Scent Sample Sunday: Le Feu d’Issey

Scent Sample Sunday: Le Feu d’Issey

I have a collector’s brain; I have always enjoyed building a collection of things that interest me and learning about them. Over the years, that has mostly manifested itself in my gardening (sometimes to the detriment of orderly design); I have to discipline myself to plant groupings of plants, not just plant one of everything. Sometimes it all comes together really well, as when my husband cleared two areas of underbrush so we could plant two small groves of almost two dozen Japanese maples I had been growing in pots.

Since I started studying, not just wearing, fragrance three years ago, I’ve built up quite a collection, but it doesn’t have a lot of coherence to it yet; I’m still in the “let me try everything” learning stage, lol. But one way I have tried to inject some structure into my collection is to try as many as possible of the fragrances given five stars in Turin and Sanchez’ “Perfumes: The A-Z Guide.” One of those is Issey Miyake’s Le Feu d’Issey, created by Jacques Cavallier in 1998, which was discontinued several years ago. Here is their summary:

The surprise effect of Le Feu d’Issey is total. Smelling it is like pressing the play button on a frantic video clip of unconnected objects that fly past one’s nose at warp speed: fresh baguette, lime peel, clean wet linen, shower soap, hot stone, salty skin, even a fleeting touch of vitamin B pills, and no doubt a few other UFOs that this reviewer failed to catch the first few times. Whoever did this has that rarest of qualities in perfumery, a sense of humor. Bravo to those who did not recoil in horror at something so original and agreed to bottle it and sell it, but shame, also, since they lost their nerve and discontinued it before it caught on. Whether you wear it or not, if you can find it, it should be in your collection as a reminder that perfume is, among other things, the most portable form of intelligence.

Le Feu d’Issey has been reviewed on several well-known fragrance blogs: The Sounds of ScentThe Candy Perfume BoyColognoisseurPerfume-Smellin’ Things, and others. Almost all agree that it is an oddity with a strangely compelling appeal. My experience parallels theirs, though I am happy to say that I won’t feel a desperate need to track down a full bottle. Happy, because they go for $200 or more on auction sites! I found a set of reasonably priced manufacturer’s samples online, so I was able to indulge my curiosity.

Manufacturer's carded samples of Issey Miyake's fragrance Le Feu d'Issey

Carded samples of Le Feu d’Issey

The opening is very sharp and weird. Obviously the carded manufacturer’s samples I have are over ten years old, and one of the top notes has gone off. I think it must be the bergamot, because I don’t smell that at all — the very first thing I do smell is a harsh note of alcohol. That’s age, not design. It goes away within seconds, and I do smell the other notes listed on Fragrantica: coconut, rosewood, anise. The visual pyramid also lists as top notes coriander leaf and rose. I don’t smell rose at the start, but I do get an herbal note in addition to the anise, which could be coriander. Within minutes, the rosewood emerges as the winner among the top notes, and I like it very much.

As the heart notes emerge, Le Feu becomes sweeter. I definitely smell the milkiness coming to join the rosewood. At this stage, it reminds me of Carner Barcelona‘s Palo Santo. whose middle notes are warm milk and guiac wood. Le Feu’s heart notes are listed as: jasmine, rose, milk and caramel but the pyramid also shows pepper and golden lily. As it gets sweeter, I do smell something like caramel, but I wonder if that is due to perfumer’s sleight of hand. Here is a comment written by London’s Bloom Perfumery about Palo Santo: “Some people smell caramel, but it’s a trick played by the combination of gaiac, tonka, davana and milk accord.” On my skin, the sweetness is mostly gone within the first hour of wearing.

As to the flowers, here is where I experienced the famously shape-shifting nature of Le Feu that has intrigued so many. The first time I wore it, I definitely smelled the emergence of a smooth, classical blend of rose, lily, and jasmine. Today, as I sit with Le Feu on my hand so I can write down my impressions — no flowers. And I sprayed from the same sample!

The base notes of Le Feu are: cedar, sandalwood, Guaiac wood, vanilla and musk. At this stage, it is a very appealing, warm, woody scent with a lingering trace of something sweet. Yesterday when I tried it for the first time, that stage lasted on my skin for several hours.

Bottom line: I like Le Feu very much, but I don’t feel desperately compelled to seek out a bottle of it. However, I’m glad to realize that, while not a dupe, Carner Barcelona’s Palo Santo shares some of Le Feu’s appeal. It’s not cheap, but it is still available!

Fragrance Friday: Lumiere Blanche

Fragrance Friday: Lumiere Blanche

While traveling in the UK and Ireland (Perfume Tourism: I’m Ba-a-a-ack!) this summer and fall, I was given a sample of Lumiere Blanche by the delightful sales associate at Parfumarija in Dublin, with my purchase of the Ormonde Jayne discovery set. I haven’t opened it until now, but since I bought the Olfactive Studio discovery kit at the London independent niche perfumery Bloom, I have started exploring that brand and thought it was time.

Bloom independent niche perfumery in London

Bloom

And yes, it’s time — because Lumiere Blanche is an ideal scent for the kind of dry, sunny fall we are having in my part of the world.  Its top notes are: cardamom, cinnamon and star anise; middle notes are iris, cashmere wood and almond milk; base notes are musk, sandalwood, cedar and tonka bean. In other words, it smells a lot like milky masala chai tea, something I love.

Chai teas spices with star anise, cardamom, cinnamon

Chai tea spices; thecheapluxury.com

Luckily for me, it is light on the cinnamon. I love cinnamon, but I don’t want to smell like a cinnamon broom (I’m looking at you, Dasein Autumn!). Lumiere Blanche reminds me a bit of Carner Barcelona’s Palo Santobut lighter. At first spray, I get a delightful waft of cardamom, a spice I love, with a tinge of star anise, warmed by just a hint of cinnamon. The overall effect is milky, too, which I attribute to the almond and tonka bean notes. Those are definitely present throughout, from start to finish. Very quickly, I also smell the woody notes, mostly sandalwood and cedar, but the “cashmere wood” adds, I think, to the soft, milky impression. After a little more time, the iris note emerges, but lightly. It really adds nuance and depth to the progression, with its rooty, earthy, but sweet floral scent. I am enjoying its contribution to Lumiere Blanche, and its addition to the spices and wood notes is an unusual, creative combination that works.

Lumiere Blanche is a soft fragrance overall. On my skin, it is really lovely and I could see wearing this a lot during the fall. It is not as strong as Palo Santo and would probably, therefore, work better than it as an office scent. Olfactive Studio’s website says:

Lumiere Blanche is a comforting cocoon, between milky mildness and cold spices. It evokes the sweltering heat of a sun at its zenith, which erases colors, leaving only a blinding white, and surprised by its spicy freshness.

For the perfumer, [it] is “A cold-hot accord for a perfume of contrasts,” a bright and fresh surge and a creamy softness and a strong signature, warm and sensual.

I don’t perceive this as a scent of “sweltering heat” or “blinding white” light. It is definitely a sunny scent, though neither citrusy nor green, notes which are sometimes associated with sunniness in fragrances (probably why the name emphasizes white, versus yellow or green). For these long, unseasonably warm, sunny autumn days in my part of the world, it is just right.