and he had already reached the limit of his ability to walk on paved and cobbled streets, which one does all day in Florence. He was rewarded when we entered the store and behold! there were comfortable leather armchairs and couches, clearly intended for footsore companions. So wise of the store owners! I would not have stayed as long and maybe would not have made the purchases I did if he had not been able to sit and rest his feet.

Aquaflor fragrance boutique in Florence, Italy.

Aquaflor Firenze boutique

Aquaflor sells most of its products in the actual store only, but it does now have a beautiful website where one can buy its fragrances, including a number of home fragrance diffusers. Perfumer Sileno Cheloni states on the website that they were reluctant to have a website, since they envision Aquaflor as primarily a destination and a sensory experience (which you can read about in more detail here), but they have the website so that aficionados can, for example, re-order a fragrance they already have and love.

All the fragrances are created by perfumers Sileno Cheloni and Nicola Bianchi. Fragrantica lists 40 fragrances, the earliest from 2015. After much testing and pondering, I chose one of their sets of a 100 ml bottle and a 30 ml bottle. You decide which ones you want, and the set costs less than if one bought the two separately. I chose the large size of Rosae and the small size of Tzigana. Today, I’ll write about Rosae.

Rosae is an unconventional rose fragrance. The only notes listed for it are rose and mint. It has a high concentration of fragrance, although it is not described as an “extrait”; based on its longevity on my skin, though, I would estimate its concentration as above 20%. It lasts at least 24 hours on my skin and only departed after I had taken a long shower. Its sillage is deceiving; I didn’t think it was more than moderate, i.e. detectable only within a couple of feet of me, but one day when I wore it to work, a colleague walked into my office and immediately exclaimed how good it smelled although she was several feet away from me. I have adjusted my spray pattern accordingly! And that will make my bottle last longer, which is a good thing because I really love Rosae.

Fragrantica categorizes it as “rose, green, aromatic, and fresh spicy,” and that seems right. At first spray, you get a powerful but fresh rose, very reminiscent of the beautiful attar of Taif roses my husband brought me back some time ago from Dubai, which tells me Rosae contains a high concentration of rose oil, specifically extract of Rosa damascena, or the Damask Rose. (Taif roses are a variety of the species Rosa damascena).

Rosa damascena growing in field

Rosa damascena; image from www.sciencedirect.com.

One small spray at the base of my throat, and Rosae wafts strongly up to my nose. There is a liveliness to its scent, which I attribute to the mint. A combination of rose and mint is much more complex than one might think from that short list of notes. Roses themselves contain well over 100 different organic compounds, whose volatility, emitted from the flowers or from rose extract, creates the fragrance we smell. This is why different roses can smell quite different from each other, while still completely recognizable as “rose”; some are more fruity, with notes like apple or peach, others are very lemony, some are more green, etc. “Mint” can refer to a large family of herbal plants, formally known as “Lamiaceae”, which includes not only spearmint and peppermint, but also many other garden herbs, such as basil, oregano, sage, rosemary, thyme, marjoram, and lavender. Like roses, members of the mint plant family contain many organic compounds, which makes them highly aromatic. The liveliness and complexity of Rosae suggest to me that some of those herbs and their relatives are also present, playing supporting roles. I definitely pick up a whiff of sweet basil and fresh thyme, and possibly also lavender and Clary sage.

Rosae feels linear to me, and in the case of such a beautiful, natural fragrance, I appreciate that. Complexity abounds in this scent without the intrusion of many other substances. Given my colleague’s delighted reaction to it from several feet away, hours after I had applied Rosae in the morning, I have no complaints about its development! But if you are seeking a rose-based fragrance that will become something quite different over time, this is not it.

Aquaflor Firenze is well worth a visit if you ever get to Florence. On my visit, the staff were helpful and knowledgeable, and very willing to suggest fragrances to try. The store itself is very beautiful, and you won’t want to miss the frescoes in the Basilica di Santa Croce nearby. Just keep looking for the store’s entrance if at first you don’t find it! It is on the Borgo Santa Croce, and the actual door is down the street from the main entrance into the Palazzo Antinori. It has many wonderful items for sale besides its beautiful fragrances, too.

How do you feel about linear fragrances? Do you have a favorite rose-centric fragrance?

Table of fragrance products at Aquaflor, Florence, Italy

Aquaflor Firenze

Scent Sample Sunday: Farmacia SS Annunziata dal 1561

Scent Sample Sunday: Farmacia SS Annunziata dal 1561

Florence is full of wonderful stores and boutiques in historic locations and buildings, but some of the businesses themselves are also historic. One of them is Farmacia Santissima (“SS”) Annunziata dal 1561, an Italian apothecary and perfumery that dates back to the 16th century. The perfumery creates its own fragrances as well as cosmetics and lotions. It has its own page on Fragrantica, with 33 perfumes listed there. I was able to visit the actual store a few weeks ago, on a long-awaited first trip to Florence, and it was well worth it! I discovered its existence thanks to a wonderful article by The Perfume Society about perfume-shopping in Florence.

The Farmacia is right around the corner from Florence’s Galleria dell’Accademia, home of Michelangelo’s David, which we were able to see early in the morning, at the first opening of the museum. We were the first visitors into the gallery that day, which was an unforgettable experience — looking down the whole length of the beautiful gallery at that magnificent statue, without anyone else in sight, then slowly approaching it and realizing just how tall David is. It reminded me, in reverse, of how much smaller the painted Mona Lisa looks in real life than how one imagined.

The store itself is charming and beautiful. It is paneled on every wall with floor-to-ceiling cabinets full of bottles and jars, and it has a gorgeous long counter across almost the full length of the back. The staff are friendly, knowledgeable, and fluent in English. Honestly, just visiting the store was a treat in itself. But of course, I couldn’t resist trying several of the fragrances!

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Bottles of products at Farmacia SS Annunziata dal 1561

One I particularly liked is Regina, an eau de toilette with notes of rose, unnamed “floral notes”, ylang-ylang, honey, rice, amber, iris, and chamomile. The most prominent notes are iris, rice, and honey, but ylang-ylang and chamomile are noticeable also. The strongest impression I get from it on my skin is that of a lovely, flowery powder. It is soft and honeyed without being sugary. The iris note is based, of course, on Florentine iris, a traditional and costly source of the prized orris butter that goes into many fragrances; its preeminence in Regina is a beautiful remembrance of lovely Florence.

I don’t really smell rose in isolation from the other notes; in fact, when I first spray Regina, I smell iris right away. But it is an iris supported by other flowers, so I’m sure the rose is there! The ylang-ylang adds a polleny yellow flower aspect to the scent, which enhances the notes of rice and honey, lending Regina a golden tone that is both light and warm.

This is an unusual combination of notes, especially with the chamomile that is so rarely used today in fragrances. One exception is the much commented-on recent release from Gucci, Memoire d’Une Odeur, which I tried the other day and liked very much; there has been a lot of online chatter about Alberto Morillas’ use of chamomile in that fragrance. I love green and herbal notes in fragrance, so chamomile appeals to me (and I like chamomile tea, so I’m predisposed to like it as a scent). Regina feels quite linear to my nose, which I don’t mind at all because it is such a pretty, appealing scent.

When we visited Florence and the Farmacia, Italy was suffering from the same heat wave that affected all of Europe in late July. Upon our return, the weather here at home has been almost as hot, and twice as humid. Regina is an ideal summer fragrance, with its light touch and notes of summery blossoms. It has a base note of amber, but this amber is delicate and does not overwhelm or overpower the rice, powder, and summer flowers. I often turn to one of Hermes’ Jardin fragrances in this kind of heat, or Penhaligon’s Blasted Bloom, as they both have a cooling, refreshing effect, but Regina will join my regular summer rotation.

Blogger Kafkaesque has written about Farmacia SS. Annunziata, noting the quality and reasonable prices of its fragrances. Have you tried any of them? If you were to choose a fragrance for a hot summer day in Florence, what would you choose?

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Scent Sample Sunday: Profumo di Pioggia

Scent Sample Sunday: Profumo di Pioggia

Our recent trip to Italy included a few days in Florence, our first visit ever to that beautiful city filled with art. In addition to its essential role in all facets of the Renaissance, Florence also became a center for perfume-making, together with Venice — a craft that notably was imported to France by the Florentine princess who became Queen of France, Catherine de Medici. The world-renowned perfumeries of Grasse, France, have their origin in the fashion she inspired for leather gloves scented with perfumes to mask the odor of the animalic substances used to tan the leather. She brought that fashion with her from Florence.

A small perfumery in Florence, Spezierie Palazzo Vecchio, continues the tradition with what it describes as original formulas from the perfumers who served Catherine de Medici, rediscovered after the catastrophic 1966 flood of the River Arno that wreaked havoc in Florence, in a line called “I Profumi di Firenze.” I can’t speak to the foundations of that claim, but some of the magnificent places we visited, like the church of Santa Maria Novella, suffered extensive damage to the priceless works of art they housed as well as their structures, and their restorations include markers showing how destructively high the floodwaters rose. (A famous series of photographs of the flood can be viewed here).

Although the store in Piazza Signoria (location of the famous scene in the film “A Room With A View” where Lucy Honeychurch faints into the arms of George Emerson, setting in motion the rest of the film’s events) was closed when we first stopped by, I was lucky enough to find it open on our last afternoon in Florence.

Even better — they were having a sale! So of course I came home with several bottles; one scent in particular is quite special, as it won first place in a fragrance competition called “I Profumi di Boboli.” The fragrance is called Profumo di Pioggia, created by Luciana Liberati. The assigned theme for the 2018 contest was “the scent of rain”; the winning fragrance was produced in a limited edition of only 60 bottles, one of which, happily, now belongs to me.

Before anyone gasps at any assumed extravagance, however, I note that the prices of I Profumi di Firenze are much more reasonable in their home boutique than they are in the US, especially during their sale. The most I spent for any single bottle, including a 50 ml bottle of eau de parfum and a 12 ml bottle of extrait, was 25 euros. The others were 20 euros or less. On the other hand, you have to get yourself to Florence to take advantage of that — not exactly the worst option, but not inexpensive either!

Profumo di Pioggia is meant to evoke the smell of a gentle summer rain in the wooded hills above Florence. It includes notes of fig leaf, pomegranate, dew, jasmine, lavender, oud, violet leaf, cedar, and white musk. The perfumer describes it (English translation): “A delicate summer rain enlivens pomegranate flowers. I take refuge under the branches of a fig tree to smell the arrival of summer. The scent of violets and woods from the undergrowth returns to my mind.”

It opens with a gentle green note, which I think is a combination of the fig leaf and violet leaf. Given how much I love green fragrances, this immediately won me over! The floral notes emerge; I definitely smell the jasmine and lavender; I don’t know that I would recognize the smell of pomegranate flowers, so I can’t identify that. The dominant note in the heart phase, though, is rain, or “petrichor.” I love it! So what is petrichor?

The word petrichor was invented by two Australian scientists who introduced it in a 1964 paper on the Nature of Argillaceous Odor (pdf), an investigation into the scent of moistened clay, rock, and sediment. They combined the Greek word for stone, “petra,” and “ichor,” which means “the blood of gods”, to coin a name for the scent of rain.

The mineralogists posited that the scent released by rain isn’t that of water, which itself has no odor, but is actually the aroma of organic compounds accumulated in the atmosphere and on surfaces; these are released when rain falls. The compounds include bacteria called geosmin. These bacteria gives beets their earthy flavor and help make digging up soil in a garden so satisfying and soothing.

Rain also releases aromatic terpenes secreted by plants. Terpenes are hydrocarbons found in the essential oils of plants. They’re what makes a walk in greenery both fragrant and healing.

And when rain falls, geosmin and terpenes fly—or more precisely, they fizz.

One village in India famously has a long tradition of capturing the fragrance of monsoon rains in “mitti attar”, or “the perfume of the earth.” As noted by the author of the New York Times article about it, the scent of rain differs widely from place to place and from climate to climate; the remembered smell of rainfall in the woods of Maine will be very different from that of the rain in India, or the American South, or the hills of Tuscany, but they are equally pleasing. Profumo di Pioggia is a gentle green cross between an aromatic and a floral fragrance, with a softly woody drydown. The wood notes in the base are very subtle; I probably wouldn’t be able to detect oud if it hadn’t been listed among the notes. The cedar and white musk notes are very well blended, so that neither one dominates or “hits” my nose. I do smell something reminiscent of beets, which are rich in the geosmin that is known to be a major component of petrichor scents — a delicate, sweetly earthy smell that fits well with the fig leaf.

I feel very lucky to have visited Spezierie Palazzo Vecchio, where the staff were also delightful, helpful, knowledgeable, and kind. If you get a chance to go to Florence, I recommend a visit! The perfumery is on a side street right off the Piazza Signoria, facing the Palazzo Vecchio, and you won’t want to miss those landmarks or the nearby Uffizi Gallery and its priceless masterpieces.

The non-profit organization that sponsors the contest “I Profumi di Boboli” also offers a multi-month perfume-making course that sounds fascinating if you can return to Florence seven times for its regularly scheduled classes. What a great reason to do that!

Have you tried any Florentine perfumes? Many enthusiasts know and love the fragrances of Santa Maria Novella, which I also visited — to be shared in a future blog post! If you know them, which are your favorites?

Scent Sample Sunday: The Merchant of Venice

Scent Sample Sunday: The Merchant of Venice

I’m ba-a-a-a-ck! I’ve been in and out a lot this summer so haven’t posted as regularly here as I normally do, but summer is officially over in this part of the world. Just the leisure, not the weather! It still hits 90 degrees F daily; the humidity is, if not oppressive, onerous; and the sun is still so strong that lavish applications of sunscreen are still required for palefaces like me. But yes, summer is over. My oldest child has finished her theater apprenticeship and will move into her first independent apartment by the end of this week. My second child moves back into her campus apartment to start her senior year of college. And my “baby”, the young man who is taller than any of us, starts his senior year of high school this week. Orientation for new students at the university where I work begins tomorrow, and we have a new Dean I’ve only met in passing. So it’s the start of a big year for us, and yes — summer is over.

My university job is in administration, so I do work in my office all summer, unlike my faculty colleagues, but I’ve been able to go with my husband on two lovely trips he took for work, one to London in May, and the other, more recently, to Italy. After his work there, we took an extra week of actual holiday for him and visited Florence and Venice, neither of which we had seen before. It will take several posts to describe all the perfume-related activities I did in Florence, so I’ll start off with Venice, where I was a bit more restrained! Venice, however, was also where I was able to visit the perfume exhibit at the Palazzo Mocenigo.

Entrance hall of Palazzo Mocenigo, perfume museum in Venice, Italy

Palazzo Mocenigo entrance hall; image from http://www.veneziaautentica.com

 

This is a relatively new “itinerary” at the museum, and it is well worth visiting. The Palazzo Mocenigo itself is very interesting as an example of a Venice palazzo (short video tour here), and right now it also contains three temporary exhibits, one of which is part of the Venice Biennale: “Brigitte Niedermair: Me and Fashion.”  (For more information about Ms. Niedermair, there is a great article in Wallpaper).

The other two, smaller exhibits are related to perfume: one, “Leonardo: Genius and Beauty,” is described thus:

A little-known aspect of Leonardo da Vinci will come to light in this exhibition organised to mark the fifth centenary of his death: his work as a cosmetologist and perfumer, dedicated to the creation of fragrances and cosmetics. A reconstruction of the lively network of exchanges between the major Renaissance courts enables us to learn of the experiments and recipes for cosmetics that Leonardo shared with the most important female figures of the day. Also on show will be pioneering recipes for depilatory ointments, creams made from snail slime and hair dyes. Leonardo even influenced hairstyles: “Da Vinci knots” are found in many paintings in which hairstyles are embellished with jewels, nets and perfumed fabrics. At the court of Ludovico il Moro in Milan, Leonardo organised parties, designed clothes and costumes, as well as inventing fabrics, jewels and perfumes. The exhibition will highlight the link between Milan and Venice: two cities where the use of perfume was widespread and hairdressers commonly sold cosmetics and perfumes. A specific role in the service of the court was dedicated to a “magister of perfumes”, who procured for the ladies little phials of mixtures for bleaching the hair, a very popular fashion in Venice.

Leonardo: Genius and Beauty.

The other temporary exhibit related to perfume is “Carnet de Voyage: Illustrated Perfume.” It is sponsored by the fragrance line “The Merchant of Venice”, and it is a series of illustrated poems relating back to several of the line’s perfumes, imagining the voyages of an actual Venetian merchant seeking out rare substances to bring back to Venice for the creation of perfumes. Yes, it’s a bit of an infomercial, but a charming one, and I appreciate the support the company is giving to this small museum.

The main, and permanent, perfume exhibition at the palazzo is contained in several rooms upstairs. There is also a perfume laboratory on the ground floor, where one can take a perfume workshop.  The museum’s website includes a detailed description of the perfume exhibit.

I enjoyed all of it, but especially the room devoted to raw ingredients, many of which were beautifully displayed in glass containers on a huge table where one could actually smell them.

Another highlight was a 19th century Venetian perfumer’s organ, a beautiful piece of antique furniture in its own right, apart from its functional interest.

So of course — what does one need as a souvenir of this visit? Why, a fragrance from The Merchant of Venice, of course! On our day trip to the island of Murano, home of the famous glassblowers, we had lunch on a canal directly opposite The Merchant of Venice store. Sadly, it was closed and not due to open until after we planned to return to the city, but it’s a beautiful store with many of its striking Murano glass bottles displayed in its window.

Luckily for me, one of my favorite online fragrance discounters just happened to have some of the same bottles, in tester format, on sale, so when we returned home, I ordered Flower Fusion. It is part of the “Murano Collection” and comes in a really pretty glass bottle swirled with streamers of blue within the clear glass. Top notes are listed on the brand’s website as jasmine, freesia, and ylang-ylang; heart notes are vanilla, patchouli, and labdanum; base notes are damask rose, violet petals, and ginger. Fragrantica lists most of the same notes, but in a different order: top notes are said to be lemon, violet, and ginger; middle notes rose, jasmine, ylang-ylang, freesia; base notes labdanum, patchouli, vanilla.

I definitely smell freesia as a strong top note, and since that is a lemony floral smell, I think that’s the source of the lemon note listed on Fragrantica. I do perceive that the jasmine and ylang-ylang follow close on its heels, and then the vanilla makes itself known in the middle stage. I would say that the rose and ginger are part of the middle stage, to my nose, with a hint of violet. The labdanum is also perceptible during the middle stage. This middle phase is very appealing if you like floral scents but don’t want something heavy. I can’t say that it smells quite like anything else I’ve tried recently. As it continues to dry down, the rose, vanilla, labdanum and ginger notes persist, and they combine beautifully. The patchouli emerges, but it does not dominate; it adds a green herbal note to the composition.

I like Flower Fusion very much, and it is perfect to wear on a balmy summer evening. The warmth and humidity suit it, although it might be a bit much at the height of the day, when something like Un Jardin Sur le Nil would probably be my preferred choice. The vanilla lends it a pleasant sweetness without turning it into a gourmand. It lasts well on my skin, perceptible even after several hours, and it would probably last longer if I sprayed more (I tend to spray pretty lightly).

Bottle of Merchant of Venice fragrance Flower Fusion with Murano glass earrings and Massimo Ravinale scarf based on Leonardo da Vinci

Flower Fusion with Murano glass earrings and “Leonardo” scarf by Massimo Ravinale.

Have you visited Venice? The Palazzo Mocenigo? Have you tried any of The Merchant of Venice fragrances? If so, what did you think? Or, have you been able to do any “perfume tourism” of your own this summer?