Aaah. That’s what my nose felt like when I spritzed on some of Ormonde Jayne’s Ta’if this morning. It’s just that beautiful. The fragrance is, of course, named for the famous Taif rose of the Middle East. Continue reading
So this Roses de Mai Marathon has finally inspired me to try a fragrance I’ve had in my collection for a while: LM Parfums’ Epine Mortelle. LM is Laurent Mazzone. The perfumers with whom he has worked include Jerome Epinette and Richard Ibanez, though it’s not clear which one worked on Epine Mortelle. Continue reading
Welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.
Today is April 24, and it’s a beautiful day in the neighborhood, to quote Mr. Rogers. Continue reading
Several of the perfume blogs I follow are featuring lists and questions about favorite autumn fragrances, and I’ve found myself mentioning, more than once, Aramis’ Calligraphy Rose, which I like to wear in the fall and winter as a “floriental” — still floral, which is probably my most favored category of fragrance, with added oriental fragrance aspects like spices, myrrh, frankincense, etc. Per Fragrantica, its top notes are oregano, saffron and honeysuckle; middle notes are turkish rose, myrrh, styrax and lavender; base notes are labdanum, musk, ambergris and olibanum (frankincense).
Calligraphy Rose was one of a trio of Aramis eaux de parfum launched from 2012-2014: Calligraphy (2012), Calligraphy Rose (2013) and Calligraphy Saffron (2014). It was created by perfumer Trudi Loren, who is listed with Maurice Roucel as co-creator of 2006’s Missoni, awarded five stars by Luca Turin in his original “Perfumes: The A-Z Guide.” It has been discontinued but is still widely available online for reasonable prices.
To my nose, Calligraphy Rose starts out green and sweet, which makes sense given the top notes listed. The oregano I smell is the green, growing plant, not the dried herb. The sweetness must come from the honeysuckle note, which Gail Gross wrote about in a wonderful review of Calligraphy Rose last January at CaFleureBon. For her, the honeysuckle was very dominant. It is less so for me, though its underlying sweetness never leaves. On my skin, the rose note emerges quickly and strongly, and it persists for a long time, which I love. I have layered Calligraphy Rose with other rose scents such as Taif Roses by Abdul Samad Al Qurashi, a powerful rose attar, on occasions like Christmas Eve, with happy results; any lasting rose fragrance will have the same effect of amplifying the already-strong rose note. I bet it would layer beautifully with Viktor&Rolf’s Flowerbomb Rose Twist, a perfume layering oil, or with Tauerville’s Rose Flash, with its 20% concentration. One could emphasize other notes in a similar fashion, such as adding a lavender or frankincense layer, pushing it in any direction one prefers. Calligraphy Rose is a bit of a chameleon.
As it dries down, Calligraphy Rose on its own becomes less floral and more balsamic, like a lovely balsamic glaze. This “glaze” was made with honey, and includes herbs. Having started out quite green, it becomes warmer, thanks to those warm base notes. In fact, its progression is not unlike the progression of autumn itself, from the lingering green of still-living plants, to the late flushes of rose blooms, to the warmth and spice of winter dishes. P.S. It lasts for hours and hours! One spray on my wrist is still wafting faintly off my skin almost 24 hours later as a warm, sweet skin scent. Use with a light hand, but you’ll smell marvelous for a long time.
Calligraphy Rose is a truly unisex fragrance. Launched under Estee Lauder’s men’s brand of Aramis, it suits both men and women. It is less gourmand than Montale’s Intense Cafe, more herbal. I love it!
I have a soft spot for the Commodity line of fragrances, as Commodity Moss was one of the first niche-type fragrances I tried when I started getting serious about fragrance (I say niche-type, because once you can buy a fragrance in Sephora, I’m not sure it’s a true niche fragrance any more!). I really like Moss, but my oh my Velvet!
Commodity Velvet is a new 2018 release, and the perfumer is Jerome Epinette. Its top notes are listed on the Commodity website as roasted almond, clove buds, and coconut water. Heart notes are: heliotropine, vanilla flower, velvet rose petals. Base notes are blonde woods, white birch, black amber. Commodity has a short film in which M. Epinette describes his intentions in creating Velvet:
Velvet is a unique rose fragrance, with its notes of roasted almond, white birch, and black amber. There are many fragrances that combine rose and vanilla, but Velvet’s lightly smoky, nutty opening is unusual and very pleasing. The only other fragrance I’ve been able to find that combines roasted or toasted almonds with rose, vanilla, and birch is Soivohle’s Vanillaville, in which it seems that the rose is much more of a bit player, and tobacco and leather notes dominate. (P.S. Vanillaville sounds great! I haven’t tried it but it’s now on my radar).
M. Epinette focused on evoking the soft texture of velvet fabric or the velvety feel of real rose petals, and he has succeeded. He says of his concept: “I was inspired by the image of vibrant pink Turkish Rose Petals floating gently over a mysterious, dark background of richly warm vanilla and black amber with a delicious touch of roasted almond drifting in the air.” The almond is present right from the start. I don’t smell any coconut in the opening, but it may be there as a support to the roasted almond, which I do smell.
I don’t experience the base or drydown of Velvet as “dark”, if by dark one means edgy. The dark of Velvet is warm and soft, shot through with subtle shades of color, as fine silk velvet often is. M. Epinette describes vibrant pink rose petals against a dark background, but I perceive Velvet as being more like one of the dark, velvety roses that have shades of pink on their petals.
Velvet is a beautiful rose for cooler weather, when many roses, like those in my garden, put forth a new flush of blooms. It reminds me a bit of Montale’s Intense Cafe, though without that fragrance’s powerhouse sillage and longevity. Its longevity is reasonable; I can still smell it on my wrists seven hours after first application, although it has become faint. Its roasted almond top note is different and very appealing. Velvet is warm, soft, slightly spicy, and utterly charming.