Scent Sample Sunday: Silences

Scent Sample Sunday: Silences

One of the regular readers here mentioned recently wearing Silences, and Portia from “Australian Perfume Junkies” and I immediately oohed and aahed over it. So today’s scent sample is Jacomo’s classic fragrance, the original Silences.

Magazine ad for fragrance Jacomo Silences

Jacomo Silences, original ad (1978).

Silences was launched in 1978, and it fits right in with the green, woody, chypre vibe of so many classic fragrances from that decade. I’ve realized that my scent tastes seem to have been formed mostly in the 1960s and 1970s, when I was a child; given how deeply scent is linked to our subconscious, it makes sense that the fragrances of one’s childhood have particular impact. (To be clear, I own and love MANY later fragrances, but I find that I am really drawn to chypres, for instance, and to retro florals).

Fragrantica lists its notes as follows: Top notes — orange blossom, galbanum, bergamot, lemon, green notes and cassia; middle notes — iris, jasmine, narcissus, hyacinth, rose and lily-of-the-valley; base notes — vetiver, musk, sandalwood, oakmoss, cedar and ambrette (musk mallow). This list refers to the original and classic Silences, which was reissued in 2004. There is a new version, called Silences Eau de Parfum Sublime, which was issued in 2012. I appreciate, by the way, that the brand didn’t just reformulate and pretend that the new version was the same Silences. It’s easy to tell them apart, both from the name and from the packaging; Silences Sublime comes in a similar iconic round black bottle, but the lettering on it is completely different. It has excellent reviews online, but it doesn’t seem to be widely available in the US, unlike classic Silences, which can be found online for bargain prices. One can order it directly for delivery to Europe and a few other countries from the Jacomo brand website.

And Silences is a true bargain beauty! You have to like dry green chypres to enjoy it, though. It opens with galbanum leading the charge, a soupcon of bergamot floating in its wake. I don’t smell orange blossom at all, and while I’m sure the other listed top notes are there, because the opening is multi-faceted and complex, most of what I clearly smell is the combination of galbanum and bergamot, with galbanum dominating. As it dries down, two of my favorite flowers emerge: narcissus and hyacinth. The dry greenness of the galbanum persists, though I also get a hint of lily of the valley (another favorite flower). There’s a soft green earthiness that I have come to associate with iris root. I don’t smell any jasmine or rose in this middle phase.

Silences has often been compared to Chanel No. 19 in its eau de toilette version and for good reason. Their notes are almost identical, though in slightly different order and emphasis. No. 19 was created by the master Henri Robert in 1970, who also created 1974’s Chanel Cristalle. The perfumer behind Silences was Gerard Goupy, working at Givaudan with Jean-Charles Niel. Interestingly, M. Goupy was also the nose behind Lancome’s Climat, created in 1967, which in its vintage form is another green floral, though its opening is strongly aldehydic, unlike these later chypres. He also created Lancome’s Magie Noire in 1978, which has many of the same notes, also in a different order, but adding notes like spices and incense, honey and civet; it too is considered a chypre but more floral than green or woody. Victoria at “Bois de Jasmin” points out that its particular genius lies in the tension of combining its oriental and chypre accords.

So although one might be tempted to pigeonhole Silences as a bargain shadow of No. 19, it is not. Look at the sequence above: 1967: Goupy’s Climat; 1970: Robert’s No. 19; 1974: Robert’s Cristalle; 1978: Goupy’s Silences. Add in Bernard Chant’s creations for Estee Lauder, 1969’s Azuree and 1971’s Clinique Aromatics Elixir, and you see the fragrance zeitgeist of the time, with several gifted French perfumers exploring facets of dry, woody, green, bitter, mossy, dark, earthy scents — very fitting, for an era that also brought the environmental movement, the first “Earth Day” in 1970, and many landmark environmental protection laws.

Where does Silences fit on the scent spectrum? To my nose, it is more of a bitter green than the others, because of the strong galbanum opening. I love galbanum, so this delights me. It doesn’t have the leather notes that some of the others listed above have, or some of the animalic notes (it does list musk, but that may be based more on the base note of ambrette, or musk mallow plant).  Bitter, yes, but I don’t find Silences aggressive overall, as some commenters do. The opening is sharply green, but its final drydown phase becomes quite gentle and earthy while staying green, probably due to the combination of oakmoss, vetiver and sandalwood, softened by the ambrette. The complexity of its base accord is revealed in that today, I sprayed both my wrists at the same time. One wrist smells more strongly green and mossy, and the other more like a sweetish sandalwood with some lingering hyacinth.

The floral notes in Silences are quite reticent. The only ones I really smell are the narcissus and hyacinth, with a hint of muguet, all of which are quite green in their own right. So if it’s a more floral green you seek, I suggest you try No. 19 or Cristalle. Fruit? Aside from the bergamot opening note, which is subtle, there is no fruit here AT ALL. Sweet? Nope. Look elsewhere for fruity florals, or gourmands.

Have you tried Silences? Do you like green fragrances?

Scent Sample Sunday: The Wearin’ O’ The Green

Scent Sample Sunday: The Wearin’ O’ The Green

Happy St. Patrick’s Day! In honor of the day, let us rejoice in the “wearing of the green” — green fragrances, that is. I love green fragrances, as you might expect from a blogger whose nom de plume is “Old Herbaceous“, and my most difficult fragrance choice today will be to decide which of the many I own I will wear. (Another option might be to wear one of the fragrances I brought home from Ireland last summer, including some from the small independent perfumer The Burren Perfumery, but today I’ll probably go with a classic green). Today will be a celebration of “The Wearin’ O’ The Green”!

Green nymph Fantasia

Image from Disney’s Fantasia 2000; http://www.disney.com

Fragrantica did one of its wonderful “Best in Show” columns last year on green fragrances, which you can read here: Best in Show: Green Fragrances (2018). As the editor notes, “green” can describe a wide range of fragrances and notes, which can include: galbanum, patchouli, vetiver, grasses, mosses, ivy, and leaves (especially tea and tomato), lime, basil, rosemary, mint, and cilantro, green mango and apple, conifer needles, bamboo, and more. Many of the muguet fragrances I love are quite green. As I’ve already written a lot about so many of those, and will again later this spring, I’ll pass over them as a category for now.

Some of the classic greens I own and love are Chanel No. 19, Chanel Cristalle, Annick Goutal Grand Amour, Gucci Envy, Balmain Vent Vert (the 1991 version, by Calice Becker), Jacomo Silences, Estee Lauder Azuree, Clinique Aromatics Elixir.

My newer green niche perfumes include (of course) Papillon’s Dryad, Beaufort London’s Fathom V, Amouage Bracken, L’Artisan Parfumeur’s The Pour Un Ete, Laboratorio Olfattivo’s Decou-Vert, DSH Perfumes Le Jardin Vert. There are others, but many of them I own only in small sample sizes, so I’m not counting them here!

Green fragrances: Chanel No. 19, Cristalle, Papillon Dryad, on Liberty shawl

Favorite green fragrances

While I know that “green” fragrances are said to be the least favored category of fragrance, I know many of you also love them. What are your favorites? Do you plan to wear a green fragrance today?

Outdoor sculpture of the Mud Maid, Lost Gardens of Heligan, Cornwall

Mud Maid, The Lost Gardens of Heligan