Today is the first of May, traditionally celebrated in France by giving bouquets or sprigs of muguet, or lily-of-the-valley. As regular readers know, I love lilies of the valley and I love muguet fragrances. In some past years, I’ve done a “May Muguet Marathon“, posting every day about a muguet fragrance or the flower itself. I won’t do one this year, because of our son’s college graduation and then our family’s two-week trip to France itself. Got a lot going on!
I did want to share this lovely photo of Maison Dior’s flagship in Paris, decorated with huge sculptures of lilies of the valley:
Muguet at Maison Dior; image from Maison Dior.
Isn’t that magnifique? Christian Dior is much on my mind these days, after having watched the Apple TV series “The New Look.” I loved it — so well done, and the acting was terrific, including Juliette Binoche as the very unappealing Coco Chanel. The series is about what happened to Christian Dior and his sister Catherine during the Nazi occupation of Paris, with the parallel story of Chanel’s alleged collaboration. Only Binoche could have pulled off the balanced acting required for that role. Both narratives are based on separate books by Justine Picardie: a biography of Chanel that includes the war years, and one of Catherine Dior, focused on her experience as a member of the French Resistance and also as an inspiration to her brother. The perfume Miss Dior was named for her.
I’ve read the book about Catherine Dior, Miss Dior; A Story of Courage and Couture, and I highly recommend it. Have you read it, or watched the series?
Today’s Advent SOTD is Dior’s Gris Dior, created by François Demachy and originally launched in 2013 as Gris Montaigne. It is a very beautiful, modern, rose chypre, with the classic bergamot opening, floral heart of rose and jasmine, and base notes that include oakmoss and patchouli. The latter are used with a light hand, though, and are joined in the base by cedar, amber, and sandalwood.
The name Gris Dior refers to Maison Dior’s signature shade of pearl grey, which is one of my favorite colors. It is so much more than a combination of white and black; it has a soupçon of lavender and even pink. It is one of the softest, most elegant colors I can imagine; and this fragrance evokes it to perfection. The photo below, borrowed from a favorite blog, Bois de Jasmin, is of the earlier version, Gris Montaigne, but it captures the idea of the colors so perfectly (as well as the pink rose and the grey oakmoss) I wanted to share it:
Dior’s Gris Montaigne; image from boisdejasmin.com.
Interestingly, the paint manufacturer Benjamin Moore (whose colors are exceptional, imho) sells a paint color called “Dior Grey”, but it is darker than what I think of as Dior grey, although it does align more closely with the darker accent colors on Dior’s flagship store on the Avenue Montaigne:
Dior’s flagship store, Avenue Montaigne, Paris; image from kafkaesqueblog.com.
Another favorite blog, Kafkaesque, had this review of the original Gris Montaigne, with some charming reminiscences of the actual store, which is painted in the house’s signature pearl grey. (I had a more positive view of the fragrance than Kafkaesque did; she loved the opening stages but was disappointed in the drydown). In couture, the combination of that pearl grey and pale pink was a favorite of M. Dior, dating back apparently to his childhood home, a rose-colored villa set above grey rocks. I have that combination in a favorite set of scarf and matching gloves in soft pink and grey cashmere (not Dior!); it’s such a pretty, feminine color scheme, and I’m now reminded to pull those out now that the weather is cooler. I can spray them with Gris Dior!
My experience with Gris Dior has been very satisfactory so far; I’m enjoying the drydown, as it gets warmer and cozier after the bright bergamot opening and soft floral heart. The use of oakmoss here is very clever; it evokes one of the most legendary chypre fragrances of all time, the original Miss Dior, named for M. Dior’s sister Catherine, a heroine of the French Resistance. It also lends the grey tones to the pale pink of the rose and jasmine floral accords in Gris Dior, because it is so lightly blended in that one doesn’t get the full force of what many perceive as the dark, inky influence of oakmoss in fragrance. Nevertheless, it is definitely there. Kafkaesque was troubled by the purple patchouli she smelled as dominating the base, but my nose doesn’t really pick that up. The amber and sandalwood accords in the base, undergirded by cedar, add to its warmth and soften the oakmoss.
Really, Gris Dior is a disarming and elegant fragrance that I could see wearing more often. Perfect for wearing to an office, and also lovely for a quiet, candlelit dinner out with a loved one. It is part of Dior’s “Collection Privèe”, and priced accordingly. Have you tried it, or any others from that collection?
Serenity Now Scents and Sensibilities 