Scented Advent, December 14

Scented Advent, December 14

The independent perfumer’s sample for today’s Advent scent is 1805, later renamed as 1805 Tonnerre, by Beaufort London. It is one of the first three fragrances released by this niche house upon its debut in 2015, as part of the “Come Hell Or High Water” collection. Fragrantica explains:

This collection brings together elements of Britain’s history, both imagined and real, to create collages of scent embodying themes of warfare, trade and exploration.

Crabtree’s lifelong love of fragrance and a preoccupation with the darker elements of British history served as the collection’s impetus. 

Fragrantica

The brand’s packaging mentions the significance of the year 1805: the same year when Admiral Nelson won the Battle of Trafalgar but lost his life; and the year when the “wind force scale” was invented by Sir Francis Beaufort. The scent’s composition is described as follows:

The scent imagines moments within the battle itself. Powerful accords of smoke, gunpowder, blood and brandy combine with sea spray and a penetrating citrus note.

Beaufort London

More prosaically, Fragrantica lists its notes as: Top notes are lime, smoke and gunpowder; middle notes are blood, brandy and sea water; base notes are amber, balsam fir and cedar.

This is definitely a unique scent but it’s not unpleasant. Much more masculine than unisex to my nose, but is that mostly because we have learned to associate non-floral odors with men more than women? Be that as it may, I smell the top notes of smoke and gunpowder, and there is a sharp note right at the beginning that may be the “lime”. The sample I have is the actual 2015 launch 1805, not the renamed, later version, and I think that citrus top note may have gone off a bit. Blood? Brandy? There is a metallic tang in the middle phase that I think is meant to represent “blood”, but mostly what I smell is the continuing smoke, now merging with sea water. I don’t smell anything I could identify as brandy.

The opening and middle stages are challenging, but the final stage is calmer and warmer, perhaps in the way there is calm after a great naval battle or storm. The base notes are very woody; accords of fir and cedar dominate over amber. Unfortunately, this is also the stage where 1805 smells more generic, like a woody aftershave. Again, not unpleasant, but now not as interesting. Whenever the gunpowder accord wafts through, though, as it regularly does, it rekindles my nose’s interest.

Painting of the naval battle of Trafalgar
The Battle of Trafalgar, by William Clarkson Stanfield

I was introduced to Beaufort London at Bloom perfumery in London, several years ago, at which time they had released a couple more fragrances to join the original three. One of those, Fathom V, is actually a fragrance I like a lot, on its own merits. If you like smoky scents that are different, you may like 1805 and its other siblings, but this is definitely a fragrance where one must proceed with caution.

What scents do you find very intriguing and artistic, but you might not choose to wear them yourself or at least to wear them less often?

Perfume Chat Room, January 8

Perfume Chat Room, January 8

Happy New Year again, and welcome to the weekly Perfume Chat Room, perfumistas! I envision this chat room as a weekly drop-in spot online, where readers may ask questions, suggest fragrances, tell others their SOTD, comment on new releases or old favorites, and respond to each other. The perennial theme is fragrance, but we can interpret that broadly. This is meant to be a kind space, so please try not to give or take offense, and let’s all agree to disagree when opinions differ. In fragrance as in life, your mileage may vary! YMMV.

Today is Friday, January 8, and it’s been quite a week. I know some of you don’t live in the US and are wondering what on earth is going on here. So are many Americans, except that many of us have feared exactly what we saw on Wednesday. This isn’t a political blog, so I won’t say much more, except that most of America is NOT rioting and I believe people of good will from both parties and all points of view will unite to oppose the violence the world saw in our capital this week. I have little or no such confidence in the media, social and traditional, that thrive on conspiracy theories and make money from them as clickbait.

Getting back to fragrance, but with a dose of dark humor — I believe I will pull out my discovery set from BeauFort London, which includes fragrances with notes of gunpowder and smoke. The first launches, the collection “Come Hell or High Water”, is named for aspects of British history. According to the US Capitol historian, the last time the Capitol was breached by a large hostile force was in the British invasion of DC in 1814, during the War of 1812. I first tried the BeauFort London fragrances at a favorite independent perfumery in London, Bloom, where I bought the discovery set. They are unisex, possibly leaning masculine; I especially liked Fathom V. Have you tried any of BeauFort London’s scents? Do you know of others that include a note of gunpowder? Or, in the other direction, any favorite perfumes that incorporate the word “Peace”?

Scent Sample Sunday: The Wearin’ O’ The Green

Scent Sample Sunday: The Wearin’ O’ The Green

Happy St. Patrick’s Day! In honor of the day, let us rejoice in the “wearing of the green” — green fragrances, that is. I love green fragrances, as you might expect from a blogger whose nom de plume is “Old Herbaceous“, and my most difficult fragrance choice today will be to decide which of the many I own I will wear. (Another option might be to wear one of the fragrances I brought home from Ireland last summer, including some from the small independent perfumer The Burren Perfumery, but today I’ll probably go with a classic green). Today will be a celebration of “The Wearin’ O’ The Green”!

Green nymph Fantasia

Image from Disney’s Fantasia 2000; http://www.disney.com

Fragrantica did one of its wonderful “Best in Show” columns last year on green fragrances, which you can read here: Best in Show: Green Fragrances (2018). As the editor notes, “green” can describe a wide range of fragrances and notes, which can include: galbanum, patchouli, vetiver, grasses, mosses, ivy, and leaves (especially tea and tomato), lime, basil, rosemary, mint, and cilantro, green mango and apple, conifer needles, bamboo, and more. Many of the muguet fragrances I love are quite green. As I’ve already written a lot about so many of those, and will again later this spring, I’ll pass over them as a category for now.

Some of the classic greens I own and love are Chanel No. 19, Chanel Cristalle, Annick Goutal Grand Amour, Gucci Envy, Balmain Vent Vert (the 1991 version, by Calice Becker), Jacomo Silences, Estee Lauder Azuree, Clinique Aromatics Elixir.

My newer green niche perfumes include (of course) Papillon’s Dryad, Beaufort London’s Fathom V, Amouage Bracken, L’Artisan Parfumeur’s The Pour Un Ete, Laboratorio Olfattivo’s Decou-Vert, DSH Perfumes Le Jardin Vert. There are others, but many of them I own only in small sample sizes, so I’m not counting them here!

Green fragrances: Chanel No. 19, Cristalle, Papillon Dryad, on Liberty shawl

Favorite green fragrances

While I know that “green” fragrances are said to be the least favored category of fragrance, I know many of you also love them. What are your favorites? Do you plan to wear a green fragrance today?

Outdoor sculpture of the Mud Maid, Lost Gardens of Heligan, Cornwall

Mud Maid, The Lost Gardens of Heligan

Fragrance Friday: Parfum et Vous

Last week, I was able to visit Nice, France, thanks to my husband’s work. He had to go for a business trip, I was able to take a few days off from my own job and tag along! During the day, he had meetings and I explored.

I have been to Nice before: once on our honeymoon, and again a few years ago when we took a family trip to the Cote d’Azur. But those trips were both before my perfumania, so I planned much of my week around fragrance. One thing I knew I’d like to try was a perfume-making workshop for beginners. Nice offers options; two different ones with an established perfume house, Molinard, and one with an independent perfumery, Parfum et Vous. I was leaning toward the latter, so when I contacted Megan in Sainte-Maxime to see if we might be able to meet (more about that in another post — such fun!), I asked her thoughts.  She enthusiastically recommended that choice, and she knows the owner, so I signed up. The price included a two-hour workshop to learn about perfume and then make our own scents, using pre-made accords, and one bottle of our own creation. The workshop would take place in a pretty old building in the heart of Nice, a short walk from the famous “Promenade des Anglais”, in the retail showroom of Parfum et Vous.

There were four of us taking the workshop, plus the lovely and vivacious Sasha, owner of Parfum et Vous, and her assistant. Sasha gave a brief introduction and overview about perfume, then had us walk around her small showroom filled with niche perfumes, smelling them and thinking about what genres and notes we might like to try in our own concoctions. Sasha’s wares are true artisan perfumes from niche houses, like Beaufort London, Nishane, NabuccoBarutiPaul Emilien and many others, so there was a wide range of fragrances to smell.

Then we went to a table where there were pre-mixed scents in eau de parfum strength representing categories of fragrance foundations, like “woody marine.” We talked about what we would try to create for our own eau de parfum, and sniffed all of the foundations. I wanted to create a unisex fragrance that would remind my husband and me of our trips to the South Carolina Lowcountry, the marshy coastland that borders the Atlantic Ocean in that state.

Next, we moved to a table that had 22 different accords in large bottles with droppers, divided among top notes, heart notes and base notes, and labeled with identifiers like “iris”, ‘chypre”, “citrus, “spice.” Each one also listed individual notes, e.g. “spice” included cinnamon, clove, and pepper. Sasha started each of us off with a formula to create a foundation for the category we had chosen, specifying how many mls of each accord we should add to our individual 30 ml bottles. I was starting with “woody marine”, so my beginning foundation included marine, citrus, green tea, “oriental woody”, and woody accords. Others wanted to create a gourmand, or a floral oriental, and there were foundations for those and other options.

Then the real fun began! Throughout the process, Sasha had us smell each stage as we added more accords in small amounts, tweaking our fragrances in the directions we wanted. I added notes of jasmine, cyclamen, wild rose, vetiver, and oak moss. As the other students and I added accords, Sasha would have us spray a bit on our skin and she would smell our progress and make suggestions. I got to a point where I wanted to add more heart notes. I was satisfied with the top notes, which by now included a citrus accord of mandarin, orange, and tangerine, the marine accord, and a tiny amount of a fruit accord (grapefruit and apple).

The heart note accords available were: neroli, spices, white flowers, rose, powdery (rice notes and white musk), iris, green tea, and cassis. We thought about adding neroli, but ruled that out. I asked about the powdery accord, and Sasha recommended against it, given the other accords I already had. We settled on slowly adding small amounts of the white flowers accord, which was a combination of jasmine and cyclamen. Then I thought about iris. Sasha was a little doubtful, but when I explained that I wanted that earthier, rooty aspect, she concurred but urged a light hand. In went .5 ml of the iris accord. Sniff, sniff. Wait. Another .5 ml. Sniff. Perfect!

Time to tweak the base notes. I already had accords that included notes of patchouli, vanilla, vetiver, tonka, cedar, and sandalwood. I wanted to add more of the “chypre” accord, with notes of vetiver and oak moss, and Sasha agreed but advised going slowly and adding 1 ml at a time, checking each time to see what I thought. Because of the nature of base notes, which emerge more slowly than the top and heart notes, one relies more on the formulas for base notes; even in a leisurely, unhurried workshop like this, there’s not time to wait for the full progression. Because I love chypre, I ended up adding more of that and no more of the other available base note accords, and I’m very happy with the outcome.

Once we were satisfied with our creations, Sasha had us name and label them. Parfum et Vous keeps a record of our names, and the formula for the specific blend we had created, so one can reorder if one wants. I named mine “Lowcountry Spring”, and I find it charming!

As you can tell, I enjoyed this workshop thoroughly and heartily recommend it. Because of the pre-formulated foundations and accords, plus expert guidance from Sasha, one really can’t go too far astray. It would take deliberate effort to create something that wasn’t pleasing. The atmosphere was fun and informative. I enjoyed meeting my three fellow students; we all helped each other, sniffing each other’s formulas along the way (yes, there were little canisters of coffee beans to help reset our noses, although I find it sometimes works best, when I’m trying many scents, to reset by just putting my nose to my own shoulder). I also really enjoyed seeing and smelling the many interesting niche perfumes Sasha sells in her showroom, some of which I hadn’t encountered before, and others which I had read about but never had the chance to try. If you get a chance to visit Nice, go see Parfum et Vous! Whether or not you have the time or inclination to spend an afternoon in the workshop, it is well worth a visit for the showroom alone, and to meet Sasha.

Have you ever tried making your own fragrances? How did it go?