Welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.
Today is Friday, June 12. Continue reading
Today is the last day of May, and the end of my blogging “Roses de Mai Marathon”! Thanks, all of you who came with me on this journey — I have loved reading your suggestions and comments. Continue reading
Dawn Spencer Hurwitz is not only one of the most gifted American perfumers, but one of the most beloved. I’ve never had the privilege of meeting her, but I follow her doings and have bought some of her lovely offerings. It feels even more important to do so when able, to support our independent artisan perfumers. Today’s penultimate entry in the “Roses de Mai Marathon” is her creation L’Opera des Rouges et des Roses. Continue reading
“Rose is a rose is a rose is a rose,” said Gertrude Stein in 1913. Rrose Selavy is named for the alter ego of Stein’s contemporary and acquaintance, the Dadaist Marcel Duchamp. I really can’t explain this any better than perfumer Maria Candida Gentile’s website copy, so here it is:
A velvet rose, persistent and unique, dedicated to one of the leading artists of Dadaism: a homage to Marcel Duchamp and to his “double” Rrose Sélavy.
With Rrose Sélavy, Maria Candida interprets the “double” of Marcel Duchamp, and his jeux des mots Rrose Sélavy which sounds in French like “eros, c’est la vie”, or “arroser la vie”, to make a toast to life. Maria Candida pays tribute to Duchamp, making a toast to life with her velvet, soft, fresh, just harvested scent, with its olfactory vibration and which fills the air and the space, tridimensional just like his art crafts. The name Sélavy emerged in 1921 in a series of photographs by Man Ray of Duchamp dressed as a woman. Throughout the 1920s, Man Ray and Duchamp collaborated on more photos of Sélavy. Duchamp later used the name as a signature name on written material and signed several creations with it.
What does this perfume smell like? Continue reading
Another “Aaah” fragrance moment. Rose Flash was created by Swiss perfumer Andy Tauer for his “Tauerville” line. It is one of perfumery’s great value buys, as it is made in 20% fragrance concentration, i.e. parfum extrait strength, and its quality is very high. (Buying it also supports an independent artisan perfumer, which, as Brigitte has commented, is important and especially so during this downturn).
There is only one perfume house totally dedicated to the Rose, and it is Les Parfums de Rosine. I previously reviewed its beautiful Clair Matin. One of the house’s classic fragrances is Rose d’Amour, which Luca Turin and Tania Sanchez gave four stars in their book Perfumes: The A-Z Guide (referring to the 2006 version, the one I have). Continue reading
Sometimes I read reviews or comments about fragrance that I just don’t understand. Take, for instance, cumin. Many commenters smell cumin as “sweaty” or dirty. I never understood that, because I like to cook, and sometimes I cook with cumin, and it never smelled sweaty to me. Until I tried Le Labo’s Rose 31. Continue reading
Another truly unisex rose is Atelier Cologne’s Rose Anonyme. When it was first released in 2012, at least one reviewer (the marvelous Jessica at Now Smell This) thought it was more feminine than many of Atelier Cologne’s fragrances. As I don’t know many of those, I can’t really say for sure, but compared to most of the florals I own, Rose Anonyme smells very gender-fluid to me. Continue reading
Whew, almost missed posting today! We had some viral drama here this morning but all is now well. To go with the sense of serenity I am trying to cultivate, today’s rose fragrance is Le Couvent des Minimes’ Eau du Cloitre. The box translates that into English as the “Botanical Cologne of the Cloister.” Continue reading
So many of the rose fragrances I own lean to the traditionally feminine side (if you feel that the more flowery or powdery scents are more feminine) that I think I need to balance things with a rose that may feel more unisex or even masculine. I myself believe that people of any gender can wear any fragrance, but the men in my household beg to differ. Take that with a grain of salt, though; one is my teenaged son, who only a few years ago thought Axe was the greatest fragrance he could wear (!!) and the other is my husband, who wears Mennen Skin Bracer and Old Spice when I don’t prod him to try something I’ve given him. Continue reading