Fragrance Friday: Clouds’ Illusion

Fragrance Friday: Clouds’ Illusion

Because the third fragrance in the 4160 Tuesdays “January Joy Box” is Clouds, I am reposting what I wrote this past fall about Clouds’ Illusion, while I think about how the two versions compare! (One uses mostly synthetics, the other natural essences).

In honor of this week’s move of English perfume-maker 4160 Tuesdays to another part of London, today I review Clouds’ Illusion eau de parfum, which 4160 Tuesdays perfumer and founder Sarah McCartney created for a crowdfunding project for the Eau My Soul Facebook group.

Sarah McCartney's 4160 Tuesdays perfumery studio, Ravenscourt, London.

New space for 4160 Tuesdays London; image from 4160 Tuesdays.

What a fun idea! This isn’t the first one, either — she and the group’s founder, Christi Long, collaborated previously on the eponymous fragrance Eau My Soul in 2017, with input from the members of the Facebook group. Here’s the tale of how it happened, in Sarah’s own words:

Clouds was an idea dreamed up by Christi Long. Christi runs Eau My Soul as a kind, encouraging forum for fragrance lovers, and one day she was wearing our crowdfunded fragrance from 2018, Take Me To The River. It crossed her mind that Joni Mitchell’s Both Sides Now would be a wonderful inspiration for a fragrance, looking at clouds from both sides, the grey, then the sunshine.

Between us, we dreamed up a plan: Christi sent me a list of notes: iris, narcissus, white chocolate, hay, sandalwood, papyrus, vanilla and others which I’ll keep secret. She’d named some of the most expensive materials that exist, but I also knew that would want it to be affordable to everyone in the group because she’s nice like that.

So I had a suggestion. How about we do Both Sides Now? I am going to make two versions, one with the natural materials and one with the synthetic recreations made by the genius chemists from the industry. That way we can make the most magnificent, fabulously luxurious fragrance this side of Ancient Rome, plus the affordable one.

Clouds, and Clouds’ Illusion.

My intention was that they should smell pretty much exactly the same, but whichever one you buy, you can have a sample of the other one too. I don’t think anyone has done this before. I’m keen to show that aromachemicals are just as beautiful as naturals, and that you’re not missing out if you don’t have the spare cash for expensive fragrances. (But if you do, don’t let us hold you back.)

We also both agreed that we wanted to give a proportion of the funds raised to our chosen causes – some sunshine in these grey times. Previously we used a crowdfunding platform which took a percentage of the funds for use of its tech and database, so we took  that and gave it to Hope Not Hate in the UK, and to the Looking Out Foundation in the US. We think we already know enough people to make this happen, and besides we don’t want to conquer the world, just to make a lovely fragrance.

“Both Sides Now” was written by legendary singer/songwriter Joni Mitchell, and was first commercially released as a recording by folk singer Judy Collins, on her album Wildflowers. The latter is the version most of us recognize from the radios of our youth, haunting in its lyrical beauty. A year later, Joni Mitchell followed with her own recording, also beautiful, for her album Clouds.

Here are the song’s lyrics:

“Both Sides Now”, by Joni Mitchell
Bows and flows of angel hair and ice cream castles in the air
And feather canyons everywhere, I’ve looked at clouds that way
But now they only block the sun, they rain and snow on everyone
So many things I would have done, but clouds got in my way
I’ve looked at clouds from both sides now
From up and down and still somehow
It’s clouds’ illusions I recall
I really don’t know clouds at all
Moons and Junes and Ferris wheels, the dizzy dancing way you feel
As every fairy tale comes real, I’ve looked at love that way
But now it’s just another show, you leave ’em laughin’ when you go
And if you care don’t let them know, don’t give yourself away
I’ve looked at love from both sides now
From give and take and still somehow
It’s love’s illusions I recall
I really don’t know love at all
Tears and fears and feeling proud, to say, “I love you” right out loud
Dreams and schemes and circus crowds, I’ve looked at life that way
But now old friends are acting strange they shake their heads, they say
I’ve changed
Well, something’s lost but something’s gained in living every day
I’ve looked at life from both sides now
From win and lose and still somehow
It’s life’s illusions I recall
I really don’t know life at all

 

The fragrance Clouds comes in two versions: one is based entirely on natural essences, and was made in parfum and eau de parfum concentrations. The other is Clouds’ Illusion, which replaces a number of those (very expensive) natural essences with fine aromachemicals, though it still contains some of the naturals. Sarah’s goal was to incorporate all the elements Christi requested, but also to create a version that would be more affordable for crowdfunders and, in addition, show how aromachemicals can be used judiciously to create a truly beautiful fragrance. Clouds’ Illusion also comes in parfum and eau de parfum concentrations.

I was thrilled to take part in the crowdfunding, and as a result, I now have a bottle of Clouds’ Illusion in eau de parfum. I also had the privilege of visiting Sarah in her studio in London this past spring, when she was still modifying her formulas after initial feedback from Christi.

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Sarah McCartney of 4160 Tuesdays

Sarah and Nick were kind enough to spend quite a bit of time with me, and this visit was a highlight of my London trip. I’m quite a fan of 4160 Tuesdays, having won a bottle of their White Queen in a draw on the excellent fragrance blog “CaFleureBon”, and I bought more of their fragrances on my visit, several that were hard to get in the US.

So what is Clouds’ Illusion like, and does it fulfill the creative intentions behind it? The answer is, yes, it does, magnificently, and it is very lovely. Sarah lists notes of iris, citrus, narcissus, white chocolate, hay, sandalwood, papyrus, vanilla, and other unnamed “secret ingredients.” I love the scent of narcissus, and iris is becoming one of my favorite notes in perfume. According to Sarah, the iris note, or orris, evokes the melancholy, blue, introverted facets of the song, while the lemony citrus notes in the opening and bright flower notes like narcissus evoke its sunnier aspects. The white chocolate, vanilla, and a touch of musks create the soft white clouds. The image Christi posted on Eau My Soul, featured above and below, perfectly captures the fragrance: a pensive, introverted artist in a green meadow dotted with yellow wildflowers, set against a blue sky layered with puffy white clouds from horizon to horizon.

Singer songwriter Joni Mitchell with clouds, wildflowers and guitar

Joni Mitchell and clouds; image from Eau My Soul.

The opening of Clouds’ Illusion is especially wonderful, with citrus notes sparkling against a blue background of iris. I can’t think of another fragrance with a similar opening phase. The citruses fade away, but the iris comes to the fore and persists throughout the development of Clouds’ Illusion, partnered with narcissus (which here smells to me, specifically, like yellow daffodils or jonquils) and dry hay. The drydown slowly becomes softer and warmer, with its notes of vanilla and sandalwood joining the iris as the narcissus and hay move offstage. The development of the fragrance mimics the development of the song’s lyrics: starting out brightly, optimistically, yellow sunshine pouring down from a blue sky, then becoming more melancholy and wistful, as the sunlight darkens and fades and the clouds take over. But then the clouds part, and the the songwriter reflects that “something’s lost, but something’s gained, in living every day,” comforting herself with that thought, just as the fragrance becomes warmer and comforts with base notes of vanilla and sandalwood. The iris is still there, but it has been warmed by the other base notes. I can still smell iris, vanilla and sandalwood on my wrist more than eight hours after applying it lightly, so Clouds’ Illusion has excellent longevity in the eau de parfum concentration (I haven’t tried the extrait).

How does Clouds’ Illusion compare with Clouds, the version that uses only natural ingredients? My order of Clouds’ Illusion came with a sample of the Clouds EDP, so I’ve been able to smell them side by side. To my non-expert nose, right away the opening of Clouds smells more strongly of lemon than the top notes of its counterpart, but it fades into the background more quickly than the lemony opening of Clouds’ Illusion. The iris takes center stage in the middle phase in both versions, but in Clouds, I smell more of the sandalwood, and sooner, as it dries down, and Clouds’ Illusion seems to retain a bit more of the greenness of the hay note. Otherwise, though, they are very similar and have comparable longevity (more than eight hours on each of my wrists). Sarah has succeeded in her goal of creating fragrance twins, one with the precious natural substances and the other with more affordable aromachemicals, both lovely.

Here is Christi’s own account of how she experienced Clouds:

As many of you know, there were two earlier mods for Clouds and neither felt right to me. While they were nice fragrances, one even quite unusual, they were not the “Clouds” I had in my mind. After I told Sarah the second one wasn’t quite it either, she said “I know now what you want” and said it with such confidence. I now see why she was so sure of it…because it’s perfect.

First, it’s somewhat ethereal, but fluffy, like passing through a cloud. There is no sadness, but there is introspection, and a slight bit of melancholy from the orris butter laid thick under happy lemon sunshine. There is a hay like quality coming from the narcissus that counters the sweetness of the powdery, creamy white chocolate, so that it’s never too sweet but also never quite overly gray either. There is a cozy blanket of mood lifting lemon that surrounds it all, like a ray of golden hope at all times. Clouds is the days when you feel a bit down but know you’re strong enough to make it and feel hopeful. This isn’t a fragrance about giving in to sadness, it’s about rising above it and finding the reminder that sunshine always comes again, you just have to be strong enough to wait for it.

This year has been a roller coaster for me. It started really difficult, got better, then the hardships of life brought me down again. And literally right as I’m fighting to find the sunshine again, Clouds shows up at my doorstep. I sprayed it on and so many emotions, memories and thoughts passed before me. And in Clouds, just like life, the sunshine always wins if we let it. But we keep our memories with it, as a reminder of why we need the light.

Thank you, Sarah, for making this perfume for all of us who need a ray of hope sometimes. It reminds me that I’m human, I make mistakes, but with hope & forgiveness, life goes on and the sun still shines.

Thank you both, Sarah and Christi, for making this possible! I can’t wait for the next crowdfunding fragrance from 4160 Tuesdays, and I can’t wait to visit the new studio!

Readers, do you have a favorite 4160 Tuesdays fragrance? Have you ever taken part in a crowdfunding creative project, whether perfume or something else?

Featured image of Joni Mitchell from Eau My Soul.
Fragrance Friday: January Joy!

Fragrance Friday: January Joy!

I was one of the lucky fans who was able to buy one of the “January Joy Boxes” made by Sarah McCartney of 4160 Tuesdays this winter. The box has several 9 ml sprays of some of her limited edition or other special fragrances, and the idea was that you were supposed to wait until January to open it, to relieve any post-holiday gloom. The boxes holding the sprays are numbered and are to be opened in sequence. It was hard to wait until New Year’s Day, but I did! I’ve decided to pace myself and open one of the scents every 2-3 days, so the set lasts me all month and I have a chance to appreciate each fragrance.

The first fragrance was Temptation, a soft, sweet confection with smooth musks and a note others have described as “sugared almonds”, with vanilla anchoring it all. Sarah has written on the 4160 Tuesdays Facebook page that Temptation is the sub-base notes of Take Me To The River; it has eight notes, and it includes three different musks as well as vanillin. On my skin, it lasts for hours! It doesn’t “carry” very far, but it is delightful and I can’t stop sniffing my wrists. Now that I know its relationship to Take Me To The River, I’m going to try layering it with something else and see what happens.

Sarah has said that her fragrance Take Me To The River was inspired by the Talking Heads’ cover of that Al Green song, as that is her favorite version, but I love this one:

Who doesn’t love Al Green singing his own song, with BB King, Lenny Kravitz, and Sheryl Crow? But if we’re picking Al Green songs, the one that goes with Temptation is “Let’s Stay Together”, that smooth sweet sexy ballad full of soul.

I loved so many of the soul groups and singers of the 1970s — like the Temptations — with their roots in gospel music. I can go for years without hearing one of those songs, but just a few bars can take me back to my childhood, listening to a dinky little Panasonic transistor radio shaped like a red ball. I’ll be quite happy to think of Al Green’s music when I wear the fragrance Temptation.

Featured image from http://www.thenational.ae

Scent Sample Sunday: Meet Me On The Corner

Scent Sample Sunday: Meet Me On The Corner

There are times when I am reminded that there is SO MUCH about English experience that is completely unfamiliar to me, in spite of having had an English mother. Of course, she came to America in the early 1950s, married my father and stayed, so much of her actual English experience predates 1960, and after that it was secondhand, mostly via her younger sister who was a model and actress during the era of “London Swings” (in fact, the second wife of Bernard Lewis, of “Chelsea Girl” fame). I bring this up because I am a devotee of the fragrances created by Sarah McCartney under her brand “4160 Tuesdays“, and was recently intrigued by her latest crowdfunding project, Meet Me On The Corner.

According to Sarah, this fragrance was inspired by a song of the same name that reached number 1 in the UK pop charts in 1972, by a folk rock group named Lindisfarne. I had never heard of the group, or the song, but Sarah’s story of how they reunited annually for many years for a Christmas concert in Newcastle, starting in 1976, and the inspiration she drew from their best-known song, were so charming that I took part in this year’s crowdfunding of the scent. Sarah has been thinking about this fragrance for a long time, as noted in this 2014 interview with CaFleureBon. Her latest commentary about it is here:

And now I have my very own bottle of Meet Me On The Corner, and I love it! (I also got the seasonal scent she mentions in the video, Christmas Concert, and will review that later this week after I attend an actual Christmas concert).

Meet Me On The Corner is a citrus chypre meant to evoke the fragrances that were popular in the 1970s like Sarah’s favorite Diorella, before the Blitzkrieg of 1980s powerhouses like Giorgio Beverly Hills — comparable to folk rock giving way to glam rock and its 1980s offspring. The 1971 song itself, which I hadn’t heard before, is a sweet, self-consciously folksy derivative of Bob Dylan’s 1965 Mr. Tambourine Man; of the versions on YouTube, I prefer the 2003 edition:

This is the refrain that inspired Sarah:

Meet me on the corner,
When the lights are coming on,
And I’ll be there.
I promise I’ll be there.
Down the empty streets,
We’ll disappear into the dawn,
If you have dreams enough to share.

So what is the fragrance like? It opens with a really pretty citrus, very lemony but not only lemon. There is another, less sweet citrus note which seems to be bergamot, but I clearly smell lemon too — not so much the fruit, but more like lemon zest and lemon tree. Maybe citron or petitgrain? Sarah says that the fragrance includes a peach lactone (a key ingredient of Edmond Roudnitska’s 1972 Diorella as well as Guerlain’s legendary ur-chypre, Mitsouko), flowery hedione (central to another Roudnitska masterpiece, the 1966 Eau Sauvage), and magnolia leaf. Here is what one producer says about the latter: it “exudes an aroma that is greener, more crisp and woody than the sweet scent of Magnolia Flower. The aroma of this rare Magnolia grandiflora leaf essential oil is clean and refined. Magnolia leaf is quite intriguing with hints of fig, bergamot and myrtle.”

As an official “notes list” isn’t yet available, I will offer a layperson’s guess and say that top notes include bergamot, citron, petitgrain; heart notes include peach, jasmine, fig, magnolia leaf, green notes (myrtle?); base notes include musk, woody and resinous notes (labdanum?), vetiver or oakmoss. I hope someone will issue a correct list! Meet Me At The Corner is a unisex fragrance, as befits the sometimes androgynous 1970s. It neatly combines aspects of Diorella and Eau Sauvage; this might be their love-child. It is bright and sunny, youthful without being sweet. It is, as Sarah has written, a fragrance to be “worn by women in jeans and men with long hair who scandalised our Edwardian grandparents.”

As I learned more about the song, the era, and Lindisfarne’s Christmas concerts, begun to raise funds for Newcastle City Hall, a concert venue, I also learned about the deep poverty that still afflicted Newcastle upon Tyne and its Dickensian slums in the 1970s, so well documented by photographer Nick Hedges for the UK charity Shelter. I also found this marvelous photo of the Pilgrim Street fire station in Newcastle in 1972, and I am guessing this may be the one that Sarah describes frequenting with her friends as teenagers:

Fire station on Pilgrim Street, Newcastle, UK, 1972, with pedestrians

Newcastle Fire Station 1972; image from Newcastle Chronicle.

Sarah has said on the 4160 Tuesdays website that Meet Me On The Corner will likely return as a regular offering in 2020, so keep an eye out for it; you can keep up with news on the 4160 Tuesdays Facebook page. It will be worth the wait!

Teenaged girls wearing tie-dyed clothing, 1970s, Doreen Spooner

Tye-dye girls, Doreen Spooner/Getty Images

 

Fragrance (Black) Friday 2019

Fragrance (Black) Friday 2019

UPDATED WITH MANY MORE CODES, including non-USA: It’s that time of year again, when there are many alluring sales on all kinds of goods for “Black Friday”, and today I’m going to share some of the possibilities related to perfumes. I especially want to highlight independent perfumers and retailers, as they are the ones bringing the most interesting fragrances to market, and if we perfumistas want them to continue, we’ve got to support them with our purchases.

Here, in roughly alphabetical order, are some of the discount codes I’ve been sent or have found: some are valid now through Sunday or Monday, and others will only work on Black Friday itself. Please add any others you have found in the comments below! Continue reading

Scent Sample Sunday: JD Vanille Farfelue

Scent Sample Sunday: JD Vanille Farfelue

Jeffrey Dame is well known to perfumistas, as the founder of Jeffrey Dame Perfumery and creator of indie classics like Dark Horse and Black Flower Mexican Vanilla. He and perfumer Hugh Spencer have created a line of what he calls “post-modern perfumes”, one of which is a major favorite of mine (Duality). But today, I’m trying out another in the line: Vanille Farfelue. The name translates to “crazy vanilla”, as Mr. Dame explained:

“It’s hard to make a great vanilla perfume, but it’s so very easy to make a good vanilla scent. Basically, you can put on a dab of vanilla food extract from your kitchen pantry and someone is bound to tell you how wonderful you smell. So vanilla is easy then. Using aldehydic notes in perfumery is also so very easy, but using aldehydes well or in an interesting manner is exceedingly difficult. A decent slug of aldehydes blended with say a classic rose note will transport you immediately to….a fusty and dry old-fashioned perfume from eighty years ago which is somehow one-dimensional and overwhelming at the same time. Aldehydic perfumes are often nose-wrinklers. But in a perfume workbench eureka moment, using aldehydic notes as a lift to slice through a sticky vanilla note and seeing the composition elevate up into the air to a place perfume normally doesn’t go to — now that’s crazy, a crazy vanilla….JD VANILLE FARFELUE. Sprinkle a touch of this and that into this aldehydic vanilla blend and you have a short concise perfume formula from JD JEFFREY DAME which turns heads every which way you go.”

The opening of Vanille Farfelue is indeed strongly aldehydic, and I love it. One immediately smells the kinship to Chanel No. 5 and Chanel No. 22. The heart notes are all floral: rose, violet, lily of the valley, ylang ylang. Base notes include vanilla, sandalwood, and vetiver. This combination really is clever; Vanille Farfelue starts off like a vintage floral, albeit with a lighter touch, and evolves into something like a modern gourmand, without being sweet or cloying. It got an enthusiastic response from my husband, who is drawn to vanilla scents (as are so many people).

Real vanilla is a very complex compound, and in recent years, the cost of vanilla beans has skyrocketed, due to major storm damage in Madagascar, an important producer of vanilla. Chemists have known how to create synthetic vanillin since the 19th century, so we’re not in danger of losing our beloved vanilla. And believe it or not, there is actually an ice cream flavor called “Crazy Vanilla”!

Ice cream cone with crazy vanilla, Newport Creamery

Crazy Vanilla ice cream, from Newport Creamery

Vanille Farfelue is a delightful, happy fragrance. It is friendly and comforting, without being sticky or gooey. I like it very much, though I think my heart still belongs to JD’s Duality, of that line. There are so many outstanding fragrances with strong vanilla notes, like Shalimar and its flankers, that I can’t say Vanille Farfelue will displace any of those classics. But it is charming, it lasts a good while, and it does have that aldehydic opening and a floral surprise at its heart. I will enjoy wearing it!

Here is the recipe for the beautiful vanilla/citrus cake pictured above and below, from the blog My French Country Home.

Citrus cake with vanilla icing and flowers, by Molly Wilkinson

Molly Wilkinson’s Citrus Cake, My French Country Home

What is your favorite fragrance with vanilla notes?

Scent Sample Sunday: Mitsouko and Halston

Scent Sample Sunday: Mitsouko and Halston

What more can be said about Guerlain’s Mitsouko in this, its centennial year? Since its creation in 1919, it has attracted, confused, frustrated and even repelled those who smell it. Many great writers and blogs about fragrances have extolled its excellence and legendary status, as well as the challenge it poses to modern noses: Chandler Burr, Luca Turin, The Black Narcissus, Kafkaesque, Cafleurebon, Bois de Jasmin, Perfume Shrine, etc.

As part of my own process for trying to understand it, I began to educate myself about chypres, the fragrance family to which Mitsouko belongs. Along the way, I learned that several of my favorite fragrances fall in that group. One of them is Halston, now titled Halston Classic. I have a small bottle, with Halston’s signature on the bottle. As I read about them both on Fragrantica, I noticed that Mitsouko and Halston share many of the same notes. Halston: mint, melon, green leaves, peach, bergamot; carnation, orris root, jasmine, marigold, ylang-ylang, cedar, rose; sandalwood, amber, patchouli, musk, oak moss, vetiver, incense. Mitsouko: bergamot, lemon, mandarin, neroli; peach, ylang-ylang, rose, clove, cinnamon; labdanum, benzoin, patchouli, vetiver, oak moss.

How do they compare? The Mitsouko eau de parfum I have (first created in 2007 but listing the same notes as the original, reformulated in 2013 and supposedly quite close to the original) lasts much longer than my Halston, which I think is a cologne concentration (hard to read the tiny lettering on the bottom). The famous dry cinnamon note is strong, while none of Halston‘s notes come across as powerfully. In Halston, I think the carnation note adds the spice notes one finds in Mitsouko, while its sandalwood may provide some of the dry woodiness that Mitsouko gets from the cinnamon. On my skin, Mitsouko smells smokier than the Halston. Wearing one each on my hands, I can smell their kinship, and it seems entirely possible to me that perfumer Bernard Chant, who created Halston, may have had in mind the creation of a modern tribute to the legendary Mitsouko, especially with that peach opening. I doubt M. Chant would have missed the obvious reference to Mitsouko, famously the first fragrance to add a note of peach, by using a synthetic ingredient.

Halston is definitely easier to wear and easier on the modern nose, though still miles away from the fruity florals currently in favor. I especially love its marigold note. When I was trying out Mitsouko, however, my young adult daughter came to sit by me and declared “Never wear that perfume again, Mom!”. There is a dark side to Mitsouko, as many commenters have noted.

What do you think of Mitsouko or Halston Classic?

Scent Sample Sunday: SJP Covet

Scent Sample Sunday: SJP Covet

I find that the fragrances I choose to wear are highly influenced by the season and the weather. This year, in my part of the US, September and even the start of October felt more like late August. Temperatures were still in the 90s almost daily, and the humidity was high in spite of near-drought conditions and lack of rain. Finally, in the past week, fall arrived. Leaves are changing color and night temperatures are in the 40s. We even turned on the heat this week, though we don’t need it during the day, when the sun still warms the air into the balmy 70s. We haven’t had the weather we usually enjoy here in October, which resembles the “Indian summer” one sees in September in the Northeast, but it is pleasant. And we finally got lots of rain, which the trees desperately needed.

What fragrances work with this oddball weather and transitional season? One could do worse than Sarah Jessica Parker’s Covet, an oddball fragrance that combines apparently disparate notes like lemon, lavender, and chocolate. Wearable by both women and men, it combines a summery freshness with aromatic lavender, over a hum of dark cocoa.

On first application, Covet displays its lemon opening notes very clearly. Some commenters dislike the opening, comparing it to lemon floor cleaner and other functional sprays. I do see what they mean, though it doesn’t hit my nose as sharply as it seems to hit theirs. Luckily, the cocoa quickly starts making itself felt, and lavender arrives shortly after that. The lemon is persistent, but it does fade into the background after about 45 minutes or so on my skin. In the middle phase, to my nose the most prominent note is lavender. I can’t say that I sense any of the listed floral notes (honeysuckle, magnolia, and lily of the valley), which would have matched it more closely to my perceptions of spring. The cocoa is still faintly present and warms up the lavender. In the dry down, moving into base notes, Covet becomes more herbal and its warmth is woody rather than chocolatey, with an undertone of musk. Longevity is good but not extraordinary.

Covet was launched in 2007, after the huge success of Lovely, the first SJP fragrance. It has been discontinued as far as I can tell, though it is still widely available at bargain prices online. In line with its odd composition, the ad campaign for it is truly weird, portraying Sarah Jessica Parker in a ball gown, kicking in a plate glass window at night to get to a bottle of the fragrance and being taken away in handcuffs by Parisian gendarmes. “I had to have it”, she declares to the camera, with a somewhat demented expression on her face.

I find Covet to be a unisex fragrance, leaning neither traditionally feminine or masculine. Do I “have to have it”? No, but I’m glad to have a small bottle, because the fragrance is interesting. It’s a transition between the mainstream prettiness of Lovely (which is indeed lovely, though not groundbreaking) and the much more daring SJP Stash. Covet is much more quirky than Lovely, but Stash is in a category of its own among celebrity scents. As many commenters have noted, if Stash came with a niche label and price tag, it would hold its own among today’s niche fragrances.

Covet turns out to be a good fit with the transitional season and weather we’re having now. Soon enough, I will want more traditional fall fragrance notes, like amber, vanilla, spices. What are your favorite fall fragrances and notes? Have you tried Covet?