Fragrance Friday: Un Jardin Sur le Nil

Fragrance Friday: Un Jardin Sur le Nil

The weather has hit the high nineties in my part of the world, complete with dense humidity and hot skies. It is steamy and hot, and we just spent a weekend with friends at their lake house. The house has a huge, high-ceilinged screened porch with two swinging daybeds suspended from its beams and ceiling fans rotating lazily above. I spent most of Saturday lounging on one of those porch swings, reading and looking out over the lakeshore where my teenagers alternately baked themselves in the sun and dipped into the water. And boy, was I in the mood for Un Jardin Sur le Nil! I spritzed myself with it liberally throughout the day and just basked in its green mango and lotus flowers. This fragrance truly blossoms in summer heat and humidity.

Bottle of Un Jardin Sur le Nil fragrance from Hermes, floating on a lotus leaf

Un Jardin Sur le Nil; photo from hermes.com

Citrus-based fragrances are not usually high on my list but perfumer Jean-Claude Ellena is a magician with grapefruit. The opening of Un Jardin Sur le Nil is my favorite part of the fragrance — a gust of grapefruit and green mango that I find very refreshing and alluring. The entire impression is very green, which likely comes from notes like bulrushes, tomato leaf and carrot, with that wonderful fruity-but-not-sweet opening. It is a different green than most “green florals”, though light floral notes emerge as the citrus dries down.

The story of Un Jardin Sur le Nil and its creation has been masterfully told by Chandler Burr, first in this story in The New Yorker and then in longer book form, in The Perfect Scent.

Book cover of The Perfect Scent by Chandler Burr

The Perfect Scent

After experiencing Un Jardin Sur le Nil on such a steamy, hot, humid day, I am appreciating its charms anew. In such an environment, it wafts off the skin in gentle waves of fresh coolness, as if one is about to sip the most delicious, refreshing drink in a green oasis. After the green mangoes and watercolor floral notes, the sycamore and incense notes at the base lightly suggest exactly the kind of setting in which I found myself this weekend: a wooden porch looking over a body of water, a humid breeze, a daybed heaped with pillows, ceiling fans turning gently above. In other words, there is a suggestion — just a soupcon, really — of this kind of room at the Old Cataract Hotel in Aswan, Egypt, where the Hermes team stayed during part of their exploratory journey:

Porch of the Old Cataract Hotel in Aswan, Egypt, looking over the Nile River

The Old Cataract Hotel, Aswan, Egypt. Photo: sofitel.com

Others have described and reviewed Un Jardin Sur le Nil in much more expert terms than I, and I encourage you to read The Perfect Scent, as it opens a window into the arcane world of perfumery in both Paris and New York. If you want to try the fragrance itself, I suggest that you try it on a hot summer day, when it truly comes into its own.

Bottle of Hermes fragrance Un Jardin Sur le Nil against background watercolor of lotus flowers

Un Jardin Sur le Nil, hermes.com

 

Fragrance Friday: Lovely Day

Fragrance Friday: Lovely Day

Ramon Monegal is a perfumer based in Barcelona, a member of the fourth generation of the family that started Myrurgia. He started his eponymous fragrance brand, Ramon Monegal Parfums, after a long career with Myrurgia and Puig, where he helped to develop fragrances for brands like Adolfo Dominguez, Antonio Miró, Aigner, Ines de la Fressange, and Massimo Dutti. Lovely Day was inspired by his son’s wedding:

An olfactory poem dedicated to the value of love. A Mediterranean composition to celebrate my son Óscar’s wedding. Happiness, intensity, joy, light, glow, affection and lots of excitement. Inspired by the bride’s white rose bouquet, because roses are the flowers of love.

He describes it as an “floral rose aqueous-watery” scent. The notes are: Sambac jasmine absolute, tea rose absolute, licorice absolute, iris on cedarwood and cassis. He invokes a “tone” of opal on a golden background, which is interesting because Lovely Day does have the diffuse quality of an opal that flashes bits of different colors unpredictably, changing with the light.

Different reviewers have made wildly different comments about Lovely Day. Continue reading

Fragrance Friday: June and Roses

Fragrance Friday: June and Roses

June is National Rose Month and, just in time, the New York Times has published this: In Fragrance, Rose is the New Unisex. I love roses — flowers and fragrance — almost as much as I love lilies of the valley. More, in some ways, as the flowers of roses are so varied, much more than lilies of the valley.

David Austin of England, pictured above meeting HRH Queen Elizabeth II at the Royal Chelsea flower show (where he won another gold medal at the age of 90), is a giant in the world of roses. He began his ambitious rose hybridization program decades ago, to bring back to modern roses the strong fragrances and softer shapes he knew from the roses of prior centuries. David Austin English Roses are the happy result — and they do make me happy! I can only grow a couple in my mostly shady, hot and humid Southern garden but they live up to their reputations as highly fragrant, beautiful roses. The one that does best for me is “Teasing Georgia”, a soft yellow rose I grow on a metal obelisk structure.

Yellow climbing English rose Teasing Georgia, by David Austin Roses, grown on a pillar.

“Teasing Georgia” rose; photo from David Austin Roses.

Mine isn’t quite as glamorous as this but it comes close! It has a strong tea rose fragrance.

There is one perfume house that specializes in rose-based perfumes: Les Parfums de Rosine. From the website: Continue reading

May Muguet Marathon: Muguet Fleuri

May Muguet Marathon: Muguet Fleuri

My oh my, muguet! Oriza  L. Legrand’s Muguet Fleuri opens with a decisive, spicy greenness that comes from top notes of green leaves, grass and lily-of-the-valley, per Fragrantica. The middle notes are galbanum, angelica, violet leaf and lily-of-the-valley; base notes are lily-of-the-valley, oakmoss and lily. Kafkaesque attributes the spiciness of the opening to the violet leaves, but I wonder if it doesn’t also come from the angelica. The firmness of the green top notes reminds me of the leaves of lily of the valley, which are very beautiful in their own right and offer just the right contrast to the delicate silver-white bells of the flowers on their long, slender stalks. The leaves are sculptural in their form, larger than the flowers and sometimes even hiding them. They are smooth and firm like the leaves of hostas, and reach to the sky in pairs like hands lifted in prayer.

Lily of the Valley leaves

Lily of the Valley leaves; photo from Verdure

I love the opening of this fragrance. It just happens that I am staying this week at my sister’s house, where she has an old, well-established patch of lilies of the valley, so I am able to compare the perfume and the flower directly while I type this. Continue reading

May Muguet Marathon: Lily of the Valley and Ivy

May Muguet Marathon: Lily of the Valley and Ivy

I discovered Jo Malone’s fragrances last summer, in the Heathrow Airport where there is a boutique. Unfortunately, I was there in a wheelchair, on my way home from London where I had fallen and broken my shoulder! So my kind husband took me to Jo Malone to pick out a bottle of perfume. The one I picked that day was Red Roses, as I had been visiting rose gardens during our trip. But I also tried last year’s limited edition Lily of the Valley and Ivy, part of the “Rock the Ages” series and I liked it so much that I later bought a bottle.

Jo Malone Rock the Ages

According to Fragrantica:

The aim of the collection was to depict different periods of British history through the inspiration of drama, atmosphere and characters of each of the periods. The collection contains the following scents: Tudor Rose & Amber, Lily of the Valley & Ivy, Geranium & Verbena, Pomegranate Noir (reissued) and Birch & Black Pepper.

Lily of the Valley & Ivy is inspired by the Georgian era of pastel tenderness, green landscapes, gardens and ivy-covered fences. The fragrance opens with green ivy, pink grapefruit and sparkling black currant, with delicate floral heart of lily-of-the-valley and narcissus and the base of beeswax, amber wood and white musk.

It is a very beautiful fragrance.  Continue reading

Fragrance Friday: May Muguet Marathon

Fragrance Friday: May Muguet Marathon

As you may know, possibly my all-time favorite fragrance note is lily-of-the valley, or “muguet.”  I associate it with one of my favorite books, Elizabeth Goudge’s “The Scent of Water”: Fragrance Friday: The Scent of Water. I carried lilies of the valley in my bridal bouquet in April (flowers I grew myself), but May is traditionally the month for muguets, when the flowers often bloom and when the French give bouquets and sprays of the blossoms on May 1. So, since this is the first May since I developed my passion for perfume, I’m going to celebrate May by posting as many reviews as I can of muguet-focused fragrances, including the latest in the Hermessence line, “Muguet Porcelaine” by Jean-Claude Ellena as well as some classics and other new discoveries. Wish me luck! And please join me in the comments during this May marathon!

lily-of-the-valley basenotes

My Mother’s Last Perfume

My Mother’s Last Perfume

My mother is slowly dying. It is sad but acceptable, given that she is in her mid-80s and suffered a major stroke more than two years ago. She has been able to stay in her own home, cared for by a live-in aide who has become a much-appreciated member of the family “team.” Now my mother also gets hospice care in her home and she is bedridden. She is emaciated, as she only drinks protein shakes and water. Most of her medications have been discontinued, because trying to swallow pills came to cause her so much distress. She would be mortified to know her present condition, as she was always a proud woman who valued autonomy above almost anything else. She had always hoped that her unhealthy heart would fell her instantly, without any fuss, after she was no longer able to enjoy what she called her “adventures.” My mother loved to travel to exotic places, with or without my father (who died several years ago).

In her younger days, my mother also loved glamour, and parties, and dressing up. She had an eye for fashion and was a striking woman herself: tall, with white Irish skin and startling blue eyes under dark eyebrows and hair that was such a dark brown it looked black. An early memory of mine is of sitting on my parents’ bed, watching her do her hair and make up at a vanity, or what we called her “dressing table.” It was a ritual; and part of that ritual was the finishing flourish of Chanel No. 5.

Chanel No. 5 perfume ad

My parents’ marriage was not always a happy one, though it lasted more than 50 years and only ended with my father’s death when he was almost 90. My mother was never cut out to be a suburban housewife, yet the part of her that craved security sought out that life and chose to stay in it. She was, indeed, very like the creation of Rudyard Kipling to which she frequently compared herself: The Cat that Walked by Himself, or as she said, “the Cat that walked alone.” She sought out creature comfort and made for herself (and us) a pleasing home, but there was always part of her that withheld itself. As a child, I often tried to make my mother feel happier, though I now realize that much of her unhappiness was due to exaggerated expectations on her part of how her life should have unfolded.

The Cat that Walked by Himself, from the Just-So Stories, text and illustration by Rudyard Kipling

The Cat that Walked by Himself, by Rudyard Kipling

One way I tried to make her happy was to save my small allowance to offer her gifts: special gifts, the kind I thought my father should give her more often. More than once, that gift was some form of Chanel No. 5. I remember offering Chanel talcum powder; and once, the smallest size of spray cologne, as that was all I could afford. She was, in fact, delighted by these offerings and made a point of using them when I was around to see that she loved and appreciated them. My mother was in many ways a self-centered woman but she loved us as much as she was able to, given her own loveless childhood.

So now, as she lies slowly dying — a process that could sadly take many more weeks or even months — I occasionally “borrow” a spritz from her last spray bottle of Chanel No. 5 eau de toilette. I think I may have given it to her some time in the last decade; I just don’t remember. But I do remember the fragrance, and her bottle pre-dates the 2013 reformulation. It hasn’t been carefully preserved — it sat out on a shelf in her sunny bathroom for years. So the top notes are a little “off”, but it quickly settles onto one’s skin with powdery, warm, heady florals. Smelling it, I can recall the vibrant, restless, beautiful woman my mother once was. It really is a lovely scent, though I would never choose to wear it regularly as my own perfume, given its long association with my mother.

Sadly, she no longer enjoys it. On one of my visits during this latest phase of her long decline, I thought she might like to smell it again, as she was always hyper-alert to smells, so I applied a bit to my own wrist and held it close so she could smell it. She wrinkled her nose and said to the room, “What is that awful smell?”. So I haven’t offered it again; instead, I bring her pots of live hyacinths, which she has long loved and still enjoys. My father, an avid amateur gardener, used to please her by potting up dozens of hyacinth bulbs for forcing indoors every winter, when their perfume would fill entire rooms.

My mother slips in and out of awareness these days, and I’m not always sure she knows I am there, but when I brought her the latest hyacinths and held the pot of blossoms close to her, she inhaled their fragrance, smiled and said, “Lovely!”. It still matters to me to try to make my mother happy, even at this indeterminate, shadowy end.

Fragrance Friday: Art & Olfaction Awards Finalists

Today at 1pm, Central European time, members of the Art and Olfaction Awards judging panel joined founder Saskia Wilson-Brown to announce the finalists of the third annual awards. Luca Turin gave a small talk about the meaning of awards, in general Mark Behnke introduced the judging methods, and the judges Antonio Gardoni introduced the artisan […]

via Announcing the finalists — The Art and Olfaction Awards

Fragrance Friday: Natalie Wood

Fragrance Friday: Natalie Wood

The New York Times recently published an intriguing article about the actress Natalie Wood’s daughter, Natasha Gregson Warner, her memories of her mother who died in a tragic accident when she was eleven, and the perfume she has designed: A Mother’s Death, A Daughter’s Life.

Scent matters to Ms. Gregson Wagner, 45. It’s an emotional trigger and conjurer of memory. In every home that she has lived in as an adult, she says she has planted a gardenia bush, because the smell of gardenias reminds her of her mother. “The smell is what I remember, the comfort of the smell,” she said as she sat on a banquette in her kitchen, wearing jeans and a flowered, billowy blouse. “I knew when she was home because I would smell her perfume. She would waft through the house.”

Ms. Gregson Warner will release a gardenia-based fragrance in honor of her mother, called Natalie. It is a modern take on the original Jungle Gardenia, which was Natalie Wood’s favorite perfume and was worn by a number of Hollywood stars (not the Coty version under the same name, which apparently was a completely different scent).

In one moving part of the article, Ms. Gregson Warner describes her emotions after she and her little sister were told that their mother had died:

As any daughter would be, she was devastated and scared. “Her bed and her sheets smelled like her,” said Ms. Gregson Wagner, who is petite at 5-foot-2 and with almond-shaped brown eyes, bears more than a passing resemblance to her mother. “I slept there for a lot of nights. Especially with one of her pillows, it just smelled like her in the days after.”

The power of fragrance. I wish this lovely lady the best of luck with her new perfume.

Natasha Gregson Warner, Natalie Wood's daughter

Natasha Gregson Warner. Photo: Elizabeth Weinberg for The New York Times

Fragrance Friday: Decisions, decisions

Fragrance Friday: Decisions, decisions

Spring has sprung, although we haven’t yet reached the vernal equinox. My garden is full of blossoming yellow and white daffodils, pink azaleas, blue starflowers, lavender redbuds, white dogwoods … a true Easter symphony of colors. A change of seasons warrants a change of fragrances! But which ones? I’ve enjoyed wearing Penhaligon’s Ostara quite often in the rotation, with its gorgeous scent of daffodils and beautiful packaging: Fragrance Friday: Ostara.

Ostara Box

It’s almost time to  plunge headlong back into my favorite lily of the valley/muguet perfumes (Fragrance Friday: The Scent of Water) but not just yet, although my first little LOTV bloom showed up this week outside. I even have a new one I’m excited to try: L.I.L.Y. by Stella McCartney.

It’s much too early for the rose perfumes I also love. Maybe something with cherry blossom? It is, after all, nearing cherry blossom time especially here in the South. I don’t happen to own anything with cherry blossom except a drugstore body spray, so if any of you have any suggestions, I am all ears! Or nose.

Happy spring!