Scent Semantics, September 5

Scent Semantics, September 5

The word for this month’s Scent Semantics posts is “misanthrope.” If you haven’t read one of these posts before, “Scent Semantics” brings together a group of us fragrance bloggers in a collaborative project called “Scent Semantics“, the brainchild of Portia Turbo over at A Bottled Rose. On the first Monday of each month, we all take a word — the same word — as inspiration for a post that has some relationship to a fragrance, broadly interpreted. There are six participating blogs: Serenity Now Scents and Sensibilities (here), The Plum GirlThe Alembicated GenieEau La LaUndina’s Looking Glass, and A Bottled Rose. I hope you’ll all check out the Scent Semantics posts on each blog!

One definition of “misanthrope” is “someone who dislikes and avoids other people.” Now, I am not normally a misanthrope myself, although I am definitely an introvert (and if you’ve never seen author Susan Cain’s TED talk on the subject, click on that link — it’s a treat!). However, I think we’ve all become a bit misanthropic during the last two and a half years of a global pandemic — we were forced to avoid other people starting in March of 2020, then we disliked many people because of their varied responses to the pandemic. Layer on top of that the American elections of 2020 and their aftermath, so full of rage, and I think it’s safe to say that many of us, misanthropic by nature or not, have been slowly emerging from a phase of misanthropy.

My semantically matched fragrance this month is vintage Chanel No. 19 eau de toilette. I’ve been wearing it almost daily for the past week as my green armor at work, due to the difficulties I’ve encountered leading up to a long overdue personal leave (which started this weekend, yay!). No. 19 always makes me feel that I can be tougher than I actually am; it stiffens my backbone. Some might say that it helps me set and keep healthy boundaries, lol!

Why? I think it’s because of the hefty dose of galbanum that heralds its arrival: a bitter, green opening chord that announces, as the Chanel website says, a “daring, distinctive, uncompromising composition.” Perfect for setting boundaries! The other top notes reinforce the lack of compromise: astringent bergamot, assertive hyacinth, aromatic neroli. All have a distinctive tinge of green supporting the star of the show, the galbanum, which Fragrantica sums up as an “intense and persistent bitter green .” Indeed. If galbanum were a person, it would be Bette Davis playing Margo Channing in “All About Eve”:

“All About Eve”, 20th Century Fox.

If you’re not familiar with the movie, it is about a star actress who is turning forty, fears for her career, and is manipulated and ultimately upstaged by a much younger woman. Fittingly, No. 19 was the last Chanel fragrance created while Coco Chanel herself was still alive, in her 80s, though I don’t know that anyone ever succeeded in either manipulating or upstaging her. Master perfumer Henri Robert put the finishing touches on the formula in 1970, Chanel died in early 1971, and No. 19 was released the same year.

The blog “Olfactoria’s Travels” has a wonderful review of No. 19, referring to it as a “magic cloak”. The reviewer takes a more benevolent view of No. 19 than Tania Sanchez did in the guide to perfumes she co-wrote with Luca Turin, where she compared it to the wire mother monkey in a famous experiment about nurturing or the lack thereof. Blogger and author Neil Chapman, of “The Black Narcissus”, is famously a devotee of No. 19, scarfing up vintage bottles of it in all formats from second-hand stores in Japan, where he lives. You can read all about it in his amazing book, “Perfume: In Search of Your Signature Scent”, available in the UK and the US, and elsewhere in other languages, which I highly recommend!

Luckily for me, since I adore green fragrances, on my skin the greenery lasts and lasts, joined in the heart phase by some of my favorite floral notes: iris, orris root, rose, lily-of-the-valley, narcissus, jasmine and ylang-ylang. The green astringency of the opening notes is carried forward by the lily-of-the-valley and narcissus, while orris root adds earthiness, iris adds powder, and jasmine and ylang-ylang add airiness, sexiness and warmth. My sense of No. 19 as “armor” is aided by my vintage spray, a refillable, silvery, aluminum canister that has protected its contents for many years.

No. 19 has had many “faces”, my favorite being English model and iconoclast Jean Shrimpton. And guess what? Based on her own words, she may actually have been a misanthrope, having walked away from her superstar modeling career and life of celebrity in her 30s, becoming what she herself described as a recluse running a hotel in Cornwall. Although the photo of her below is not an ad for Chanel, to me it captures the spirit of No. 19‘s opening — inscrutable, distant, mingling shades of green, white, and earthy brown with the unexpected intrusion of purple:

Model Jean Shrimpton sitting on an ancient tree root.
Jean Shrimpton; image by Patrick Lichfield for Vogue, 1970.

As No. 19 dries down, to my nose the galbanum never leaves, though it recedes into the distance as the oakmoss enters the glade. Because I have the vintage EDT, the base includes oakmoss, leather, musk, sandalwood, and cedar. It is a true chypre, a genre I love. It reminds me of the Jackie Kennedy Onassis of the 1970s: elegant and even haughty upon first appearance, with a warmth that reveals itself over time to the patient; breaking free from the fashion conventions she mastered so skillfully and embodied in the 1950s and 1960s, and far from the cold “wire mother” of Tania Sanchez’ imagining while retaining an aura that commands respect.

I’m choosing to adopt Laura Bailey‘s interpretation of No. 19, which she described in Vogue at the height of pandemic lockdowns in 2020, as the scent of new beginnings and dreams of future adventure:

No 19, the ‘unexpected’ Chanel, the ‘outspoken’ Chanel, created at the height of the first wave of feminism in 1971, and named for Coco Chanel’s birthday – 19 August – is, for me, the fragrance of freedom, of optimism, of strength. (And of vintage campaign stars Ali MacGraw, Jean Shrimpton and Christie Brinkley.) The heady cocktail of rose-iris-vetiver-jasmine-lily-of-the-valley remains shockingly modern and original, bolder than any sweet fairy-tale fantasy.

If you had to relate a fragrance to the word “misanthrope”, which would you choose?

Ad with perfume bottle of Chanel No. 19
Chanel No. 19 ad; image from chanel.com.
May Melange Marathon: Cristalle

May Melange Marathon: Cristalle

Chanel’s Cristalle came to me later in life; my earliest Chanel “love” (for myself) was No.22, which I still love and wear, then No.19, also still a strong love and in regular rotation on my skin. I’m not sure why it took me so long to discover Cristalle; I probably thought my need for a green Chanel was fully met by No.19. Regardless, I first tried Cristalle a few years ago, and yes, it’s love. I wear Cristalle on days when I need a good snap of green but No. 19 feels like overkill. Both were created by perfumer Henri Robert: No. 19 in 1970, and Cristalle in 1974. (I refer to the eau de toilette; Jacques Polge created an eau de parfum version for Chanel twenty years later).

The two share some notes. Cristalle‘s notes are: Top notes — Sicilian Lemon and Bergamot; middle notes — Hyacinth, Brazilian Rosewood, Honeysuckle and Jasmine; base notes — Oakmoss and Vetiver. No.19‘s notes are: Top notes of Galbanum, Hyacinth, Bergamot and Neroli; middle notes of iris, Orris Root, Rose, Lily-of-the-Valley, Narcissus, Jasmine and Ylang-Ylang; base notes of Oakmoss, Vetiver, Leather, Cedar, Musk and Sandalwood. No.19 was launched the year before Coco Chanel died; it seems to be the last fragrance that she personally approved.

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May Melange Marathon: Mother’s Day and No. 5

May Melange Marathon: Mother’s Day and No. 5

Today is Mother’s Day in the US, and I’m thinking of my own late mother and the perfume I associate most with her, Chanel No.5. No.5 is 100 years old this year, having been launched by the house of Chanel in 1921, which hardly seems possible! Here is the wonderful video Chanel released this year to celebrate No.5‘s centennial:

The version I have is the eau de toilette; in fact, it is the last bottle of No.5 that my mother owned. I brought it home with me, with its few ml of fragrance left, after her funeral and clearing out her home. Wearing a few drops now on the back of my hand, I can still smell how beautiful it is, and think peacefully of my mom.

I wrote about her and No.5 five years ago, in “My Mother’s Last Perfume“. She died in May of 2017; if she were still alive, she would be turning 90 this year — only ten years younger than No.5! We held her memorial service in July of 2017, so that all members of the family could be there, and a memory I find very consoling is that I took charge of working with the florist for the church service. I used to help my mother arrange flowers as part of the church’s “Flower Guild”, a volunteer role that she took very seriously, albeit with some humor. She loved to recount how long it took her to win the approval of the older women in the Flower Guild when she first wanted to join, in spite of her being a member of the church’s vestry! They only let her cut off the ends of stems and hand them the flowers for months.

Because of those companionable times we spent together arranging flowers, I knew her strong likes and dislikes — I don’t think my mom had any likes or dislikes that were anything but strong. I remember telling the florist that we could not have gladioli under any circumstances, because my mom hated them with a passion and she would return from the grave to haunt us all if we had them at her memorial. I was so pleased with our final selections: the roses and lilies she loved; Bells of Ireland, to recall her Anglo-Irish roots and her beloved aunts and grandmother, with whom she spent school holidays; eucalyptus as a reference to her birthplace of New Zealand; and other fragrant flowers, some of which are notes in No.5.

Because I started buying her No.5 in the 1970s, as a child, the version I recall most has the original notes (though I think by then the civet was synthetic): top notes of Aldehydes, Ylang-Ylang, Neroli, Amalfi Lemon and Bergamot; middle notes of Iris, Jasmine, Rose, Orris Root and Lily-of-the-Valley; base notes of Civet, Sandalwood, Musk, Oakmoss, Vetiver, Amber, Vanilla and Patchouli. I’m not sure of the date of the eau de toilette of hers I now have, but it’s probably from the early 2000s. And after an initial “off” opening, it is just lovely.

The aldehydes have survived the passage of time, as have the ylang-ylang and much of the neroli. Lemon and bergamot are no longer detectable. The notes of jasmine and rose are most prominent to my nose in the heart phase, with a gorgeous powdery softness provided by the iris and orris root. I can detect the lily-of-the-valley faintly, but just barely. The drydown is also lovely: it just keeps getting warmer, softer, and sexier, with those beautiful base notes. As many have noted, No. 5 is so well-blended, it is almost abstract. While it is possible to detect single notes, the overall impression is not of a particular flower, which is what perfumer Ernest Beaux and Mme. Chanel intended. No.5 is simply itself, and it is unmistakable to this day.

I don’t often wear No.5, as beautiful as it is, because I do associate it so much with my mom; but I use and love No.5 Eau Premiere as well as No.5 L’Eau. Blogger Neil Chapman of The Black Narcissus described the trio so well in his book “Perfume: In Search of Your Signature Scent” (which I highly, highly recommend!):

Chanel’s enduring, glamorous icon is a scintillation of aldehydes, rose de mai, ylang ylang, orris, jasmine and vanilla (among many other ingredients) — a caress of timeless, confident femininity…. Successful recent reiterations of the No.5 brand that aim to appeal to the younger consumer include Eau Premiere (2007) — which I like for its streamlined primness and muted, statuesque lightness that works convincingly as a chilled, contemporary flanker of the original — and No.5 L’Eau in 2016, which smells as peachy and rosy as the dawn.

I can’t think of another perfume that has had the famous Any Warhol portrait treatment, can you? Do you like No.5, in any of its current versions or flankers? And happy Mother’s Day to all who are celebrating it today!

Bottles of Chanel No.5 perfume by Andy Warhol
Chanel No.5 portraits by Andy Warhol; image from Fragrantica.com.
Fragrant Highlights of 2019: What Went Well

Fragrant Highlights of 2019: What Went Well

Happy New Year! Rather than listing my favorites or “the best” among the fragrances launched in 2019 (other blogs have done that so thoroughly!), I am going to list some of my own fragrance highlights of 2019. Some are actual perfumes, others are fragrant items or experiences. I feel so fortunate. I write about my many blessings in this blog to remind myself that, in spite of challenges and losses, I am thankful for the love and beauty in my life.

  1. First trip to Tuscany, Florence and Venice, with many perfume stops. I will not forget the aromatic scent of the Tuscan hills and the timeless beauty of their landscape — not to mention the fragrances of the vineyards and wines, and the cooking class I took. Florence and Venice were as magical and amazing as expected, and I brought back souvenir fragrances from perfumeries like Santa Maria Novella, I Profumi di Firenze, Aquaflor, Farmacia SS Annunziata dal 1561. Back home, I treated myself to Flower Fusion by The Merchant of Venice (gorgeous glass bottle, lovely fragrance); and my husband gave me Hermes’ Un Jardin Sur la Lagune for Christmas.
  2. Visit to 4160 Tuesdays’ studio in London and meeting Sarah and Nick! If you’re a fan of 4160 Tuesdays’ fragrances, and you wonder if Sarah really is as cool and interesting as she seems, the answer is YES! She and Nick graciously spent time with me, talking about their fragrances. And yes, I came away with several purchases, including the beautiful Truth Beauty Freedom Love and the silk scarf designed to go with it. I’m excited to see their new studio on Raynham Road when I visit London again! I also took part in the crowd-funding (such a brilliant idea) of some 2019 launches by 4160 Tuesdays, including Clouds’ Illusion, Christmas Concert, and Meet Me On The Corner
  3. Perfume-making workshop in Nice, at Parfum Et Vous, recommended by Megan of the blog “MeganInSainteMaxime.” It was a beginners’ workshop, but so much fun! And I was introduced to a line of fragrances I hadn’t tried before, Baruti.
  4. Meeting Megan in Cannes, and visiting the office of Atelier des Ors, including meeting its founder, Jean-Philippe Clermont and trying several of its fragrances which were created by Marie Salamagne: Nuda Veritas, Crepuscule des Amesand Choeur des Anges.
  5. The publication of Neil Chapman’s wonderful book, “Perfume: In Search of Your Signature Scent.” Neil writes one of the longest-running and best blogs about perfume, “The Black Narcissus“; he is a true connoisseur and collector of fine fragrance as well as a very interesting, creative person. It was so exciting to read about his work on the book and its eventual publication and launch!
  6. Learning how to use Instagram!
  7. Two very special fragrance sets/Christmas gifts, which I can’t wait to explore: Dawn Spencer Hurwitz’ 2019 Heirloom Elixir Collection, and Sarah McCartney’s “January Joy Box” from 4160 Tuesdays.
  8. Giving in to temptation and ordering Papillon Perfumery‘s Bengale Rouge. It hasn’t arrived yet, from Ave Parfum, but I expect it shortly! This has been one of the most highly rated perfumes of 2019; given how much I love Dryad, I’m excited to have this.
  9. The continued success of St. Clair Scents, another independent artisan perfumer, whose fragrances Gardener’s Glove, Frost, Casablanca, and First Cut I thoroughly enjoyed in 2018. Although I haven’t yet reviewed them, this year’s issue of Pandora and Eve , the “Audacious Innocence Collection”, shows us that Diane St. Clair is here to stay, thank goodness, in perfumery as well as her legendary butter.
  10. Getting to try L’Iris de Fath, thanks to the wonderful associate at Jovoy Paris’ London store.

Some of the blogosphere’s “Best of 2019” lists:

Australian Perfume Junkies

Bois de Jasmin

A Bottled Rose

Cafleurebon

Colognoisseur

I Scent You A Day

Persolaise

What were some of your fragrant highlights of 2019? Feel free to comment broadly, it’s a broad category! Thank you for reading my online musings this year.

Featured image: Fleurs et Flammes, Antonio Alessandria Parfums.

May Muguet Marathon: Neil Chapman’s “Perfume”

May Muguet Marathon: Neil Chapman’s “Perfume”

If you have read the excellent fragrance blog The Black Narcissus, you have already encountered the writing of Neil Chapman. Neil published, this spring, his first book, called “Perfume: In Search of Your Signature Scent.” You can buy it on Amazon.com! It’s a great book, full of his unique insights, impressions, and life experiences, enriched by his knowledge not only of perfume but of the literature of various cultures. Case in point: his introduction of the section in his book that discusses lily of the valley as a fragrance note.

In Natsume Soseki’s 1909 novel Sore Kara (‘And then …’) the main protagonist, Daisuke — a fraught, pretence-addled, indolent ‘aesthete’ whose descent into madness forms the core of the novel — has a predilection for sleeping in the aroma of delicate flowers in order to negate life’s sordid realities. Overly affected by the ordinary physical world, this nervous book collector uses a faint, lightly sweet floral scent at night to reduce his contacts with the world to a minimum: snowy white lilies of the valley, with their stems not yet cut, flowers that form an important motif in the novel, but not only for their pristine beauty and virginal whiteness.

The muguet fragrances Neil reviews in his book are: Diorissimo, Muguet du Bonheur, Penhaligons’ Lily of the Valley, Don’t Get Me Wrong, Baby, I Don’t Swallow, Muguet Fleuri, Muguet Blanc, Quartana’s Lily of the Valley, and Muguet des Bois. His reviews of those are as distinctive and individually nuanced as his writing quoted above.

I highly recommend Neil’s book, whether you are new to the exploration of fragrances, or you are a perfumista with dozens (or hundreds!) of bottles of your own. There are eleven main chapters, named generally for scent groupings of his own, like “Green”, “Gourmand”, “Eros.” You will learn a lot, no matter where you are in your perfume journey; and even fragrances you know well get “The Black Narcissus” treatment, in which Neil weaves his own extensive knowledge with his personal observations, impressions, and experiences. His story of his close encounter with Japanese incense (he and his partner live in Japan) and the accompanying ceremony is hilarious and worth the price of the book for that alone.

But in line with the theme of this month, I especially recommend reading his thoughts on lilies of the valley and the fragrances listed above. And as a bonus, you can read the end of his summation of that Japanese novel! Have you read Neil’s blog The Black Narcissus?

Japanese woman wearing traditional garb with lily of the valley headpiece

Traditional Japanese outfit with ‘lily of the valley’ kanzashi; image from http://www.donatale.com

Fragrance Friday: Neil’s Book “Perfume”

I am in awe of the fact that Neil Chapman, author of the blog The Black Narcissus, has written and had published an actual BOOK! It is called “Perfume: In Search of Your Signature Scent”, and it just came out in the US (it came out a short time earlier, in March, in the UK). You can buy it on Amazon, where I had pre-ordered it; I came home from work earlier this week to find the package waiting on my doorstep. It is also available online and at booksellers such as Blackwell’s and Barnes & Noble.

As others have written, the book itself is beautiful, a hardcover volume with an Art Deco cover design in black, gold, and silver, and gold-edged pages. If you have ever read The Black Narcissus, you know that Neil is a wonderfully gifted writer with wide-ranging interests. His posts about fragrance include many cultural references and observations from his years living in several countries, from his childhood and youth in England, to his current home in Japan. He studied Italian and French literature at Cambridge University, and he now teaches English to Japanese secondary school students. His literary sensibilities suffuse his writing, but he also includes deeply personal reminiscences and a vast knowledge of perfume: history, ingredients, creators, etc.

Neil’s individual reviews of specific perfumes are grouped into categories such as “Green”, then by notes like “grasses, leaves and herbs.” (As a lover of green fragrances myself, I was thrilled that this is the first chapter!) It is a remarkably user-friendly format with an exhaustive index if one just wants to read one review of a specific fragrance. Neil has a poetic sensibility and lifelong love of perfume, both of which his writing reflects. As he says, “In its wordless abstraction, a beautifully made scent can encapsulate an emotion; smell, with its visceral link to the unconscious, is unique in its emotional immediacy.” His short reviews of individual fragrances combine information about their components and creation with his own reactions to wearing them, or memories of times when he wore them. Since his own perfume collection must number in the thousands, including many rare vintage perfumes, even the most profligate collectors of perfumes will find surprises and revelations. However, the book is also a very accessible guide for those who are just exploring fragrance, or, as he writes, “a guide through a world that can at times seem overwhelming.”

Bravo, Neil! I’m wearing Vol de Nuit in your honor today! To learn more about Neil, check out this interview on the blog “Olfactoria’s Travels.”

MY BOOK ARRIVED IN THE POST TODAY AND I MUST ADMIT I AM RATHER PLEASED — The Black Narcissus

Our friend Neil at The Black Narcissus is a published author!! Publication date for “Perfume: In Search of Your Signature Scent” in the UK is March 21; April 2 in the US. You can pre-order RIGHT NOW at Amazon.co.uk or at Amazon.com.

via MY BOOK ARRIVED IN THE POST TODAY AND I MUST ADMIT I AM RATHER PLEASED — The Black Narcissus

From the Amazon.co.uk website:

A beautifully made scent can encapsulate a particular feeling, transport you to a very specific time in life with clarity, or remind you of a special loved one or friend. And just like wearing your favourite outfit or shoes, your favourite perfume can make you feel invincible. The question is, how do you find such a creation? With the number of new releases steadily In Perfume, Neil Chapman guides readers through a world that can at times seem overwhelming. Fragrances of every variety are listed ‘note by note’ in clearly divided categories that will steer you in the direction of a perfume you not only like, but love and cherish as ‘your’ smell. Chapters are divided into popular base notes (vanilla, sandalwood, cedarwood, jasmine, patchouli), heart notes (lavender, rosemary, black pepper, geranium, juniper) and top notes (bergamot, citrus, basil), and the book features over 200 scents, from department store classics to more boutique fragrances. If a scent intrigues, go out and try it. The further you go on this journey, the more you will be amazed by how many beautiful creations do exist if you take the time to look.

Congratulations, Neil! All your readers are so proud of you! Can’t wait to read a whole book of your thoughts on perfume.

Update: Neil has posted photos of the actual book at The Black Narcissus, now that his parents have seen it first. It is gorgeous! And there will be at least one book event this spring in London, so keep checking his blog for details!