Aaah. That’s what my nose felt like when I spritzed on some of Ormonde Jayne’s Ta’if this morning. It’s just that beautiful. The fragrance is, of course, named for the famous Taif rose of the Middle East. Continue reading
CaFleureBon has published a fascinating piece with thoughts from seven independent perfumers on their position in a consolidating fragrance marketplace; it is well worth reading.
In any industry’s “ecosystem”, there will be a range of products and services from mass market to high-end artisan work. (I’ve been introduced to the series “Chef’s Table” and am stunned by the artistry that these chefs put into their food creations and restaurants). “High-end” often, but not always, means very expensive, which always limits the market for that product or service to those who can afford it.
What I dislike is when a large investor takes over a fragrance brand and amps up the hype, the marketing, and often the price, while watering down the original quality with cheaper ingredients to the point where it really isn’t the same fragrance. I appreciate the instances when a large company seems to have extended the reach of a formerly independent brand while providing its creatives with the stability and access to quality ingredients that allow them to extend their imaginations and vision, and reach more customers. It seems as if today’s independent perfumers may be more savvy about how to get that deal if they want it. I appreciate, too, when a large company has given its perfumers the resources and permission to update classic fragrances with respect and care, and without cutting corners.
I also really appreciate the vital role of independent perfumeries and retailers, which connect perfumers and customers as curated points of sale and information.. They too are small businesses with many of the same challenges, and yet they have an appeal that no department store will ever have, and a level of service and knowledge that you won’t find in most department stores or brand boutiques. I rely on online sellers of fragrance, including some of the perfumers’ own websites and online stores, to get access to these smaller brands that would otherwise be unattainable to most of us. This is how I have been able to buy fragrances by Laboratorio Olfattivo, Papillon, Parfums de Rosine, PK Perfumes, Solstice Scents, Sonoma Scent Studio, and others.
The internet and blogs like CaFleureBon have been such a gift to perfumers, perfumeries, and fans of perfume! We have been able to find and connect with each other in ways that would have been impossible thirty years ago. It is now possible for someone who lives in any area far from high-end retailers and trade shows to get access to these unique fragrance creations. And for that, all perfumistas should be grateful.
While traveling in the UK and Ireland (Perfume Tourism: I’m Ba-a-a-ack!) this summer and fall, I was given a sample of Lumiere Blanche by the delightful sales associate at Parfumarija in Dublin, with my purchase of the Ormonde Jayne discovery set. I haven’t opened it until now, but since I bought the Olfactive Studio discovery kit at the London independent niche perfumery Bloom, I have started exploring that brand and thought it was time.
And yes, it’s time — because Lumiere Blanche is an ideal scent for the kind of dry, sunny fall we are having in my part of the world. Its top notes are: cardamom, cinnamon and star anise; middle notes are iris, cashmere wood and almond milk; base notes are musk, sandalwood, cedar and tonka bean. In other words, it smells a lot like milky masala chai tea, something I love.
Luckily for me, it is light on the cinnamon. I love cinnamon, but I don’t want to smell like a cinnamon broom (I’m looking at you, Dasein Autumn!). Lumiere Blanche reminds me a bit of Carner Barcelona’s Palo Santo, but lighter. At first spray, I get a delightful waft of cardamom, a spice I love, with a tinge of star anise, warmed by just a hint of cinnamon. The overall effect is milky, too, which I attribute to the almond and tonka bean notes. Those are definitely present throughout, from start to finish. Very quickly, I also smell the woody notes, mostly sandalwood and cedar, but the “cashmere wood” adds, I think, to the soft, milky impression. After a little more time, the iris note emerges, but lightly. It really adds nuance and depth to the progression, with its rooty, earthy, but sweet floral scent. I am enjoying its contribution to Lumiere Blanche, and its addition to the spices and wood notes is an unusual, creative combination that works.
Lumiere Blanche is a soft fragrance overall. On my skin, it is really lovely and I could see wearing this a lot during the fall. It is not as strong as Palo Santo and would probably, therefore, work better than it as an office scent. Olfactive Studio’s website says:
Lumiere Blanche is a comforting cocoon, between milky mildness and cold spices. It evokes the sweltering heat of a sun at its zenith, which erases colors, leaving only a blinding white, and surprised by its spicy freshness.
For the perfumer, [it] is “A cold-hot accord for a perfume of contrasts,” a bright and fresh surge and a creamy softness and a strong signature, warm and sensual.
I don’t perceive this as a scent of “sweltering heat” or “blinding white” light. It is definitely a sunny scent, though neither citrusy nor green, notes which are sometimes associated with sunniness in fragrances (probably why the name emphasizes white, versus yellow or green). For these long, unseasonably warm, sunny autumn days in my part of the world, it is just right.