Scent Semantics, September 5

Scent Semantics, September 5

The word for this month’s Scent Semantics posts is “misanthrope.” If you haven’t read one of these posts before, “Scent Semantics” brings together a group of us fragrance bloggers in a collaborative project called “Scent Semantics“, the brainchild of Portia Turbo over at A Bottled Rose. On the first Monday of each month, we all take a word — the same word — as inspiration for a post that has some relationship to a fragrance, broadly interpreted. There are six participating blogs: Serenity Now Scents and Sensibilities (here), The Plum GirlThe Alembicated GenieEau La LaUndina’s Looking Glass, and A Bottled Rose. I hope you’ll all check out the Scent Semantics posts on each blog!

One definition of “misanthrope” is “someone who dislikes and avoids other people.” Now, I am not normally a misanthrope myself, although I am definitely an introvert (and if you’ve never seen author Susan Cain’s TED talk on the subject, click on that link — it’s a treat!). However, I think we’ve all become a bit misanthropic during the last two and a half years of a global pandemic — we were forced to avoid other people starting in March of 2020, then we disliked many people because of their varied responses to the pandemic. Layer on top of that the American elections of 2020 and their aftermath, so full of rage, and I think it’s safe to say that many of us, misanthropic by nature or not, have been slowly emerging from a phase of misanthropy.

My semantically matched fragrance this month is vintage Chanel No. 19 eau de toilette. I’ve been wearing it almost daily for the past week as my green armor at work, due to the difficulties I’ve encountered leading up to a long overdue personal leave (which started this weekend, yay!). No. 19 always makes me feel that I can be tougher than I actually am; it stiffens my backbone. Some might say that it helps me set and keep healthy boundaries, lol!

Why? I think it’s because of the hefty dose of galbanum that heralds its arrival: a bitter, green opening chord that announces, as the Chanel website says, a “daring, distinctive, uncompromising composition.” Perfect for setting boundaries! The other top notes reinforce the lack of compromise: astringent bergamot, assertive hyacinth, aromatic neroli. All have a distinctive tinge of green supporting the star of the show, the galbanum, which Fragrantica sums up as an “intense and persistent bitter green .” Indeed. If galbanum were a person, it would be Bette Davis playing Margo Channing in “All About Eve”:

“All About Eve”, 20th Century Fox.

If you’re not familiar with the movie, it is about a star actress who is turning forty, fears for her career, and is manipulated and ultimately upstaged by a much younger woman. Fittingly, No. 19 was the last Chanel fragrance created while Coco Chanel herself was still alive, in her 80s, though I don’t know that anyone ever succeeded in either manipulating or upstaging her. Master perfumer Henri Robert put the finishing touches on the formula in 1970, Chanel died in early 1971, and No. 19 was released the same year.

The blog “Olfactoria’s Travels” has a wonderful review of No. 19, referring to it as a “magic cloak”. The reviewer takes a more benevolent view of No. 19 than Tania Sanchez did in the guide to perfumes she co-wrote with Luca Turin, where she compared it to the wire mother monkey in a famous experiment about nurturing or the lack thereof. Blogger and author Neil Chapman, of “The Black Narcissus”, is famously a devotee of No. 19, scarfing up vintage bottles of it in all formats from second-hand stores in Japan, where he lives. You can read all about it in his amazing book, “Perfume: In Search of Your Signature Scent”, available in the UK and the US, and elsewhere in other languages, which I highly recommend!

Luckily for me, since I adore green fragrances, on my skin the greenery lasts and lasts, joined in the heart phase by some of my favorite floral notes: iris, orris root, rose, lily-of-the-valley, narcissus, jasmine and ylang-ylang. The green astringency of the opening notes is carried forward by the lily-of-the-valley and narcissus, while orris root adds earthiness, iris adds powder, and jasmine and ylang-ylang add airiness, sexiness and warmth. My sense of No. 19 as “armor” is aided by my vintage spray, a refillable, silvery, aluminum canister that has protected its contents for many years.

No. 19 has had many “faces”, my favorite being English model and iconoclast Jean Shrimpton. And guess what? Based on her own words, she may actually have been a misanthrope, having walked away from her superstar modeling career and life of celebrity in her 30s, becoming what she herself described as a recluse running a hotel in Cornwall. Although the photo of her below is not an ad for Chanel, to me it captures the spirit of No. 19‘s opening — inscrutable, distant, mingling shades of green, white, and earthy brown with the unexpected intrusion of purple:

Model Jean Shrimpton sitting on an ancient tree root.
Jean Shrimpton; image by Patrick Lichfield for Vogue, 1970.

As No. 19 dries down, to my nose the galbanum never leaves, though it recedes into the distance as the oakmoss enters the glade. Because I have the vintage EDT, the base includes oakmoss, leather, musk, sandalwood, and cedar. It is a true chypre, a genre I love. It reminds me of the Jackie Kennedy Onassis of the 1970s: elegant and even haughty upon first appearance, with a warmth that reveals itself over time to the patient; breaking free from the fashion conventions she mastered so skillfully and embodied in the 1950s and 1960s, and far from the cold “wire mother” of Tania Sanchez’ imagining while retaining an aura that commands respect.

I’m choosing to adopt Laura Bailey‘s interpretation of No. 19, which she described in Vogue at the height of pandemic lockdowns in 2020, as the scent of new beginnings and dreams of future adventure:

No 19, the ‘unexpected’ Chanel, the ‘outspoken’ Chanel, created at the height of the first wave of feminism in 1971, and named for Coco Chanel’s birthday – 19 August – is, for me, the fragrance of freedom, of optimism, of strength. (And of vintage campaign stars Ali MacGraw, Jean Shrimpton and Christie Brinkley.) The heady cocktail of rose-iris-vetiver-jasmine-lily-of-the-valley remains shockingly modern and original, bolder than any sweet fairy-tale fantasy.

If you had to relate a fragrance to the word “misanthrope”, which would you choose?

Ad with perfume bottle of Chanel No. 19
Chanel No. 19 ad; image from chanel.com.
Perfume Chat Room, April 8

Perfume Chat Room, April 8

Welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.

Today is Friday, April 8, and we’ve gone from one weather extreme to another here. The week started out as gorgeous springtime, sunny and blooming. It was “Scent Semantics” Monday, and I got to choose the word this month, which was “vernal.” Then we had two days of violent storms, including a couple with extremely loud thunder and lots of lightning, accompanied by a 20-degree drop in temperatures. Our dog Lucy was NOT happy!

Lucy, not happy

Yesterday and today dawned bright and sunny again, and Lucy’s tail is wagging. She loves to lie in the sun outside in our garden (which is totally fenced, with a secured gate). We celebrated our wedding anniversary this week, which brought to mind the strange mix of weather we had on our wedding day: April snow, April showers, brilliant sunshine amid April flowers.

Le Jardin de Old Herbaceous

This weekend is Palm Sunday, soon to be followed by Easter. I love Easter, maybe even more than Christmas because it is so vernal (see what I did there?). I adore the many Easter flowers on display indoors and out. I love Easter food (we always have a traditional roast leg of lamb), and I love having our kids home for the holiday. I love the Easter music and services at our church

April this year is filled with important holidays: Passover, Ramadan, Easter. I enjoy learning about all the different traditions. I wish I’d had more opportunities to learn about them when I was in school, as my children have had, but better late than never.

I think my Easter fragrance will be vintage Dior Lily. It’s a lovely combination of spring florals, mostly Muguet and white lilies. As many of you know, though, I have SO many muguet fragrances that I won’t lack for choices!

Do you have any upcoming celebrations or favorite fragrances to match with holidays?

May Melange Marathon: Lily

May Melange Marathon: Lily

Parfums Christian Dior is responsible for possibly the most famous muguet fragrance of all time, Diorissimo. A less-known, discontinued muguet fragrance by Dior is the lovely Lily, launched in 1999. The perfumer behind it is Florence Idier, who also created Comme des Garcons’ Series 1 Leaves: Lily, another lily-of-the-valley fragrance. There is another fragrance called Lily Dior, but the one I have is just called Lily; it is an eau de toilette.

Advertising illustration for Lily eau de toilette by Christian Dior
Lily, by Parfums Christian Dior; image from Fragrantica

Fragrantica (which has a photo of the wrong bottle on this fragrance’s page, btw; it shows 2004’s Lily Dior) lists its notes as: Top notes are Green Notes, Fruity Notes, Bergamot and Brazilian Rosewood; middle notes are Lily-of-the-Valley, Lilac, Lily, Jasmine and Rose; base notes are Musk and Sandalwood.

I acquired my bottle of Lily within the past year, so it has never featured in my frequent “May Muguet Marathon.” It wouldn’t be May for me without some reviews of muguet fragrances! I like Lily very much, and if I didn’t already have several true-love muguet fragrances, it would be among my top dozen. Even as a vintage eau de toilette, its top notes are clear and strong, with a noticeable fruit note at the start that reminds me of a green pear. The only listed top note that I don’t really smell is the rosewood; the opening is very fresh and green.

The lily-of-the valley note steps forward quickly and it is very natural-smelling (although LOTV notes famously rely on clever combinations of other substances, as the flowers’ natural essence cannot be extracted). The companion notes of lilac and jasmine are evident, with the lilac slightly more obvious than the jasmine. At this stage, Lily reminds me a lot of the 1998 version of Guerlain’s Muguet, which was created by Jean-Paul Guerlain and launched the year before Lily.

Hmmm. The list of notes for each fragrance is almost identical, according to Fragrantica. The clear presence of both lilac and jasmine in the middle stage, as part of the evocation of lily-of-the-valley, is very similar in each fragrance. Lily‘s opening is distinctive, though, with that green pear note that gives it some zing together with the bergamot. I’m going to give Parfums Dior the benefit of the doubt here, though: Christian Dior’s association with the muguet, his favorite flower, goes back decades and prompted the creation of Diorissimo; the flower appeared regularly in Dior fashions: dresses, scarves, hats, jewelry, and apparently he had a tradition of giving sprigs of lilies-of-the-valley to employees every May Day, which the fashion house continues to this day. Don’t you just love this hat?

Hat decorated with artificial lilies of the valley silk flowers
Lily of the valley hat by Christian Dior

The Christian Dior name is also attached to a wide variety of household goods featuring lilies of the valley as his signature flower, everything from sheets to fine porcelain. A new collection of muguet-themed housewares was launched by Dior last year, and they are quite beautiful.

As my regular readers know, I truly love muguet fragrances. I struggle to grow them here in the South, as it really is too hot and humid here for them, but I have a few plants I have nursed along in dedicated planters on the shady edge of our front terrace, where I can keep them well-watered and mulched with the rich humus compost they love. Lily is very true to the natural scent of lilies-of-the-valley and it doesn’t smell soapy at all to my nose, unlike some LOTV fragrances. It doesn’t last more than a few hours, which is the norm for most muguet fragrances, especially in eau de toilette concentrations. While it lasts, though, it is very pretty. However, most of the prices you will see online for Lily are too high, considering that one can easily find lovely, newer, muguet fragrances that are more affordable, or at least fresh (see my “May Muguet Marathon” posts for some suggestions!).

For a lovely post on lily-of-the-valley scents, check out one of my favorite blogs, Bois de Jasmin. Its author, Victoria, mentions Dior’s Lily briefly in the comment section. She writes about muguet fragrances pretty regularly, as it is a favorite scent of hers. I know lily-of-the-valley scents can be polarizing; people tend to like them very much, as I do, or not at all. How do you feel about them?

My bottle of Lily, in front of my muguet

Perfume Chat Room, April 9

Perfume Chat Room, April 9

Welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.

Today is Friday, April 9, and I’ve had a lovely week, starting with Easter. I took this week off from work, to rest up before the final push toward the end of the semester and final exams (I work all summer, too, but it’s less hectic once the students have left). Usually I would have had a week off for a university spring break in March, but that was canceled this year, in an attempt to reduce travel back and forth from the campus and thus spreading infection.

The weather has been beautiful, including Easter Sunday, and we were able to attend church in person, outside in the courtyard. The volunteers who handle everything from set-up to flowers outdid themselves, and everything was just beautiful. I’ve spent most of this week gardening, including in my new raised-bed vegetable garden, so things look tidier than usual!

Easter flowers

We’re also making real progress on putting our house back together — the two semi-demolished bathrooms now have floors and tiles again, and most of the plumbing fixtures are back in place. The shower in one bathroom is mostly rebuilt. Electrical work has been done to replace lighting in that bathroom too, though the fixtures have to wait until all the plaster and paint have been redone. The living room and dining room still look like scenes of demolition, with great gaping holes in the ceilings and one wall, but those will be handled as part of one massive re-plastering. I can’t wait to have my house back, after all these months!

Meanwhile, the fragrant flowers blooming in my garden include: the first roses; Korean lilacs; late daffodils; violets; lilies of the valley. The large pots of herbs I planted last year are sending up new growth, including the pretty silver-leaved lavenders. Since I’m at home all day to take proper care of them, I’ve started quite a few seeds, and I’m excited to see how they do. I also have pots of forced hyacinths and Easter lilies in the house, which I’ll plant out when they start to fade.

How was your week? What’s in bloom near you? Do you have any favorite fragrances with notes from the flowers in my garden, or yours?

Perfume Chat Room, April 2

Perfume Chat Room, April 2

Welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.

Today is Friday, April 2, and it is Good Friday, for those who celebrate Easter. I love Easter! Today is a solemn day in the Christian church, but it is also the start of one of my favorite holiday weekends, during one of my favorite times of year. In my part of the US, we are enjoying a full outbreak of spring, with daffodils, tulips, and other bulbs blooming in profusion, flowering trees in full blossom, green leaves tipping the tree branches, and longer days of sunshine. The fact that this week has been unusually cool and wet is letting me make up for some lost time in planting seeds that prefer to germinate in colder temperatures. There’s always a silver lining! And today, while chillier than usual, is bright and sunny.

My lilies of the valley are getting ready to bloom outdoors, which is always an opportunity for me to compare muguet-centered fragrances with the real thing. I also have a potted Easter lily for indoors, and some forced hyacinths to bring inside, so my weekend will be filled with the scents of spring. Now I just have to decide which fragrances to wear myself! As many of you know, I lean strongly toward greens and florals, which work well for spring and Easter. I’m sure my perennial favorite, Ostara, will make an appearance this weekend.

I’m happy that all three of our kids will be home for the holiday; one has also invited a friend. Our church has set up for outdoor services, with groups of seats appropriately spaced, and other safety protocols. I’m looking forward to that; they did that last week for Palm Sunday, and it was very meaningful to be back onsite, even outside. I’ll cook the usual Easter Sunday feast, with roast lamb and spring asparagus plus other assorted side dishes. If you celebrate Easter, do you have any special plans?

May Muguet Marathon: Inflorescence

May Muguet Marathon: Inflorescence

Not many lily of the valley fragrances have been launched in recent years, although they were very popular during most of the 20th century. Their very popularity during that era may have pushed them to the back seat in our own day, as many today associate the fragrance of muguet with older relatives, even grandmothers (I happen to think that smelling like an elegant grandmother is infinitely preferable to smelling like an insipid celebrity, but chacun a son gout!). It is even more rare for a niche brand to launch a muguet fragrance these days, one exception being By Kilian’s Kissing.

Byredo, however, launched a muguet-centered fragrance in 2013: Inflorescence.  The brand describes it thus: “A celebration of Spring’s early blooming flowers. A floral scent capturing the strength and delicacy of wild garden blossoms, as they reach their breathtaking beauty.” It is also described as having the following notes:

  • Top: Pink Freesia, Rose Petals
  • Heart: Lily of the Valley, Magnolia
  • Base: Fresh Jasmine

As The Candy Perfume Boy notes, Inflorescence has a very appealing combination of creamy petals with fresh, light, green-tinged floral notes. That jasmine base really lasts a long time — I sprayed some on a card last week in Liberty London’s famous fragrance department, and it still wafts strongly from its little white envelope, a full week later! And it’s not a standard long-lasting woody or musk note — it is still fresh, lemony jasmine with a creamy undertone. Inflorescence would be a standout for that alone, but there is much more to it. He found the opening a bit harsh; I did not. I got a nice burst of freesia, which I love, followed quickly by those pretty rose petals. The lily of the valley follows soon after and takes center stage; but the magnolia note also clearly presents itself.

Those white flowers merge seamlessly into each other and then into the jasmine base. Inflorescence is deceptive in that it gives the impression of being quite fragile and, one would assume, quite fleeting, but no. It is delicate but tenacious — like the so-called Confederate jasmine that festoons the brick wall on one side of my garden. It is a really lovely modern floral — not in the same league as some of the legends like Diorissimo, but a classic in the making on its own terms. It is modern in that it accomplishes its stated goal with relatively few notes, almost like the more minimalist approach of modern architecture or interior design. I wish the price were not so high, as that takes away much of its accessibility and thus its appeal. I won’t be forking out for a full bottle any time soon, but it is a gorgeous light floral and if you like those, I think you would be happy to try Inflorescence.

Do you have any favorite Byredo fragrances?

background bloom blooming blossom

Photo by Pixabay on Pexels.com

May Muguet Marathon: Fleur de Cristal

May Muguet Marathon: Fleur de Cristal

Welcome back to the May Muguet Marathon — I was away in London for a week or so and took a break from blogging, but had many perfume and scent adventures which I’ll recount this summer. Today’s lily of the valley is Fleur de Cristal, by Lalique, launched in 2010 to mark the 150th anniversary of the birth of Rene Lalique, founder of the famed crystal maker. Lalique crystal is instantly recognizable, with its flowing Art Nouveau forms, inspired by nature and often featuring female figures, flowers, and animals. M. Lalique created many beautiful perfume bottles, including in collaboration with legendary French perfumer Francois Coty. One of them is the gorgeous “Clairefontaine” bottle, which depicts sprays of lily of the valley blossoms emerging from a crystal globe. (In fact, Jessica McClintock put out a limited edition perfume splash bottle of its eponymous fragrance that has a lily of the valley stopper inspired by the famous Lalique Clairefontaine bottle). I love Lalique crystal; maybe some day I will own one of their iconic perfume bottles! Many are available through online auctions and antique sellers. Lalique has also launched a number of well-received fragrances under the house’s own name, and most come in very beautiful bottles of the house’s own design.

Fleur de Cristal comes in its own striking bottle, a clear, heavy flask whose top is embedded internally with rings of single lily of the valley bells.

Ad for Lalique eau de parfum Fleur de Cristal with perfume bottle

Fleur de Cristal; image from http://www.lalique.com

It is an eau de parfum marked as having 69% alcohol by volume, an unusually low percentage for an EDP.  (Most EDP will show about 80% alchohol by volume). Although this doesn’t mean that the Fleur de Cristal EDP is thus 31% fragrance oil, which would make it an extrait de parfum, it does seem to show that there are additional non-fragrance contents, which I’m guessing may be fixatives to help with clarity and/or longevity. After all, if one is selling a fragrance with “cristal” in the name, one can’t have it turn cloudy! Also, Fleur de Cristal does seem to have unusually good longevity for a light floral fragrance. The other day, I applied a few sprays in the morning, did not reapply all day, and twelve hours later, my husband commented that he liked my fragrance although I could no longer smell it on myself.

Top notes are: jasmine, bergamot, pink pepper; heart notes: lily of the valley, stephanotis, ylang-ylang, carnation; base notes: sandalwood, cashmeran, amber, musk. The perfumer was Raphael Haury. Chant Wagner called it a “solar muguet” on her blog The Scented Salamander, and I would agree with that description. The opening is sunny and bright, thanks to the bergamot and jasmine, with a touch of green. I don’t smell the pink pepper, but it probably adds some rosiness to the opening and ties it nicely to the heart notes, which include carnation (another lightly spicy floral note). The lily of the valley emerges as shyly as the real flower does, peeking out from behind the opening notes and gradually coming into olfactory focus, supported by the other floral notes, especially the stephanotis. Fleur de Cristal reminds me a bit of Something Blue, launched only a few years later, and they have a number of notes in common. The only fruit note in Fleur de Cristal, however, is the bergamot in the opening; and overall, the impression it leaves is more flowery than Something Blue. It also lasts longer on my skin than Something Blue.

If you are wary of lily of the valley scents, this might suit you. It isn’t a soliflore or soapy at all, it is a light, fresh floral with a very pretty progression of gentle flower notes leading to a soft base. It is widely available online for reasonable prices, and I’ve seen it still for sale at Neiman Marcus. Have you tried this, or any other Lalique fragrances?

 

 

Lily of the Valley — The Perfumer’s Craft

In northern climates, the scent of Lily of the Valley is a harbinger of spring after the winter snow has melted. The lovely aroma from the small, white flowers has been sought after since the early days of perfumery. And yet, no essential oil of this flower is available, which is interesting considering the abundance […]

I’m re-blogging this excellent post about the chemistry of muguet fragrances, from the blog The Perfumer’s Craft:  Lily of the Valley — The Perfumer’s Craft

May Muguet Marathon: Woods of Windsor Lily of the Valley

Woods of Windsor’s Lily of the Valley is a true soliflore: it is meant to smell only like that one flower, although it uses a few notes to achieve that. Listed notes include white lily, mimosa leaf, and orange; followed by lily of the valley, geranium, and “May blossom”; with base notes of sandalwood and amber musk (which I believe refers to ambrette). Of course, “lily of the valley” accords are only possible by combining aromachemicals. This LOTV is quite strong on first application and a bit harsh. It smells very soapy, and it’s not a surprise that the same fragrance has been turned into a set of bath and body products too. The original Woods of Windsor company was acquired in 2016 by the company that also owns Yardley London, its former competitor.

It comes in an eau de toilette concentration, and this may be its saving grace: it quiets down pretty quickly to become a fresh greenish floral scent, identifiable as lily of the valley albeit synthetic-smelling. I find that it is best used as a layering partner with another fragrance that has more depth but could use a stronger muguet note; I tried that with Tom Ford’s White Suede, with happy results. I can’t say that I smell most of the listed notes separately; the opening stage is all lily of the valley and geranium leaves, to my nose, with a bit of lemon and maybe bergamot, which isn’t listed, not orange. I think the description would be more accurate if it just listed unspecified “citruses” among the top notes. And what, exactly, is “May blossom”? As it turns out, May blossom is a common phrase for hawthorn, which actually blossoms in either May or June in England.

Woods of Windsor’s version of lily of the valley isn’t unpleasant (after the first harsh minutes of its opening), but it isn’t special, either. It is a utilitarian muguet, better suited to the bath products in which it also appears, and the soap and dusting powder that were among its other formats (now discontinued, I think). I wouldn’t choose to wear it on its own as my primary fragrance, but it is a pleasant companion to layer with other scents.

Have you tried this, or any of the other Woods of Windsor fragrances?

May Muguet Marathon: Giulietta

May Muguet Marathon: Giulietta

Giulietta, by Tocca, is described as “a romantic and muse … sweet pink tulips and green apple mingle with a floral delicacy of lily of the valley and amber.” It comes in eau de parfum strength; other notes include Bulgarian rose, ylang-ylang, pallida iris, vanilla orchid, lilac, heliotrope, cedar, musk, and sandalwood. It is one of the “Tocca Girls” fragrances, each of which is meant to have a distinct personality; Giulietta’s is described as refreshing, feminine, delicate. The fragrance’s name is also meant to refer to actress Giulietta Masina, wife and longtime artistic collaborator of film director Federico Fellini.

It opens with a pop of the green apple, fruity but a bit tart. It then becomes more floral, and I smell heliotrope more than any of the other listed floral notes. It is quite sweet at this stage, with a vanilla note that becomes more evident as the floral notes fade. The white musk base note emerges less than an hour into the drydown, and I think it is this note that prompted some Fragrantica readers to note that Giulietta reminds them of Donna Karan’s Cashmere Mist. It’s pretty, but to my nose not very distinctive.

Portia from Australian Perfume Junkies had a more positive reaction than I did, in a review at Olfactoria’s Travels, calling it a “perfect summer fragrance.” It’s nice, but there are many better, even less expensive, options. For example, for the $76 list price for 50 ml of Giulietta, one can get 100 ml of Hermes’ Un Jardin Sur le Nil from online discounters, a much more interesting and distinctive summer fragrance, to my nose. I agree with Portia that after the opening, there is a pleasant, blended floral bouquet in which it is hard to pick out individual notes; also like Portia, I do smell heliotrope early on and throughout the drydown, which quickly becomes a soft vanilla musk. Like Jessica’s review at Now Smell This, my overall impression is that Giulietta is a nice summer vanilla. It does last reasonably well, and it would be a perfectly appropriate and safe office fragrance, or gift.

Although Tocca chooses to highlight lily of the valley in its copy, I don’t smell it at all in Giulietta. As in — not AT ALL. Nor do I smell the lilac that readers of Fragrantica rate among its most noticeable notes. Giulietta also comes in a hair fragrance format, like some other Tocca scents (two of which I’ve reviewed, Colette and Liliana). I think the photograph on the Tocca website is more accurate than the copy:

Bottle of Giulietta eau de parfum from Tocca with pink tulips and green apples

Giulietta eau de parfum; image from http://www.tocca.com

Bright, fruity, sweet floral with a clean white laundry background — to me, that’s Giulietta. Very pleasant, and indeed a nice, light, floral vanilla for summer — but not a muguet in sight.

Are there any other Tocca fragrances you particularly like? I did like the two hair mists I’ve previously reviewed, although I think those two have been discontinued (several others are available).