This is a very informative post about a recent meeting of Perfume Lovers London, where they explored rose scents and the aromachemicals that make a rose, by any name, smell sweet. Enjoy!
This was the first “business as usual” PLL event hosted by Lizzie (Odette Toilette), Laurin and Callum at the October Gallery in London since taking over the group.
The wonderful Nick Gilbert
Leading us through this rose themed evening was fragrance expert, Nick Gilbert. If you haven’t already checked out his YouTube channel Love to Smell with Pia of Volatile Fiction, you really should. Nick runs his own consultancy business and couldn’t be better placed to present us with the aromachemicals used to create rose scents along with examples of how each has been used in a particular perfume.

Below is a rough reconstruction of some of the perfumed proceedings after an introduction by Lizzie.
Lizzie, radiant in orange.
Nick: The reason I chose rose for this evening is because although there are are 300 molecules in rose absolute, there’s only 4 that humans can smell…
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As an audiophile of long standing and limited means, I am struck by similarities between loudspeakers and perfumes, especially in the manner of their choosing. Most people who don’t much care about sound (including many professional musicians who tend to listen to the playing, not the recording) buy little desktop or bookshelf speakers that adequately carry the spectrum but turn muddled and shouty when pushed hard. If they ever actually pick them by sound, they tend to go for the most impressive, i.e. the one with lots of treble and unmusical boomy bass, neglecting the midrange where most music and voice actually lies. That’s most of mainstream perfumery, all topnotes and bare but powerful drydown.

