May Muguet Marathon: Something Blue

May Muguet Marathon: Something Blue

Although I really enjoy niche perfumes, and some pricey lines like Hermes, Chanel, Penhaligons, Jo Malone, etc., it’s wonderful to find and be able to recommend an affordable but pleasing fragrance — a bargain beauty, if you will. Oscar de la Renta’s Something Blue is one such beauty. It is readily available at discount stores and online for less than $20 for 100 ml, sometimes in a set with body lotion. Its name comes from the tradition of a bride wearing “something old, something new; something borrowed, something blue” on her wedding day, for good luck. The fragrance is meant to suggest exactly that: a sunny day smiling down on a beautiful young woman dressed in white.

Ad and bottle for Something Blue fragrance by Oscar de la Renta, with model in wedding dress

Oscar de la Renta’s Something Blue; image from http://www.oscardelarenta.com

The bottle, by the way, is very pretty and appealing. It has a nice weight in the hand, and the blue marblized cap is a delicate shade of sky blue with wisps of white across it like light clouds. The silver band around the neck, with the designer’s name, is meant to look like a wedding band, and it’s a nice touch. Something Blue was launched in 2013, the year before M. de la Renta died, and there are some delightful photos of him at its launch party:

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Designer Oscar de la Renta with his new fragrance

What does it smell like? The opening is based on notes of linden blossom, neroli, bergamot and mandarin. The mandarin offers sweetness, while the bergamot adds some tart greenness; this young lady is tender but spirited. Linden blossom and neroli evoke sunshine and summertime; not summertime at the beach, but a summertime garden wedding. More floral notes arrive, including lily of the valley (a traditional wedding bouquet flower), stephanotis (another bouquet favorite), and narcissus, with a touch of litchi to keep things sweet.  Of those notes, lily of the valley is most prominent, but this is not a muguet soliflore. The linden blossom continues to waft through the heart stage of the fragrance, and there is a nice balance between those two flowers.

The few fruity notes here are very well deployed to lift and sweeten the fragrance without being too sugary. The citruses provide the airiness and sunshine at the start to set the overall impression, while the litchi keeps the heart stage more sweet and less green than it might otherwise have been. I wouldn’t call this a “fruity floral”, it is mostly a light floral, but the fruit notes are important supporting players in Something Blue; they have been used masterfully, which is no surprise since the perfumers who created it were Ann Gottlieb and Frank Voelkl of Firmenich. There is no sense of “white flower” bomb, despite the presence of stephanotis and narcissus.

The final stage includes base notes of musk, vanilla, ambrette seed, ambergris and cashmere wood (which I assume means Cashmeran, especially as that base note seems to outlast the others after several hours). It is soft and warm, like glowing skin or the late afternoon’s golden sun. Here is the clever part: the progression of Something Blue emulates the unfolding of a summer garden wedding. The sunny, summery opening notes set the stage: the garden. The entrance of the lily of the valley and stephanotis notes evokes the entrance of the bride, bearing her bouquet of pure, white, virginal flowers. The gradual drydown to the warm golden notes of the base gives the impression of a late afternoon in the same garden, after the vows have been spoken, the ceremony performed, the refreshments had, the dances danced, the bride and groom departed for their honeymoon. Perhaps this is the hour when the few family members lingering can take a peaceful stroll through the garden, having said goodbye to their guests — it isn’t yet sunset, but the slanting rays of golden sun tell us that the day’s festivities are happily concluded, and it is time for quiet.

I have given a bottle of Something Blue to a young friend as one of her gifts at her bridal shower. She later told me that she did indeed wear it on her wedding day, and she likes it so much that she’s on her second or third bottle! A beauty indeed — both bride and fragrance.

Have you tried any of the many fragrances from Oscar de la Renta? What did you think?  I also like another fragrance from his house that features lily of the valley: Live in Love. Do you have any favorites from his brand?

 

May Muguet Marathon: Sense of Smell

May Muguet Marathon: Sense of Smell

This week, the New York Times printed an article called: “You Will Never Smell My World the Way I Do”.  It opens with this statement:

The scent of lily of the valley cannot be easily bottled. For decades companies that make soap, lotions and perfumes have relied on a chemical called bourgeonal to imbue their products with the sweet smell of the little white flowers. A tiny drop can be extraordinarily intense.

If you can smell it at all, that is. For a small percentage of people, it fails to register as anything.

The article is about a newly published research study that confirms what many of us know, i.e. that different people perceive different scents in different ways, and also identifies one reason why that is: our genetic make-up, specifically a single genetic mutation, in many instances. This is a scientific breakthrough, one that the researchers themselves did not expect, according to the New York Times:

The work provides new evidence of how extraordinarily different one person’s “smellscape” may be from another’s. It’s not that some people are generally better smellers, like someone else may have better eyesight, it’s that any one person might experience certain scents more intensely than their peers

“We’re all smelling things a little bit differently,” said Steven Munger, director of The Center for Smell and Taste at the University of Florida, who was not involved in the study.

The scientists who conducted the study looked for patterns in subjects’ genetic code that could explain these olfactory differences. They were surprised to find that a single genetic mutation was linked to differences in perception of the lily of the valley scent, beet’s earthiness, the intensity of whiskey’s smokiness along with dozens of other scents.

Fascinating! And now we know why one person’s Diorissimo is another person’s cat pee. This is also why there is no point in arguing with another perfumista about what they smell in your favorite fragrances; it may very well be entirely, and legitimately, different from what you smell.

Bourgeonal is not the only option available to perfumers and noses, however. It is only one of many “muguet” fragrance molecules, which have to be created synthetically because it isn’t possible to extract fragrant essences from lilies of the valley the way one can with flowers like roses and lavender. Other synthetic molecules used to create a “muguet” scent include: hydroxyc­itronellal, Lilial, Lyral, Cyclosal, Heliopro­panal, and a relatively new introduction from Symrise, Lilybelle. For an in-depth professional article by a Firmenich chemist on the evolution of muguet fragrances, go here: Beyond Muguet. Chemist Mat Yudov also wrote a terrific article about the chemistry of muguet fragrances two years ago on Fragrantica: May Greetings: New Lily of the Valley Aromachemicals.

I’m glad to know that there is a new generation of aromachemicals available to support one of my favorite notes in fragrance, regardless of IFRA restrictions. Bravo, chemists! Do you have any fragrance notes that you know you simply don’t smell? Has your perception of any perfume been affected by that?

Featured image from Fragrantica.