One of the joys of this fragrance hobby is discovering independent perfumers and their work. One of my favorites is Diane St. Clair, of St. Clair Scents. I’ve loved her earliest creations, like Gardener’s Glove and First Cut. My SOTD is Eve, one of the “Audacious Innocence” collection, which was a finalist for the 2020 Art & Olfaction Awards in the artisan/independent category.
The other fragrance in the collection, Pandora, is a “sister” to Eve. According to the brand’s website, they share most of the same notes, but Pandora shows a darker side, with added base notes of labdanum and opoponax. Eve‘s notes, without those added base notes, are: Top notes of Lemon, Tomato Leaf, Apple, Bergamot and Mandarin Orange; middle notes of Orris, Lilac, Bulgarian Rose, Turkish Rose, Ylang-Ylang, Carrot Seeds and Jasmine Sambac; base notes of Oakmoss, Tonka Bean, Woods, Vetiver, Musk. Both scents come in a parfum extrait concentration of 35%.
Diane St. Clair sees Eve and Pandora as similar:
The stories of Pandora and Eve, who reached for the forbidden apple, have much in common. Both came to symbolize women who were punished for disobeying orders and acting on their impulses towards curiosity. We believe that women who challenge the rules and follow their curiosity are striving towards creativity, innovation and independence.
The opening of Eve is as lush as the painting that inspired it, above. It smells of all the fruits listed as top notes, bound together by the astringent greenness of tomato leaf and bergamot. This seems so appropriate, since the Garden of Eden, where Eve was tempted to eat the apple, was more of an orchard than a garden. (In fact, I’ve learned that the word “paradise”, often used to refer to the Garden of Eden, comes from an ancient Persian word that means a walled orchard garden). I love green scents, so the tomato leaf especially appeals to me. A good thing, since it is quite strong! As the top notes retreat, the scent becomes more and more floral, with orris taking the lead, though ylang-ylang and roses are right behind it. This stage is rich and lush — almost creamy, but not gourmand at all.
I smell the oakmoss almost from the start, and certainly in the “heart” phase. This is some serious oakmoss, friends. It evokes the shadowy, green darkness under the dense branches of trees. That impression only grows stronger as the floral notes fade away and the other base notes anchor the whole scent to the earth, with their woods, musk, vetiver. I can’t say that I smell tonka much at all. Eve lasts a long time on my skin, several hours.
Sillage is moderate, as one would expect from an extrait, but I would say that a little goes a long way! I dabbed tiny spots of Eve on my wrists, and their scent carries easily and clearly up to my nose. Longevity is excellent. Eve just feels like a high-quality perfume all around; one senses the quality of the ingredients right from the start. Even though it is supposed to be the “yin” scent to Pandora‘s darker “yang”, this is not a light or frivolous fragrance. It is not to be trifled with! Which is why I used the gorgeous Pre-Raphaelite painting as this post’s featured image; it shows Lilith, said in Jewish folklore to have been the first wife of Adam (yes, that Adam), who was replaced by Eve because she was too rebellious. The painting beautifully captures a lush, flowering garden, and I think that’s a perfume bottle by the mirror!
Have you had the chance to try any of St. Clair Scents’ fragrances? Do you have any favorite artisan or independent perfumers?