“Rose is a rose is a rose is a rose,” said Gertrude Stein in 1913. Rrose Selavy is named for the alter ego of Stein’s contemporary and acquaintance, the Dadaist Marcel Duchamp. I really can’t explain this any better than perfumer Maria Candida Gentile’s website copy, so here it is:
A velvet rose, persistent and unique, dedicated to one of the leading artists of Dadaism: a homage to Marcel Duchamp and to his “double” Rrose Sélavy.
With Rrose Sélavy, Maria Candida interprets the “double” of Marcel Duchamp, and his jeux des mots Rrose Sélavy which sounds in French like “eros, c’est la vie”, or “arroser la vie”, to make a toast to life. Maria Candida pays tribute to Duchamp, making a toast to life with her velvet, soft, fresh, just harvested scent, with its olfactory vibration and which fills the air and the space, tridimensional just like his art crafts. The name Sélavy emerged in 1921 in a series of photographs by Man Ray of Duchamp dressed as a woman. Throughout the 1920s, Man Ray and Duchamp collaborated on more photos of Sélavy. Duchamp later used the name as a signature name on written material and signed several creations with it.
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