Luca Turin is back! He has just started a new blog about perfumes he loves. I couldn’t be more delighted, as his legendary guide book to perfumes was one of the books that started my interest in perfume and fragrance. Like many others, I discovered Mr. Turin’s book by reading Chandler Burr’s “The Emperor of Scent.” I am especially happy to read here that he loves a fragrance by Papillon Perfumery, whose scents I discovered last summer in London. The more I learn, the more I appreciate Liz Moores’ approach and philosophy. It is inspiring to see her work so well received.
As an audiophile of long standing and limited means, I am struck by similarities between loudspeakers and perfumes, especially in the manner of their choosing. Most people who don’t much care about sound (including many professional musicians who tend to listen to the playing, not the recording) buy little desktop or bookshelf speakers that adequately carry the spectrum but turn muddled and shouty when pushed hard. If they ever actually pick them by sound, they tend to go for the most impressive, i.e. the one with lots of treble and unmusical boomy bass, neglecting the midrange where most music and voice actually lies. That’s most of mainstream perfumery, all topnotes and bare but powerful drydown.
Then you have horn speakers, for those who love a huge midrange sound, colored by the resonant cabinetry, but capable of playing very loud, and with a wonderful old-fashioned chesty voicing. That would be the Roja Dove tendency of larger-than-life retro fragrances…
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