Another “Aaah” fragrance moment. Rose Flash was created by Swiss perfumer Andy Tauer for his “Tauerville” line. It is one of perfumery’s great value buys, as it is made in 20% fragrance concentration, i.e. parfum extrait strength, and its quality is very high. (Buying it also supports an independent artisan perfumer, which, as Brigitte has commented, is important and especially so during this downturn).
Some of my favorite bloggers are posting about favorite holiday fragrances, and several have created their own fragrance Advent calendars, so clearly ’tis the season! I love Advent, but I was too slow off the mark to organize my own Advent calendar in time, and this is a very busy time of year for me at work, so I’ll just enjoy reading about theirs — although I might get my act together for a few “scents of Advent” or even a fragrance Twelve Days of Christmas, so stay tuned!
As some of you know, I’m an enthusiastic amateur gardener. One of the plants I love most is the hellebore, sometimes called the “Christmas Rose” or “Lenten Rose” because it blooms in the winter. I love it so much that the special china we bring out for the holidays from now through February has hellebores on it.
So for my “scents of Advent” post today, I’m going to write about a few of the rose scents that I especially enjoy in the fall and winter, although real hellebores have little fragrance. Actual roses can emphasize so many different facets of their natural fragrance, and then perfumers focus on a few of those, and choose companion notes to heighten that emphasis; this is undoubtedly why there are hundreds, if not thousands, of rose-centric fragrances. I know some perfume-lovers dislike rose, but I’m inclined to think that may be because they haven’t found the right rose for them, or because they have unhappy associations with bad rose scents like poorly made soap.
I love fresh, citrusy, green roses in the spring and summer, but I’m just not drawn to them when the weather turns colder. Luckily, many perfume houses have created scents that emphasize the spicier, darker, warmer aspects of rose, and those are the ones I enjoy at this time of year. I’ve written before about some of them: Aramis’ Calligraphy Rose, Montale’s Intense Cafe, Gres’ Cabaret. Here are a few more:
Tauerville’s Rose Flash: this is one of the best fragrance buys on the market, imho. It is the first of Andy Tauer’s “Tauerville” line, fragrances that are deliberately more experimental (and more affordable) than his main line but still artfully crafted and multi-faceted. Rose Flash comes in a 20% concentration; in other words, parfum extrait strength. At $63 for a 30 ml bottle, and given its high quality, it’s at the top of my list. Here is the description from the website: “A shamelessly diffusive, tenacious, extrait-strength creation, overflowing with the greens, spices, citruses, woods and creamy intimacies which enter your very soul when you stick your nose into a bona fide, scented, living rose.” Be still, my heart! Yes, it really is that good.
Penhaligon’s Elisabethan Rose 2018: an update of a former Penhaligon’s classic, Elisabethan Rose, its notes are: Hazelnut Leaf, Almond Oil, Cinnamon, Red Lily, Rose Centifolia Oil, Rose Absolute, Vetyver, Musk, Wood. The unusual opening is just spicy enough to make it clear that this is a deep red rose, nothing pale. The cinnamon note makes it right for this season, but it isn’t strong. The rose notes, which appear right away, are fruity and deep, with wonderful undertones of spices and light wood. This is rapidly becoming one of my favorite rose fragrances — and what’s not to love about a bottle with a white ruff around its neck?
Jo Malone’s Tudor Rose & Amber: one of the limited edition “Rock the Ages” set of 2015, Tudor Rose & Amber is meant to embody one of the most notable periods of English history. From Fragrantica: “Tudor Rose & Amber evokes the bloody and turbulent Tudor era. The fragrance contains Damask and Tudor rose as well as ginger in the heart, spicy beginning of pink pepper and clove and the base of golden amber, patchouli and white musk.” The ginger and clove make this a warm, dark rose for winter. Many commenters talk about a boozy or winelike impression; if so, it’s a mulled wine. Even Luca Turin likes this; in “Perfumes: The Guide 2018”, he gave it four stars and wrote:
The distinguished Grasse house of Mane must have been gutted to see Christine Nagel move to Hermes, because she was a priceless treasure. It’s not as if the rose-amber accord hadn’t occurred to anyone before, but Nagel inserts her trademark slug of biblical spices and woods smack in the center, as she did in Theorema (Fendi, 1998) and rescues it from heaviness and banality. Very fine work.
Do you have any favorite cold-weather rose fragrances? Any fragrances that particularly say “holidays” to you? Please share!
Featured image from www.neillstrain.com.
Several of the perfume blogs I follow are featuring lists and questions about favorite autumn fragrances, and I’ve found myself mentioning, more than once, Aramis’ Calligraphy Rose, which I like to wear in the fall and winter as a “floriental” — still floral, which is probably my most favored category of fragrance, with added oriental fragrance aspects like spices, myrrh, frankincense, etc. Per Fragrantica, its top notes are oregano, saffron and honeysuckle; middle notes are turkish rose, myrrh, styrax and lavender; base notes are labdanum, musk, ambergris and olibanum (frankincense).
Calligraphy Rose was one of a trio of Aramis eaux de parfum launched from 2012-2014: Calligraphy (2012), Calligraphy Rose (2013) and Calligraphy Saffron (2014). It was created by perfumer Trudi Loren, who is listed with Maurice Roucel as co-creator of 2006’s Missoni, awarded five stars by Luca Turin in his original “Perfumes: The A-Z Guide.” It has been discontinued but is still widely available online for reasonable prices.
To my nose, Calligraphy Rose starts out green and sweet, which makes sense given the top notes listed. The oregano I smell is the green, growing plant, not the dried herb. The sweetness must come from the honeysuckle note, which Gail Gross wrote about in a wonderful review of Calligraphy Rose last January at CaFleureBon. For her, the honeysuckle was very dominant. It is less so for me, though its underlying sweetness never leaves. On my skin, the rose note emerges quickly and strongly, and it persists for a long time, which I love. I have layered Calligraphy Rose with other rose scents such as Taif Roses by Abdul Samad Al Qurashi, a powerful rose attar, on occasions like Christmas Eve, with happy results; any lasting rose fragrance will have the same effect of amplifying the already-strong rose note. I bet it would layer beautifully with Viktor&Rolf’s Flowerbomb Rose Twist, a perfume layering oil, or with Tauerville’s Rose Flash, with its 20% concentration. One could emphasize other notes in a similar fashion, such as adding a lavender or frankincense layer, pushing it in any direction one prefers. Calligraphy Rose is a bit of a chameleon.
As it dries down, Calligraphy Rose on its own becomes less floral and more balsamic, like a lovely balsamic glaze. This “glaze” was made with honey, and includes herbs. Having started out quite green, it becomes warmer, thanks to those warm base notes. In fact, its progression is not unlike the progression of autumn itself, from the lingering green of still-living plants, to the late flushes of rose blooms, to the warmth and spice of winter dishes. P.S. It lasts for hours and hours! One spray on my wrist is still wafting faintly off my skin almost 24 hours later as a warm, sweet skin scent. Use with a light hand, but you’ll smell marvelous for a long time.
Calligraphy Rose is a truly unisex fragrance. Launched under Estee Lauder’s men’s brand of Aramis, it suits both men and women. It is less gourmand than Montale’s Intense Cafe, more herbal. I love it!